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Pop art

Pop art
Pop art is an art movement that emerged in the mid-1950s in Britain and in the late 1950s in the United States.[1] Pop art presented a challenge to traditions of fine art by including imagery from popular culture such as advertising, news, etc. In pop art, material is sometimes visually removed from its known context, isolated, and/or combined with unrelated material.[1][2] The concept of pop art refers not as much to the art itself as to the attitudes that led to it.[2] Pop art employs aspects of mass culture, such as advertising, comic books and mundane cultural objects. It is widely interpreted as a reaction to the then-dominant ideas of abstract expressionism, as well as an expansion upon them.[3] And due to its utilization of found objects and images it is similar to Dada. Pop art and minimalism are considered to be art movements that precede postmodern art, or are some of the earliest examples of Post-modern Art themselves.[4] §Origins[edit] Eduardo Paolozzi. §United States[edit] Related:  Thesis - Exploration of Value4) DS3: GEM, ME and PC

Avant-garde The avant-garde (from French, "advance guard" or "vanguard", literally "fore-guard"[1]) are people or works that are experimental or innovative, particularly with respect to art, culture, and politics. The avant-garde also promotes radical social reforms. It was this meaning that was evoked by the Saint Simonian Olinde Rodrigues in his essay "L'artiste, le savant et l'industriel" ("The artist, the scientist and the industrialist", 1825), which contains the first recorded use of "avant-garde" in its now customary sense: there, Rodrigues calls on artists to "serve as [the people's] avant-garde", insisting that "the power of the arts is indeed the most immediate and fastest way" to social, political and economic reform.[3] Theories[edit] Several writers have attempted, with limited success, to map the parameters of avant-garde activity. Bürger's essay also greatly influenced the work of contemporary American art-historians such as the German Benjamin H. Relation to mainstream society[edit]

Andy Warhol Andy Warhol (/ˈwɔrhɒl/;[1] August 6, 1928 – February 22, 1987) was an American artist who was a leading figure in the visual art movement known as pop art. His works explore the relationship between artistic expression, celebrity culture and advertisement that flourished by the 1960s. After a successful career as a commercial illustrator, Warhol became a renowned and sometimes controversial artist. The Andy Warhol Museum in his native city, Pittsburgh, Pennsylvania, holds an extensive permanent collection of art and archives. It is the largest museum in the United States dedicated to a single artist. Warhol's art encompassed many forms of media, including hand drawing, painting, printmaking, photography, silk screening, sculpture, film, and music. Early life (1928–1949) In third grade, Warhol had Sydenham's chorea (also known as St. As a teenager, Warhol graduated from Schenley High School in 1945. 1950s 1960s Campbell's Soup I (1968) Attempted murder (1968) 1970s 1980s

Cultural icon Apple pie, baseball, and the flag grouped together are a cliché of American cultural icons A cultural icon is an artifact that is recognised by members of a culture or sub-culture as representing some aspect of cultural identity. Cultural icons vary widely, and may be visual, audio, an object, a person or group of people, etc. In the media, many items of popular culture have been called "iconic" despite their lack of durability. Types[edit] A subset of cultural icons are national icons. A web-based survey was set up in 2006 allowing the public to nominate their ideas for national icons of England[2] and the results reflect the range of different types of icon associated with an English view of English culture. Big Ben (the nickname for the bell, but widely recognised as St. Matryoshka dolls are seen internationally as cultural icons of Russia.[12] Use in popular media[edit] Describing something as iconic or as an icon has become very common in the popular media. See also[edit]

Yoshikazu Yasuhiko Yoshikazu Yasuhiko (安彦良和, Yasuhiko Yoshikazu?, born December 9, 1947) is a Japanese animator and manga artist in the anime industry. Born in Engaru, Hokkaidō, Yasuhiko dropped out of Hirosaki University and was hired by Osamu Tezuka's Mushi Productions in 1970 as an animator. He later went freelance and worked on various animation productions for film and television. In recent years he has branched out artistically, creating such works as Joan, a three-volume story of a young French girl living at the time of the Hundred Years' War, whose life parallels that of Joan of Arc; and Jesus, a two-volume biographical manga about the life of Jesus Christ. Yasuhiko signs his artwork as "YAS". Filmography[edit] Television[edit] OVA[edit] Crusher Joe OAV (1989) (Character Design)Mobile Suit Gundam Unicorn (2009) (Original Character Design - did the illustrations for the original light novel)Mobile Suit Gundam: The Origin Film[edit] Comics[edit] References[edit] External links[edit]

Minimalism (visual arts) Jean Metzinger, following the Succès de scandale created from the Cubist showing at the 1911 Salon des Indépendants, in an interview with Cyril Berger published in Paris-Journal 29 May 1911, stated: We cubists have only done our duty by creating a new rhythm for the benefit of humanity. Others will come after us who will do the same. What will they find? Metzinger's (then) audacious prediction that artists would take abstraction to its logical conclusion by vacating representational subject matter entirely and returning to what Metzinger calls the "primordial white unity", a "completely white canvas" would be realized two years later. Monochrome painting was initiated at the first Incoherent arts' exhibition in 1882 in Paris, with a black painting by poet Paul Bilhaud entitled "Combat de Nègres dans un tunnel" (Negroes fight in a tunnel).

Roy Lichtenstein Roy Fox Lichtenstein (pronounced /ˈlɪktənˌstaɪn/; October 27, 1923 – September 29, 1997) was an American pop artist. During the 1960s, along with Andy Warhol, Jasper Johns, and James Rosenquist among others, he became a leading figure in the new art movement. His work defined the basic premise of pop art through parody.[2] Favoring the comic strip as his main inspiration, Lichtenstein produced hard-edged, precise compositions that documented while it parodied often in a tongue-in-cheek humorous manner. His work was heavily influenced by both popular advertising and the comic book style. He described pop art as "not 'American' painting but actually industrial painting".[3] His paintings were exhibited at the Leo Castelli Gallery in New York City. Whaam! Early years[edit] Career[edit] Cap de Barcelona, sculpture, mixed media, Barcelona Lichtenstein entered the graduate program at Ohio State and was hired as an art instructor, a post he held on and off for the next ten years. Later work[edit]

Pop icon For the British television series, see Pop Idol. A pop icon is a celebrity, character, or object whose exposure in pop culture constitutes a defining characteristic of a given society or era. The categorization is usually associated with elements such as longevity, ubiquity, and distinction. Moreover, "pop icon" status is distinguishable from other kinds of notoriety outside of popular culture, such as with historic figures. Longevity[edit] Usually, the pop icon status of a celebrity is contingent upon longevity of notoriety.[3][4] This is in contrast to cult icons, whose notoriety or recognition may be limited to a specific subculture. Ubiquity[edit] A common element of pop icon status is the ubiquity of imagery and allusions to the iconic figure. Distinction[edit] Often pop icon status implies distinguished association with a societal ideal or archetype. A number of pop icons are distinguished for having died at a young age. Examples[edit] See also[edit] Notes[edit] References[edit]

Art Art is a diverse range of human activities and the products of those activities, usually involving imaginative or technical skill. In their most general form these activities include the production of works of art, the criticism of art, the study of the history of art, and the aesthetic dissemination of art. This article focuses primarily on the visual arts, which includes the creation of images or objects in fields including painting, sculpture, printmaking, photography, and other visual media. Architecture is often included as one of the visual arts; however, like the decorative arts, it involves the creation of objects where the practical considerations of use are essential—in a way that they usually are not in a painting, for example. The nature of art, and related concepts such as creativity and interpretation, are explored in a branch of philosophy known as aesthetics.[8] Creative art and fine art Works of art can tell stories or simply express an aesthetic truth or feeling.

Stewart Brand Stewart Brand (born December 14, 1938) is an American writer, best known as editor of the Whole Earth Catalog. He founded a number of organizations, including The WELL, the Global Business Network, and the Long Now Foundation. He is the author of several books, most recently Whole Earth Discipline: An Ecopragmatist Manifesto. Life[edit] Brand attended Phillips Exeter Academy, before studying biology at Stanford University, from which he graduated in 1960. American Indians[edit] Through scholarship and by visiting numerous Indian reservations, he familiarized himself with the Native Americans of the West. Merry Pranksters[edit] By the mid-1960s, he was associated with author Ken Kesey and the "Merry Pranksters", and in San Francisco, with his partner Zach Stewart, Brand produced the Trips Festival, an early effort involving rock music and light shows. NASA images of Earth[edit] Earth from space, by ATS-3 satellite, 1967 Douglas Engelbart[edit] Whole Earth Catalog[edit] The WELL[edit]

Jasper Johns Detail of Flag (1954-55). Museum of Modern Art, New York City. This image illustrates Johns' early technique of painting with thick, dripping encaustic over a collage made from found materials such as newspaper. Jasper Johns, Jr. Life[edit] Born in Augusta, Georgia, Jasper Johns spent his early life in Allendale, South Carolina, with his paternal grandparents after his parents' marriage failed. Johns studied a total of three semesters at the University of South Carolina, from 1947 to 1948.[2] He then moved to New York City and studied briefly at the Parsons School of Design in 1949.[2] In 1952 and 1953 he was stationed in Sendai, Japan during the Korean War.[2] In 1954, after returning to New York, Johns met Robert Rauschenberg and they became long-term lovers. Johns currently lives in Sharon, Connecticut and on the Island of Saint Martin.[9] Until 2012, he lived in a rustic 1930s farmhouse with a glass-walled studio in Stony Point, New York. Work[edit] Painting[edit] Sculpture[edit] Notes

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