Andy Warhol Andy Warhol (/ˈwɔrhɒl/;[1] August 6, 1928 – February 22, 1987) was an American artist who was a leading figure in the visual art movement known as pop art. His works explore the relationship between artistic expression, celebrity culture and advertisement that flourished by the 1960s. After a successful career as a commercial illustrator, Warhol became a renowned and sometimes controversial artist. The Andy Warhol Museum in his native city, Pittsburgh, Pennsylvania, holds an extensive permanent collection of art and archives. It is the largest museum in the United States dedicated to a single artist. Warhol's art encompassed many forms of media, including hand drawing, painting, printmaking, photography, silk screening, sculpture, film, and music. Early life (1928–1949) In third grade, Warhol had Sydenham's chorea (also known as St. As a teenager, Warhol graduated from Schenley High School in 1945. 1950s 1960s Campbell's Soup I (1968) Attempted murder (1968) 1970s 1980s
Yoshikazu Yasuhiko Yoshikazu Yasuhiko (安彦良和, Yasuhiko Yoshikazu?, born December 9, 1947) is a Japanese animator and manga artist in the anime industry. Born in Engaru, Hokkaidō, Yasuhiko dropped out of Hirosaki University and was hired by Osamu Tezuka's Mushi Productions in 1970 as an animator. He later went freelance and worked on various animation productions for film and television. In recent years he has branched out artistically, creating such works as Joan, a three-volume story of a young French girl living at the time of the Hundred Years' War, whose life parallels that of Joan of Arc; and Jesus, a two-volume biographical manga about the life of Jesus Christ. Yasuhiko signs his artwork as "YAS". Filmography[edit] Television[edit] OVA[edit] Crusher Joe OAV (1989) (Character Design)Mobile Suit Gundam Unicorn (2009) (Original Character Design - did the illustrations for the original light novel)Mobile Suit Gundam: The Origin Film[edit] Comics[edit] References[edit] External links[edit]
Origin Roy Lichtenstein Roy Fox Lichtenstein (pronounced /ˈlɪktənˌstaɪn/; October 27, 1923 – September 29, 1997) was an American pop artist. During the 1960s, along with Andy Warhol, Jasper Johns, and James Rosenquist among others, he became a leading figure in the new art movement. His work defined the basic premise of pop art through parody.[2] Favoring the comic strip as his main inspiration, Lichtenstein produced hard-edged, precise compositions that documented while it parodied often in a tongue-in-cheek humorous manner. His work was heavily influenced by both popular advertising and the comic book style. He described pop art as "not 'American' painting but actually industrial painting".[3] His paintings were exhibited at the Leo Castelli Gallery in New York City. Whaam! Early years[edit] Career[edit] Cap de Barcelona, sculpture, mixed media, Barcelona Lichtenstein entered the graduate program at Ohio State and was hired as an art instructor, a post he held on and off for the next ten years. Later work[edit]
Art Art is a diverse range of human activities and the products of those activities, usually involving imaginative or technical skill. In their most general form these activities include the production of works of art, the criticism of art, the study of the history of art, and the aesthetic dissemination of art. This article focuses primarily on the visual arts, which includes the creation of images or objects in fields including painting, sculpture, printmaking, photography, and other visual media. Architecture is often included as one of the visual arts; however, like the decorative arts, it involves the creation of objects where the practical considerations of use are essential—in a way that they usually are not in a painting, for example. The nature of art, and related concepts such as creativity and interpretation, are explored in a branch of philosophy known as aesthetics.[8] Creative art and fine art Works of art can tell stories or simply express an aesthetic truth or feeling.
Artists Jasper Johns Detail of Flag (1954-55). Museum of Modern Art, New York City. This image illustrates Johns' early technique of painting with thick, dripping encaustic over a collage made from found materials such as newspaper. Jasper Johns, Jr. Life[edit] Born in Augusta, Georgia, Jasper Johns spent his early life in Allendale, South Carolina, with his paternal grandparents after his parents' marriage failed. Johns studied a total of three semesters at the University of South Carolina, from 1947 to 1948.[2] He then moved to New York City and studied briefly at the Parsons School of Design in 1949.[2] In 1952 and 1953 he was stationed in Sendai, Japan during the Korean War.[2] In 1954, after returning to New York, Johns met Robert Rauschenberg and they became long-term lovers. Johns currently lives in Sharon, Connecticut and on the Island of Saint Martin.[9] Until 2012, he lived in a rustic 1930s farmhouse with a glass-walled studio in Stony Point, New York. Work[edit] Painting[edit] Sculpture[edit] Notes
Psychedelic art Psychedelic art is any art inspired by psychedelic experiences known to follow the ingestion of psychoactive drugs such as LSD and psilocybin. The word "psychedelic" (coined by British psychologist Humphry Osmond) means "mind manifesting". By that definition, all artistic efforts to depict the inner world of the psyche may be considered "psychedelic". In common parlance "psychedelic art" refers above all to the art movement of the late 1960s counterculture. Psychedelic visual arts were a counterpart to psychedelic rock music. Concert posters, album covers, lightshows, murals, comic books, underground newspapers and more reflected not only the kaleidoscopically swirling patterns of LSD hallucinations, but also revolutionary political, social and spiritual sentiments inspired by insights derived from these psychedelic states of consciousness. §Features[edit] §Origins[edit] Ultimately it seems that psychedelics would be most warmly embraced by the American counterculture. §See also[edit]
Robert Rauschenberg Robert Rauschenberg (October 22, 1925 – May 12, 2008) was an American painter and graphic artist whose early works anticipated the pop art movement. Rauschenberg is well known for his "Combines" of the 1950s, in which non-traditional materials and objects were employed in innovative combinations. Rauschenberg was both a painter and a sculptor and the Combines are a combination of both, but he also worked with photography, printmaking, papermaking, and performance.[1][2] He was awarded the National Medal of Arts in 1993.[3] He became the recipient of the Leonardo da Vinci World Award of Arts in 1995 in recognition of his more than 40 years of fruitful artmaking.[4] Rauschenberg lived and worked in New York City as well as on Captiva Island, Florida until his death from heart failure on May 12, 2008.[5] Life and career[edit] Rauschenberg was born as Milton Ernest Rauschenberg in Port Arthur, Texas, the son of Dora Carolina (née Matson) and Ernest R. Canyon (1959) Death[edit] Combines[edit]
Neo-Dada Neo-Dada is a minor audio and visual art movement that has similarities in method or intent to earlier Dada artwork. While it revived some of the objectives of dada, it put "emphasis on the importance of the work of art produced rather than on the concept generating the work".[1] It is the foundation of Fluxus, Pop Art and Nouveau réalisme.[2] Neo-Dada is exemplified by its use of modern materials, popular imagery, and absurdist contrast. It also patently denies traditional concepts of aesthetics. The term was popularized by Barbara Rose in the 1960s and refers primarily, although not exclusively, to a group of artwork created in that and the preceding decade. See also[edit] Anti-art [edit] Jump up ^ "neo-dada". References[edit] Susan Hapgood, Neo-Dada: Redefining Art, 1958-62.