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Guitar Scales @ Chordbook.Com

Guitar Scales @ Chordbook.Com
This page shows you some common scales on the guitar. You can use the repeat and speed buttons to practice along. blues BLUES The basis of most popular music! chromatic CHROMATIC Fantastic for finger work and again getting you to new keys, chords quickly. diminished 7ths DIMINISHED 7THS A 4 note version of the major arpeggio. dominant 7ths DOMINANT 7THS As these scales start on the 7th degree of the scale usually, you can use them to shift key or get you into a new harmony fast, really good when a track shifts up a semitone or tone. harmonic minor HARMONIC MINOR Both melodic and harmonic minor scales give a dark colour to your improvisations, in particular the harmonic version has an eastern quality which fits nicely into more complex and exotic material. major MAJOR SCALE An essential! major arpeggio melodic minor (ascending) melodic minor (descending) minor MINOR SCALE An essential! minor arpeggio pentatonic (major) pentatonic (minor) whole tone Related:  DIY/Learning

Pinky Dexterity Exercise | Lessons Exercise 1 This is more of a warm up for the next exercises. Start slow then gradually speed up until your little finger slows down by it self if it does not and you are that proficient then maintain that speed with as much consistency as you can. Use your ring finger for the 12th fret then hammer and pull off away with your pinky/little finger. You can also to this on the other strings but if you choose to do so then make sure that as you hammer and pull off you do not hit the strings adjacent to the ones you are using. Keep it as clean as possible. E 12h13p12h13p12h13p12h13 and so on ---------------------------------- B -------------------------------------------------------------------- G -------------------------------------------------------------------- D -------------------------------------------------------------------- A -------------------------------------------------------------------- E -------------------------------------------------------------------- I hope this helps!

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Les Six Positions De La Gamme De Do. - Les Cours De Guitare De FreeChet Mardi 26 janvier 2 26 /01 /Jan 06:45 Bonjour à toutes et à tous !! Voici un cours sur les 6 différentes positions de la gamme de Do. Recommandations importantes : 1°) Commencez par le début !! 2°) Ne confondez pas vitesse et précipitation !! 3°) Récitez les notes de la gamme !! 4°) Repérez bien les shémas des doigtés !! Allez, bonne vidéo !! Voici la vidéo : Voici les Tablatures : Ne vous formaliser pas pour les croches et doubles croches !! En espérant que celà vous serve, amicalement !! FreeChet. Partager l'article ! inShare Par FreeChet - Publié dans : Théorie 0

Hands Of Steel III: Mastering Scales. Part I | Lessons Greetings Knights and Dames of shredding! Hands of Steel III will be a multi-part lesson. Its aim will be to help you learn scales in a way that will enable maximum fluency, and versatility. Unlike many lessons or books on scales, this lesson is designed to keep you out of the dreaded box that so many of us have become trapped in at one point or another. I will do this by first introducing a scale in single string patterns only. e|-0-1-3-5-7-8-10-12-| B|-------------------| G|-------------------| D|-------------------| A|-------------------| E|-------------------| First, play the notes up, then down. e|-0-1-3-1-3-5-3-5-7-5-7-8-7-8-10-8-10-12-| B|----------------------------------------| G|----------------------------------------| D|----------------------------------------| A|----------------------------------------| E|----------------------------------------| * 0 1 3 1 2 4 1 2 4 1 3 4 1 2 4 1 2 4 Example 2b) Descending Take your time with this. Example 4a) Ascending Example 4b) Descending

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Apprendre la guitare/Jeu en position/Grilles de position de la gamme majeure Un livre de Wikilivres. Ce chapitre présente toutes les grilles de position de la tonalité de référence Do majeur Vous trouverez au chapitre sur l'apprentissage du manche des suggestions et exercices pour l'étude de ces grilles, et la convention utilisée pour la numérotation des positions. Chacune des 7 grilles locales présentées est jouable sans changer de position, mais il est possible à partir de ces grilles de construire des grilles mixtes sur deux, trois positions ou plus (grilles à 3 notes par corde, ou même, avec glissés, à 4 notes par corde). Les grilles locales larges peuvent s'appliquer à deux positions, nécessitant ou bien une extension du majeur, ou bien une extension de l'auriculaire, mais jamais les deux. L'une de ces deux extensions est en général plus confortable que l'autre. Les 7 types de grilles locales[modifier | modifier le wikicode] Forme Do, Mode III[modifier | modifier le wikicode] Positions : 0 et 12 Notes de l'accord de Do majeur, et exemple de réalisation :

Beginner/Intermediate Mode Lesson Hey there folks, here is a little insight on modes for beginner to intermediate level players. An interval is the distance between any of those notes. There are two basic intervals, "whole step" and "half step". There are seven modes in every major key. The modes in any major key, in order, are Ionian, Dorian, Phrygian, Lydian, Mixolydian, Aeolian and Locrian. C Ionain (a.k.a. You ask, what determines the order of the modes or what determines which note in a key will be the root note of a mode? C - 1st degree D - 2nd degree E - 3rd degree F - 4th degree G - 5th degree A - 6th degree B - 7th degree All the modes in a major key will have the same notes. C Ionian C D E F G A B D Dorian D E F G A B C E Phrygian E F G A B C D F Lydian F G A B C D E G Mixolydian G A B C D E F A Aeolian A B C D E F G B Locrian B C D E F G A All of the above modes are in the key of C major, thus, they all contain the same notes. Learning how to play the modes is easy. W= whole step H= Half step Phrygian Lydian

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Guitare :: improvisation - improviser à la guitare A Well Balanced Solo | Lessons The 'perfect solo' is something most guitarists strive for, however there is no absolute formula. Most guitarist think that SPEED IS ALL but that is not necessarily true. Its is important to have some good licks, themes variation and lots of other techniques: THEME Every good solo should have a recurring theme(s) so that people can remember it because you want people to remember it and buy your CD or talk about you wherever they go. If you just shred no-one will be able to hum it and thats what you want people to do minutes, hours, days, weeks, months and even years after you play it to them. Give it a melody, steal part of the main melody in your song, like in AX7's Afterlife. Its your chance to show off but it still needs to fit into the song.

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Notes Have Names So Respect Them | Lessons E|-----Daniel----------------------------------- B|-------------Kaczmarczyk---------------------- G|--------------------------Guitar-------------- D|-LESSON--#1-----------------------Lessons----- A|---------------------------------------------- E|---------------------------------------------- Every musician has to know something about music theory. If you play guitar for more than a year and still don't know anything about how the music is organized it's great time to start learning it. This is some kind of pattern you have to remember, and understand. ( you know how to read tabulature, don't you ? We played the B,C,D notes, but we have a little distress. E|------------------------ B|------------------------ G|------------------------ D|------------------------ A|------------------------ E|---7---8-----9-----10--- B C C#/Db D So now you know how it works. This is a representation of your fretboard.

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