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Electronic Music Theory: How to Quickly Write Better Chord Progressions w/ Pat Cupo

Electronic Music Theory: How to Quickly Write Better Chord Progressions w/ Pat Cupo
A lot of students have asked me for tips and tricks to writing better chord progressions. By that time they had already learned about building Major and Minor chords, but when it came to a chord progression – a series of chords occurring in time – they were a bit stuck. If you’re ever in the same position, then feel free to use these simple guidelines to help you quickly write chord progressions. Follow them carefully and strictly at first and over time it’ll start to come naturally to you. 1) Use only Major or Minor chords. Just keep things simple. C Major [audio: Major Chord C Minor [audio: Minor Chord 2) Begin and end with the same chord The thing about music is that it’s like a game. [audio: Minor Chord So what chord am I going to end with? 3) Move freely among diatonic chords The word Diatonic means “from the tonic”. [audio: Minor Scale [audio: Chords Here’s the secret: You can move freely around these diatonic chords in any way you want. Now to make things interesting. [audio: Dm FM

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Kinderszenen op. 15, no. 1 The following animation presents a formal and harmonic analysis of the piece. Comments about the analysis are presented below. Comments about the analysis 20 Tips On Songwriting Every songwriter goes through times when the inspiration just seems to dry up, and the perspiration doesn't seem to be working. Debbie Poyser offers some guidance. Songwriting is a skill that is rarely taught: musicians more often than not tend to write instinctively, absorbing their ideas about form and structure from the music that's around them, and relying on inspiration for their melodic and lyrical direction. For many this works perfectly well, but there's no harm at all in trying to make a good thing better.

210 Awesome Open Guitar Chords and How to Use Them - A Kings Mercury Are you bored of the sound of standard chords? Then, using open guitar chords is a way to pimp up your playing and boring chord progressions. There are thousands of open guitar chords and millions of ways to use them creatively. In this post I introduce you to the world of open chords with a brief introduction, a library of 210 open guitar chords and some ideas on how to use them properly. Open chords are chords that have at least one open string like this shape of E-minor x7x087. Within this definition standard chords like C-major x32010 are also open chords because of their open strings.

40 Helpful Links for Guitar Players I'm doing my best do save you some room in your bookmarks tab on your browser by compiling the 40 most helpful links and websites I've ever come across for guitar players. These aren't just gear or lesson sites, but sites that I've found to be helpful in other ways that I wouldn't have initially expected. So I'm passing the knowledge on to you. If you play guitar, every link on this page will be worth checking out or at least keeping handy for future use.

Species Counterpoint An Introduction to Species Counterpoint COUNTERPOINT may be briefly defined as the art of combining independent melodies. In figure 1 the lower melody is harmonized by one a third higher - such an arrangement of the voices could be regarded as counterpoint, but there is little or no independence between the parts; for example there is no dissonance between the voices, and both rise and fall together in parallel. Guitar Technique and Warm Up Exercises with Tabs Here are some technique and warm up exercises that can help you to gain fluency, speed and accuracy on the guitar neck. It's a good idea to do some of these exercises every day. Don't do them too long at a time, it's better to exercise regularly (daily) for a short time. You gain the most out of these exercises if you use a metronome. Start slow and built up the speed. Don't force yourself into a tempo that you're not ready for.

THE ETHOS OF THE AXIS SYSTEM (tonal serialism) Comparisons are, by their very nature, delusive. Still, I would like to venture the following — comparative — statement: classical harmony is to modal harmony what a geocentric world concept is to a heliocentric one. Let us arrange the tone set of the Jupiter Symphony in a circle of fifths. In a traditional representation, the tonic – C – will be placed at the top of the fifth-circle, in the center of symmetry of the system. However, earlier we came to the conclusion and one glance at a piano keyboard (with the white and black keys) will make us understand that the axis of symmetry of the C major scale is not C... but D (or Ab), in relation to which every note of the C major scale has a symmetrical counterpart both upward and down.

Know Every Note on the Guitar in 9 Days Knowing every note on the guitar is a challenge unique to the instrument. A saxophone has only one way to finger each note, while a guitar usually has a few different strings and four fingers to choose from. String a few notes together and the permutations of how to play them will wreck your brain. Pianists have a similar problem with ten available digits, but you can memorize the notes on a keyboard in a matter of minutes; the same pattern of white and black keys repeats every octave. The challenge with navigating the guitar fretboard is its two-dimensional layout. It’s a matrix, while nearly every other instrument has a linear path of notes from the bottom to the top of its range.

Measuring the Evolution of Contemporary Western Popular Music : Scientific Reports To identify structural patterns of musical discourse we first need to build a ‘vocabulary’ of musical elements (Fig. 1). To do so, we encode the dataset descriptions by a discretization of their values, yielding what we call music codewords20 (see Supplementary Information, SI). In the case of pitch, the descriptions of each song are additionally transposed to an equivalent main tonality, such that all of them are automatically considered within the same tonal context or key. Next, to quantify long-term variations of a vocabulary, we need to obtain samples of it at different periods of time. For that we perform a Monte Carlo sampling in a moving window fashion.

100 Ways to Discover and Enjoy Music UPDATE 12/10/13: We’ve released a follow-up to this post with 100 More Ways to Discover and Enjoy Music. Prepare yourself for another dose of Monday roundup madness! It’s time for another crazily comprehensive, yet carefully curated, look at an entire industry–the music industry to be specific. This if the first in a two-part series on the music industry which will conclude next week. This week’s focus is on the consumer side of music. Harmony Explained: Progress Towards A Scientific Theory of Music The Major Scale, The Standard Chord Dictionary, and The Difference of Feeling Between The Major and Minor Triads Explained from the First Principles of Physics and Computation; The Theory of Helmholtz Shown To Be Incomplete and The Theory of Terhardt and Some Others Considered Daniel Shawcross Wilkerson Begun 23 September 2006; this version 19 February 2012. Abstract and Introduction Most music theory books are like medieval medical textbooks: they contain unjustified superstition, non-reasoning, and funny symbols glorified by Latin phrases. How does music, in particular harmony, actually work, presented as a real, scientific theory of music? In particular we derive from first principles of Physics and Computation the following three fundamental phenomena of music:

jazz chord substitution chord substitution concepts Harmonic substitution is simply about replacing one chordal sound with another, or as I need to think of it, as one color for another. Whether it is in the written harmony from sheet music or the harmony implied by the melody, the theoretical concepts behind chord substitution becomes "search" tools for the learner. The coolness here is that we can create different shades of color, allowing for a variety of ways to blend the melody and harmony of a song together. Through chord substitution we can create different pathways to the same emotional, tonal and artistic destinations.