Happy Birthday Chord Melody Arrangement You’re out playing a gig with your combo at a packed jazz club, and during the bass solo you notice someone eagerly waiting to ask you something at the edge of the stage. After the song has finished, the person comes up to you and politely asks “it’s my friend’s birthday tonight, can you play happy birthday for us?” You pause for a second and confront the rest of the band to ask if they know it only to awkwardly reply to the person who requested the song “Sorry, none of us know it, but we can play Giant Steps in 7!” While musicians can’t be expected to play every request they get asked on gigs, one tune every musician should know is how to play is happy birthday. This short melody is worth learning so you’re prepared at gigs for requests, or if you just like to play for your friends and family. As a gigging musician, I’ve had some nice tips over the years for been able to play this while busking or on a gig, so it’s worth having it as part of your repertoire.
Music Theory for Songwriters - Charts and Maps Chord Charts and Maps These charts and maps are designed to print on one page. In the “Chord Picture” diagrams, the notes shown are played by the right hand. The bass note, played by the left hand, is not shown. Usually the bass note is the same letter name as the chord. For example, any chord with the name C (Cm6, CM7...) would have a C as its bass note. Diatonic Harmony So reading this diagram from left to right we can move from iii to vi. Then from vi to either IV or ii. From IV we can then move to either viio, ii, V or I. Free Vintage Optical Compressor Plugin - Bus Driver - Logic Pro Expert Logic Pro Expert Logic Pro Free Plugins Don’t Crack for a limited time have set free Bus Driver, a free Vintage Optical Compressor with Tube Saturation. From the Don’t Crack website:
Dissonance, Resolution And Note Enclosure In Guitar Improvisation Dissonance is the use of notes that fall outside of the key signature of the tune. In turn, resolution is the return to consonance, to bring the melody back home. Consonant phrases can sound very good, in small doses, but quickly become tedious over the length of an entire solo. The contrast between dissonance and consonance, used at opportune moments in a solo, is what keeps both yourself and the listener interested. The 10 best lectures on electronic music ever; watch them now Thanks to the wonders of the internet, one’s quest for knowledge really has no limitations. Between the plethora of digitized articles, documentaries, and—on the technical side of things—instructional videos and guides around, there is no shortage of information accessible to those who seek to learn more about the ever-expanding world of electronic music. The lecture, however, makes for a unique form of information sharing as it not only provides the necessary facts and details, but also allows for attendees (and, eventually, viewers) to get a sense of the person behind these facets of knowledge. With that in mind, Beatport News has compiled what we believe are 10 amazing lectures on electronic music, gathering videos from modern innovators, dance music originators, technical wizards, and a few that simply capture a time and place in electronic music too perfectly to overlook. Below are our 10 picks guaranteed to teach every electronic music enthusiast and music maker something new.
Blog – Hooktheory Today we’re introducing exciting new features in our songwriting software, Hookpad: instruments and mixing, improved MIDI export, WAV export, and the ability to save a song to your local drive. Read on to learn more about the features or try them out in Hookpad now. Hookpad makes it easy to write chords and a melody that sound great together. Hookpad has always simplified songwriting by helping you choose chords that sound good together and guiding you to write a good melody. Now, in addition to helping you create great harmonic and melodic templates, Hookpad lets you customize the instruments that play your music, and customize how your song is exported into a digital audio workstation. Transform the sound and style of your songs with Hookpad’s new instrument library.
DC1A effortless character comp DC1A is the little brother of the compression monster DC8C. I've taken a few of my favorite settings from DC8C and tried to make it work in a two control context. Sound wise it's comparable to the PUNCH mode in DC8C but offers a few additional features, such as negative ratio and stereo unlink. I've always wanted to do a compressor with just an input and output knob, a compressor that just works: gentle, faithful, from almost invisible, smooth leveling to heavy pumping with a nice crunchy saturation and punchy enough to treat drums with. DC1A looks like a one trick pony. Introduction To Jazz Guitar Improvisation In this series of guitar articles, we explore some jazz guitar improvisation concepts: consonance,dissonance & resolution and note enclosure. These concepts give improvisation a tension and colour that many other genre's of music overlook. You will require good knowledge of the modes, and the structure of jazz chords to fully benefit from this article.
Making a Convincing Melody with Sampled Orchestral Strings When it comes to MIDI orchestration, the string section is probably the most difficult to emulate. That is because it, even though the strings are probably one of the most homogenous sections of the orchestra, it has some characteristics that are extremely hard to produce via samples. First of all, the strings are bowed instruments. This means that the musicians use a bow to produce the tones. The bow can be moved either up or down and this creates different aspect of the sound. Secondly the players are always slightly out of tune, mostly in the beginning of the note – especially when they change positions very quickly and therefore produce a slurred tone. Part 2: I analyzed the chords of 1300 popular songs for patterns. This is what I found. This article is Part 2 of a multipart series looking at the statistics gathered from 1300 choruses, verses, etc. of popular songs to discover the answer to some interesting questions about how popular music is structured. Click here to read Part 1. In Part 1, we used the database to learn what the most frequently occurring chords are in popular music and also started looking at the likelihood that different chords would come after one another in chord progressions. In Part 2 of this series, we’ll continue this exploration into the patterns evident in the chords and melody of popular music. First we’ll look at how popular music ends musical ideas and discuss a surprising difference between popular music and classical music.
Free VST Plugins! Are you looking for high quality VST plugins which you can download and use for free? You’re certainly in the right place! On this page, you’ll find the core part of BPB – a constantly updated directory of essential freeware VST instruments and effects for Windows and Mac (formerly known as BPB Freeware Studio). Welcome and enjoy your stay! Jazz Guitar Corner: Break Open ii-V’s With This Nine-Note Scale Matt Warnock ii-Vs are some of the most commonly used and important chords in the jazz repertoire. It’s a progression you’ll see often as a jazz guitarist, so being able to confidently solo over these chords is an essential skill. When first learning to blow over these chords, we often start with the Dorian and Mixolydian modes over each chord, respectively.
Music Theory for Musicians and Normal People by Toby W. Rush NEW (8 April 2016): Music Theory for Musicians and Normal People is now available in three new languages: Basque, Brazilian Portuguese, and Russian! Sparky the Music Theory Dog is on Twitter and Facebook! This page includes links to each of the individual Music Theory pages I've created in PDF form. This is a work in progress; I am writing new ones regularly and fixing errors and omissions on existing ones as I find them.