Cor Jaring - Portfolio - Stephan Vanfleteren ‘Ik heb twee ziektes’ zegt de oude fotograaf. Zeeziekte en heimwee. Had ik geen last van zeeziekte dan was ik zeeman geworden net zoals mijn voorouders. De andere ziekte zorgde ervoor dat Cor veel in Amsterdam heeft gewerkt. ‘Ik zat nog maar op dat vliegtuig of ik wilde al naar huis. Zonder heimwee was hij heel de wereld rondgetrokken met zijn fototoestel. Fotografen worden vaak geboren uit gebreken en tekortkomingen. Heimwee is iets onwezelijk. Het is een wonder dat ik eigenlijk zoveel op reis ga. Niet dat Cor Jaring nooit naar de andere kant van de wereld trok, maar zijn werk is Amsterdam. Tijdens zijn dienstplicht, net na de oorlogsjaren, kwam Cor in aanraking met fotografie. Na de dienstplicht werkte Cor als walmatroos. ’ Zo was ik de enige in de jaren vijftig en zestig die de hoeren mocht fotograferen. Ik heb een mooi leven gehad. Cor Jaring dwaalt nog altijd door de straten van Amsterdam. Cor Jaring heeft een stukje van dit verleden van de ondergang gered.
Martin Parr | Books by MP Books by MP / Artist Books by MP / Papers and Zines by MP / Books edited by MP Bad Weather, 1982 Calderdale Photographs, 1984 A Fair Day, 1984 Prescot Now and Then, 1984 The Last Resort, 1986, 1998 The Cost of Living, 1989 One Day Trip, 1989 Signs of the Times, 1992 Bored Couples, 1993 Home and Abroad, 1993 From A to B, 1994 Small World, 1995 British Food, 1995 Japonais Endormis, 1998 Common Sense, 1999 Sguardi Gardesoni, 1999 Flowers, 1999 Benidorm, 1999 Autoportrait, 2000 Flowers, 2000 Think of England, 2000, 2004 Martin Parr by Val Williams, 2002 The Phone Book, 2002 7 Communist Still Lifes, 2003 Signes Des Temps, 2004 7 Colonial Still Lifes, 2005 Martin Parr, vu par, 2005 Road Trip, Martin Parr and Friends, 2005 I Grandi Fotografi, 2005 Mexico, 2006 Parrjektif, 2006 Tutta Roma, 2006 Parking Spaces, 2007 Small World, 2007 Witness Number Three, 2007 Les Grands Photographes de Magnum Photos, 2007 Phaidon 55: Martin Parr, 2007 Martin Parr 1971-2000 (Retrospective), 2007 Correspondencia, 2008 Everybody Dance Now, 2009
Two Rivers 2007-11 - Carolyn Drake Photography The Amu Darya and Syr Darya rivers stretch from the western edge of China across Tajikistan, Kyrgyzstan, Kazakhstan, Turkmenistan, and Uzbekistan, spanning a distance of 2,500km. They are the lifeblood of the vast, landlocked region between China, Russia, Iran and Afghanistan. The Greeks knew the two rivers as the Oxus and the Jaxartes. An islamic hadith holds that they are two of the four rivers that flow into Paradise. The Silk Route linking China to Europe followed the paths of the rivers. After the Soviet government took control of the region in 1917, it began one of the most ambitious engineering projects in world history, diverting massive quantities of water from the rivers to bring cotton production to an area too arid to sustain such a thirsty crop. Two Rivers follows the rivers from their endpoints to the source.
Ansel Adams Adams fotografeerde in de jaren 1944-1958 de nationale parken en kreeg daarvoor drie Guggenheim-prijzen. Hierdoor kreeg hij naam als de bekendste natuurfotograaf van Amerika. Hij kan hierbij terecht worden gezien als de opvolger van Timothy O'Sullivan, een bekend natuurfotograaf uit de 19e eeuw. Werken[bewerken] Zijn bekendste werk is waarschijnlijk Moonrise, Hernandez, New Mexico uit 1941 (Museum of Modern Art, New York). Informatie is uit Adams boek uit 1983: Examples: The Making of 40 Photographs. Monolith, The Face of Half Dome, Yosemite National Park, 1927.Rose and Driftwood, San Francisco, California, 1932.Georgia O'Keeffe and Orville Cox, Canyon de Chelly National Monument, 1937.Clearing Winter Storm, Yosemite National Park, 1940.Moonrise, Hernandez, New Mexico, 1941.Winter Sunrise, Sierra Nevada, from Lone Pine, California, 1944.Aspens, Northern New Mexico, 1958. Boeken (Selectie)[bewerken] Technical books[bewerken] Prijzen[bewerken] Externe links[bewerken] Galerij[bewerken]
My Fair Ladies — Elena Kalis Elena Kalis Underwater Photography underwater_elena_kalis01.jpg underwater_elena_kalis03.jpg underwater_elena_kalis04.jpg underwater_elena_kalis06.jpg underwater_elena_kalis07.jpg underwater_elena_kalis10.jpg underwater_elena_kalis11.jpg underwater_elena_kalis14.jpg underwater_elena_kalis19.jpg underwater_elena_kalis21.jpg underwater_elena_kalis22.jpg underwater_elena_kalis23.jpg underwater_elena_kalis25.jpg underwater_elena_kalis26.jpg underwater_elena_kalis29.jpg oceancave259a.jpg underwater_elena_kalis02.jpg underwater_elena_kalis05.jpg underwater_elena_kalis08.jpg underwater_elena_kalis09.jpg underwater_elena_kalis102.jpg underwater_elena_kalis12.jpg underwater_elena_kalis13.jpg underwater_elena_kalis15.jpg underwater_elena_kalis16.jpg underwater_elena_kalis17.jpg underwater_elena_kalis20.jpg underwater_elena_kalis24.jpg underwater_elena_kalis30.jpg underwater_elena_kalis31.jpg underwater_elena_kalis32.jpg underwater_elena_kalis33.jpg underwater_elena_kalis34.jpg underwater_elena_kalis35.jpg Cart - 0 items
Gregory Crewdson | The Photo Art Journey Gregory Crewdson’s large format creations set in American suburbs overflow with suspense and with the use of soundstages, lighting cranes and crews of up to forty people, his productions sound more like Hollywood movie sets. (click images to enlarge, believe me its worth it!) His cinematic images feature subjects in almost suspended animation, capturing the flicker of a moment between the before and the after. Crewdson takes this moment of catatonic confusion and extends it infinitely exploring themes of loneliness, alienation, sadness and desire. Crewdson photographs his subjects in a never-ending state of shock and the combination of their vacant faces with unnatural posing makes them seem more like props than actual people. The images, besides being visually captivating are almost technically flawless with Crewdson using a variety of light sources and styles ranging from diffused to spotlighting to envisage his idea. Like this: Like Loading...
On Pointing a Glock Handgun Directly at Ted Cruz’s Head June 22, 2015 Brietbart News is up in arms about a run of AP photographs showing the barrel of a Glock handgun pointed directly at Ted Cruz’s head. Even if you don’t align yourself with the pro-gun position of Ted Cruz, in this case it’s morally obligatory to say that these photographs are not okay. But to leave it at that would be to miss an opportunity for the public to think more closely about the way narrative framing works in news photography. In terms of their frankness, these photographs of Ted Cruz are outliers only by matter of degree. Against Brietbart’s partisan spin—according to whom these photos need to be circulated as hard evidence of ‘liberal bias’ at the Associated Press—the public value of these images derives from their capacity to help citizens better understand how news photographs comment on issues of the day. In this case, these photographs make a point by turning the gun lobby’s central argument back onto itself. – Philip Perdue
Portfolio - Stephan Vanfleteren Façades & Vitrines reportage Питер Тёрнли. Мгновения человеческого существования. Часть первая « Leica Camera Russia Blog Апрель 27, 2012 «Для меня фотожурналистика – это инструмент общения, способ провоцировать и воодушевлять зрителя, а также документировать историю. Я пользуюсь фотоаппаратом, как голосом, чтобы кричать о несправедливости и, наоборот, рассказывать о прекрасном и добром». Питер Тёрнли – известный фотожурналист; за сорок лет работы он создал множество незабываемых образов, раскрывающих глубину повседневности, ее радости и горести. Вспоминая свою жизнь в профессиональной фотографии, я понимаю, как мне повезло: я испытал много прекрасных эмоций и, самое главное, постоянно чувствовал, что живу, живу полноценной жизнью. Вскоре я выяснил, что Картье-Брессон пользовался Leica, и в 1972 году на деньги, заработанные на строительстве шоссе, купил мою первую Leica М4, юбилейную модель, с объективом 50 мм f/1,4 Summilux. Мое официальное образование в области фотографии ограничилось двухнедельным мастер-классом, который я посетил на летних каникулах за год до окончания школы. Питер Тёрнли
August Landmesser, The Man Behind The Crossed Arms The photo above has floated around the internet for a few years now, popular for one of its subjects’ subtle yet profound acts of nonconformity. There is no telling how many men in that crowd were acting out of fear, fully aware that failing to salute the Fuhrer was akin to signing his own death certificate. Knowing that it was, in fact, Hitler standing before the crowd makes the disobedience all the more admirable, but what may seem like an act of justified transgression was at its core a gesture of love. August Landmesser, the man with his arms crossed, was married to a Jewish woman. The story of August Landmesser’s anti-gesture begins, ironically enough, with the Nazi Party. In 1934, Landmesser met Irma Eckler, a Jewish woman, and the two fell deeply in love. In court, the two claimed to be unaware of Eckler’s Jewish status, as she had been baptized in a Protestant church after her mother remarried.
Глубины ада: серия шокирующих фотографий о тюрьмах Южной Америки Присоединяйтесь к нам в Facebook и ВКонтакте Лос-Текес, Каракас, Венесуэла, 2009 год. Автор фото: Валерио Биспури (Valerio Bispuri). Любое место лишения свободы несет в себе страх, ужас и отчаяние. Сотни бледных, изможденных, ослабленных, бессловесных и поникших тел выставленных в ряд у высоких стен, огражденных колючей проволокой, зачастую обречены на жалкое существование в ужасных условиях. «Глубины ада» - так можно сказать о тюрьмах в Южной Америке. «В своих работах я придерживаюсь традиций документальной фотографии. Тюрьма Пенитенсиариа-де-Сантьяго, Чили, 2008 год «Это одна из самых старых тюрем в Южной Америке. Пенитенсиариа-де-Сантьяго, Чили, 2008 год. Тюрьма Пенитенсиариа-де-Сантьяго, Чили, 2008 год. Женская тюрьма Кито Гуаякиль, Эквадор, 2004 год «Пожалуй, эта тюрьма одна из самых жутких мест, которые мне довелось повидать. Женская тюрьма Кито Гуаякиль, Эквадор, 2004 год. Чоррильос, женская тюрьма, Лима, Перу, 2007 год Чоррильос, женская тюрьма, Лима, Перу, 2007 год.
Before They Pass Away by Jimmy Nelson The Gorgeous Daily Browse: Home / Photography / Before They Pass Away by Jimmy Nelson Enlaces Before They Pass Away by Jimmy Nelson By admin on 14/11/2013 Aww more here. Related posts Posted in Photography | Tagged Anthropology, epic, jimmy nelson, landscape, Photography, portraits, tradition, tribes, wilderness, world, world's rarest tribes « Previous Next » SEO Powered by Platinum SEO from Techblissonline OPENING / CEREMONY – HART LESHKINA