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Bandcamp - Free Publishing Platform for Musicians

Bandcamp - Free Publishing Platform for Musicians

The Social History of the MP3 Considering all the new music we have to sort through so far in the 21st century, we've sure been focusing an awful lot lately on two of the biggest stars of the 20th. Decades after their respective popular peaks, recent events reminded us, neither the Beatles nor Michael Jackson have loosened their grip on our imagination. Yet one particular thing I noticed amidst the nostalgia surrounding the latest (and likely last) Beatles CD reissues, and Jackson's sudden passing was a sense of resignation that the eras within which both stars emerged seem highly unlikely to happen again. The Beatles, in 1963-64 and 1967, and Michael Jackson in 1983-4 arguably represented for pop music what World Cups, the Olympics, and Super Bowls do for sports, and what blockbuster summer hits do for movies: the ability to command everyone's attention at once. The cassette "crisis" seems quaint when compared to the rise of the mp3. Let's not get carried away, though. Next> The MP3 Story Begins

MP32Tube.com - Upload MP3 to Youtube Seed: The Shape of Music Zaha Hadid/Swarovski Crystal Palace Collection Roughly 2,500 years ago, Pythagoras observed that objects, such as the anvils he purportedly studied, produced harmonious sounds while vibrating at frequencies in simple whole-number ratios. More complex ratios gave rise to more dissonant sounds, which indicated that human beings were unconsciously sensitive to mathematical relationships inherent in nature. By showing that the world could be described mathematically, Pythagoras not only provided an important inspiration for physics, but he also discovered a particular affinity between mathematics and music—one that Gottfried Leibniz was to invoke centuries later when he described music as the “unknowing exercise of our mathematical faculties.” For a thousand years, Western musicians have endeavored to satisfy two fundamental constraints in their compositions. Together these constraints ensure a two-dimensional coherence in Western music analogous to that of a woven cloth.

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