2016 La source photographique dans la pratique de l'historien de l'architecture Pierre Farret Nikolaus Pevsner: using photography in the service of a typological approach of the history of architecture Nikolaus Pevsner: Die Fotografie im Dienste einer typologischen Herangehensweise der Architekturgeschichte Benjamin Chavardes Critical photography used as operative critics in Paolo Portoghesi’s work Die kritische Fotografie im Dienste einer Verfahrenskritik im Werk von Paolo Portoghesi Amandine Diener The use of photography as an instrument for teaching construction work at the École des beaux-arts. The approach of François Vitale Die Fotografie als Instrument der Konstruktionslehre an der École des Beaux-Arts.
documenta Archiv for the Art of the 20th and 21th Centuries - Home documenta Archiv will be closed from 18. to 21. of April. Due to unforeseen circumstances the media archive of documenta archive cannot work in the usual way, therefore it will take more time to prepare the high resolution scans of images for our customers we can only deliver these high resolution scans of images that you will find in our database mediencluster-documenta (documenta I-V)
Leonardo Home Page Who was Leonardo da Vinci? He had a keen eye and quick mind that led him to make important scientific discoveries, yet he never published his ideas. He was a gentle vegetarian who loved animals and despised war, yet he worked as a military engineer to invent advanced and deadly weapons. Interior of the rose at Strasbourg Cathedral. Architectural drawing of the rose window of Strasbourg Cathedral A rose window or Catherine window is often used as a generic term applied to a circular window, but is especially used for those found in churches of the Gothic architectural style and being divided into segments by stone mullions and tracery. textorizer Textorizer allows you to make pictures formed with text. It is best described by the sample images below. Although there are many versions around, the only one that is continuing to supported is this one.
Rencontres Arles Photographie Online Shop -All Exhibitions Pass For the concessions, you will have to collect your pass on ticketing upon presentation of proof less than three months old and an ID. ONLINE: €36 – Concessions: €28 ON SITE: €40 – Concessions: €32 If you can benefit from a free admission*, click here. *Arles’ citizens, minors, RSA & ASS and disabled persons. Clark, Lygia: Baba antropofágica Lygia Clark «Baba antropofágica» In collective works like «Túnel» or «Objetos relacionais,» Lygia Clark initiates psychic processes of exchange which transform the dichotomy of subject and object. Why is this painting so captivating? - James Earle and Christina Bozsik Diego Velazquez (June 6, 1599 August 6, 1660) was a Spanish painter who was hired by Philip IV at the age of 25. You can learn more about his life here. Interested in learning more about Velazquez’s life as a court painter?
Skateboarder outside MACBA Placa de Sant Felip Neri Sagrada Familia Interior Sagrada Familia Carvings Sagrada Familia Scaffolding Sagrada Familia Rose Window Eight Free Photo Sites That Require No Attribution I'm a strong proponent of respecting copyright. I think artists deserve to be paid for the work that they do. I'm also a fan of using Creative Commons photography in my blog, on my visual writing ideas, and in my presentations. Rencontres Arles Photographie Online Shop -All Exhibitions Pass For the concessions, you will have to collect your pass on ticketing upon presentation of proof less than three months old and an ID. ONLINE: €36 – Concessions: €28 ON SITE: €40 – Concessions: €32 If you can benefit from a free admission*, click here. *Arles’ citizens, minors, RSA & ASS and disabled persons.
archivethequickandthedead Jason Dodge, Four Carat Black Tourmaline and Half Carat Ruby Inside an Owl, During the process of embalmment, precious gems have been placed inside of an owl, 2007, unique 2 x 7 x 5", Courtesy of the artist and Casey Kaplan, New York. Francis Alÿs, Paradox of Praxis 1, 1997, Stills from video; 5 min., Courtesy David Zwirner, New York, © Francis Alÿs. Adrian Piper, What Will Become of Me, 1985-ongoing, Hair, fingernails, skin, jars, shelf and typed text on paper 16 x 69-1/2 x 6", installed, Collections of Peter Norton and Eileen Harris Norton.
Book titles with full text online "The 1688 Paradise Lost and Dr. Aldrich": Metropolitan Museum Journal, v. 6 (1972) Boorsch, Suzanne (1972) 20th-Century Art: A Resource for Educators Paul, Stella (1999) 82nd & Fifth The Metropolitan Museum of Art (2013) Abbot Suger and Saint-Denis Gerson, Paula Lieber, ed. (1986)