super sculpty ecorche figurine sculpting Welcome to YouTube! The location filter shows you popular videos from the selected country or region on lists like Most Viewed and in search results.To change your location filter, please use the links in the footer at the bottom of the page. Click "OK" to accept this setting, or click "Cancel" to set your location filter to "Worldwide". The location filter shows you popular videos from the selected country or region on lists like Most Viewed and in search results. Loading... by juliankhor 15,295 views by juliankhor 15,417 views by juliankhor 13,596 views by juliankhor 6,984 views by juliankhor 6,838 views by juliankhor 5,740 views by juliankhor 11,538 views by juliankhor 4,212 views by juliankhor 2,940 views by juliankhor 2,624 views by juliankhor 2,144 views by juliankhor 2,208 views by juliankhor 3,493 views by juliankhor 6,441 views by juliankhor 3,286 views by juliankhor 2,145 views by juliankhor 1,502 views by juliankhor 1,692 views by juliankhor 2,092 views by juliankhor 41,675 views
Latex Mask Central LMC: Why did you become interested in making creatures? JS: I think that my first interest, or fascination, was the art of simulation. This fascination led me to be very curious and obsessed with practical jokes like fake dog crap, fake puke, fake rocks, etc.,etc. I had tons of this stuff as a kid—it was all I wanted to buy with my allowance. Ironically--probably because these items were found most often at magic shops, and I was spending a lot of time in them--my dad thought I wanted to be a magician. LMC: Did you create monsters as a kid? JS: Oh yeah. LMC: Did your parents work as artists? JS: Neither of my parents were particularly drawn to visual art, although they definitely had talent in a number of areas. LMC: What artists and monsters inspired you growing up? JS: The first movie I can remember that really scared the shit out of me was “The Brain That Wouldn’t Die”. LMC: What brought you out to L.A.? LMC: Talk about Screaming Mad George--the man himself. Page 2
Blender 3D: Noob to Pro/Modeling a Simple Person - Wikibooks, collection of open-content textbooks Your simple person will look like this. In this module, you will model a simple human figure. Along the way, you will practice using extrusion and learn additional ways to select vertices, edges, and faces. Start a New Scene[edit] Start with the default cube (File → Load Factory Settings) and NumLock "on".Press Tab to edit the cube.Scale the cube down 50% by pressing S . 5KEY ENTER . Selection Methods[edit] Just as you did for the house model, you will begin by selecting the top four vertices of the cube. Ease of selection depends partly on the viewport settings and viewpoint. For clarity, use a view of the cube in which all vertices are visible: Go to right side view with Num3 .Disable the manipulator widget with Ctrl + Space .Make sure the Limit selection to visible option is "off". The picture on the right shows the cube with the correct vertices selected. To begin, make sure you start in Vertex select mode. Border Select Tool[edit] Practice selecting the top four vertices this way.
Super Sculpey Ecorche Figurine Sculpting Welcome to YouTube! The location filter shows you popular videos from the selected country or region on lists like Most Viewed and in search results.To change your location filter, please use the links in the footer at the bottom of the page. Click "OK" to accept this setting, or click "Cancel" to set your location filter to "Worldwide". The location filter shows you popular videos from the selected country or region on lists like Most Viewed and in search results. To change your country filter, please use the links in the footer at the bottom of the page. Loading... by juliankhor 15,417 views by juliankhor 13,596 views by juliankhor 6,984 views by juliankhor 6,838 views by juliankhor 5,740 views by juliankhor 11,538 views by juliankhor 4,212 views by juliankhor 2,940 views by juliankhor 2,624 views by juliankhor 2,144 views by juliankhor 2,208 views by juliankhor 3,493 views by juliankhor 6,441 views by juliankhor 3,286 views by juliankhor 2,145 views by juliankhor 1,502 views by juliankhor 1,692 views
NECA - National Entertainment Collectibles Association Bowen Designs Anatomy For Sculptors TruForm Armatures How can I make paint stick to my castings? | Mold Making and Casting Materials Rubber, Plastic, Lifecasting, and More You’ve made the perfect mold and have just poured Smooth-Cast liquid plastic into the mold to make a reproduction. The plastic cures, and you demold the piece to reveal a casting that looks exactly like the original. Your next step is to paint the casting for outdoor display, but when you try to apply the paint, it beads up on the casting surface and won’t stick. Urethane plastics can be hard to paint, and there are a number of variables that can affect the outcome. If you are using a urethane rubber mold and casting urethane resin, you must use a release agent to facilitate demold. There are a couple of ways to get the benefits of using a release agent and still have a casting ready for painting following demold. Powder Coating Technique - Powder coating the mold with Ure-Fil 7, baby powder or talc following the application of a release agent. Prior to casting the resin, Ease Release 200 is applied to the mold followed by a powder coating of Ure-Fil 7.
A dangling indisposition: body art comes to life at gallery THE BODY of a naked man is propped up against a wall, he is not long dead but the detail on his body shows he suffered for what must have felt like an eternity. An elderly woman, with a chest covered by an elaborate tattoo piece stands off to the side, unaffected by the site of the man, perhaps because the white veil draped across her face is preventing her from seeing the corpse. This could very well be the most confronting settings one could find themselves in, and this is the place I found myself yesterday. Thankfully, the people were simply sculptures and the latest pieces on display at the Rockhampton Art Gallery for the brand new Sam Jinks exhibition. Sam Jinks: Body in Time is the first retrospective exhibition of one of Australia's most talented young sculptors. The exhibition showcasing a selection of works of art that fit within an aesthetic of 'hyper-real', Jinks's silicone-based sculptures are immaculately crafted to replicate the human form and features.