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Siggi Eggertsson

Siggi Eggertsson

Web Design in Albir, Costa Blanca, Spain | halvardtotland.com industrial design magazine + resource / blog Posted by Kat Bauman | 11 Apr 2014 | Comments (0) Yep, it's Friday, get ready to waste some time and feel fine doing it. Skip your next Facebook break and try out the addictive game Super Planet Crash—build planetary systems, watch as they destroy themselves, collect points and think about gravitational relationships for fun! Super Planet Crash was made by Stefano Meschiari, whose real job involves real planets. As a postdoc astronomer at UT Austin and a big contributor to Seismic 2—software to aid "exploring and analyzing exoplanetary data"—Meschiari knows what's up with interplanetary intrigue. The goal: Build the most complex star system that can last for 500 years. Via Motherboard. At Holz-Handwerk we saw not only thousands of tools, but several companies creating systems to store and transport those tools. First up is OPO Oeschger. Starting with the boxes, their Comfort model is made from birch and features a lid that slides rearward into a fixed vertical position. continued...

I S O 5 0 - The Visual Work of Scott Hansen GS80 - Artist blog of Mark Warrington AARON HORKEY Monday the 24th, January 2011 All things come to an end. For JoyEngine, that end is here. Your patronage and participation has been greatly appreciated. Since its inception this site has strived to serve as a platform for inspiration through the curation of unique ideas and insightful commentary. We can only hope our efforts have been perceived as such. From humble beginnings to humble endings, our wish is that the overall JoyEngine experience was an enjoyable one. While contributor driven, Cypher13 Design Studio served as the driving force behind JoyEngine. From less to more to less. Sincerely,Berger & FöhrCypher13 Design Studio Design Corner > the design news archive the best brands of the world - vector brand, logo, logotype, logos and logotypes

MichaelO - Digital Artist My style is best described as 'photo-manipulation on steroids' combining unique Photoshop techniques and digital painting. With the exception of the original digital photograph, my work is created entirely on a computer utilizing my knowledge of digital techniques and the traditional art skills I learned in my younger days. Rollover each image to reveal the original reference photogaph Candy Girl Destiny Donna Millennium Dawn Sprite Amiri Conditional Design world is night world is night Photographs I wish I had taken myself 2014/03/05666 notes fatalistpalmistry: horrorandglamour: Country Girls / Alison Goldfrapp by Anna Fox Gpoy (Source: tropico55) 2014/03/051 note akanekinomoto: by kara supeley 2014/03/052 notes akanekinomoto: by Cuauhtémoc Suárez 2014/03/05530 notes (via brillantito) 2014/03/055 notes akanekinomoto: by heddaselder 2014/03/0524,155 notes (Source: sickpage, via ceremoniess) 2014/03/05649 notes (via seemsabitparanoid) 2014/03/0511,319 notes (via seemsabitparanoid) Next » clear theme by partipowered by tumblr

Hausmanias hjerte - Rannveig Svendby - Blogg - Aftenposten.no Billedkunstner Anita Hillestad slår døren opp, og viser meg inn i en lang og uoversiktlig korridor, som snor seg på kryss og tvers i husets indre. Den minner om en gigantisk labyrint – og det er dører absolutt overalt. ”Det hender fortsatt jeg hører om steder i huset som jeg ikke aner hvor er”, sier Anita. Det er sannelig ikke rart, for Kulturhuset Hausmania er fylt av værelser – teatersal, skatehall, kafé, bibliotek, mørkerom, kino, flere titalls atelierer, gallerier, musikkstudioer og verksteder. Til sammen rundt 70 rom som brukes av 300 energiske kunstnere – 600 skapende hender. Grafittikunst av billedkunstner Martin Wølner. {*style:<b> Farger på fargene </b>*} På Hausmania har selv fargene blitt fargelagt. Late slasker </b>*} Billedkunstner Tony Stig. Vi har fått følge av innstallasjonskunstner Stein Are Aune og de to billedkunstnerne Tony Stig og Sofia Waara. ”Hva slags inntrykk tror du at folk flest har av oss som holder til her på Hausmania”, spør Stein Are. ”Stemmer. ”Hvorfor ikke”?

Constantin Brâncuşi Early years[edit] Brâncuși grew up in the village of Hobiţa, Gorj, near Târgu Jiu, close to Romania's Carpathian Mountains, an area known for its rich tradition of folk crafts, particularly woodcarving. Geometric patterns of the region are seen in his later works. His parents Nicolae and Maria Brâncuși were poor peasants who earned a meager living through back-breaking labor; from the age of seven, Constantin herded the family's flock of sheep. He showed talent for carving objects out of wood, and often ran away from home to escape the bullying of his father and older brothers. At the age of nine, Brâncuși left the village to work in the nearest large town. He then enrolled in the Bucharest School of Fine Arts, where he received academic training in sculpture. Working in Paris[edit] In 1903, Brâncuși traveled to Munich, and from there to Paris. After leaving Rodin's workshop, Brâncuși began developing the revolutionary style for which he is known. Personal life[edit] Death and legacy[edit]

Other Rhythms – Kristine Maudal IT THRIVES ON MOVEMENT, and still more movement, endless nearly effortless movement, skiers flowing downhill like water, skiers pretending to be dancers and suddenly realizing they are dancers. Movement in the third person, skier as actor and observer, feeling yourself ski, watching yourself ski, applauding a great turn, catching your breath at sudden acceleration, waltzing into a double helix of interlocked curves; weaving three-dimensional patterns through four-dimensional time: right, left, up, down, right, left. Syncopating the rhythm: right, right, left, pause, rightleft, rightleft. Jazzing the run, romancing the snow. Listening to the different rhythms of each slope, giving in to them one by one, finally moving with the mountain. But always moving. Other Rhythms is an art project about rhythms, skiing, nature and joy. By including a skilled team representing expressions asfilm, dance, music and skiing the project is presented in various medias. ”Dance now, baby, dance…”

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