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Manifest destiny

Manifest destiny
In the 19th century, Manifest Destiny was the widely held belief in the United States that American settlers were destined to expand throughout the continent. Historians have for the most part agreed that there are three basic themes to Manifest Destiny: The special virtues of the American people and their institutions;America's mission to redeem and remake the west in the image of agrarian America;An irresistible destiny to accomplish this essential duty.[1] Historian Frederick Merk says this concept was born out of "A sense of mission to redeem the Old World by high example [...] generated by the potentialities of a new earth for building a new heaven".[2] Merk concludes: From the outset Manifest Destiny—vast in program, in its sense of continentalism—was slight in support. Context[edit] Manifest Destiny was always a general circular notion rather than a specific policy. Yet Jackson would not be the only president to elaborate on the principles underlying manifest destiny. John L. Related:  concepts

Rebus Allusional device that uses pictures to represent words or parts of words A rebus-style "escort card" from around 1865, to be read as "May I see you home my dear?" A German rebus, circa 1620 A rebus () is a puzzle device which combines the use of illustrated pictures with individual letters to depict words and/or phrases. For example: the word "been" might be depicted by a rebus showing an illustrated bumblebee next to a plus sign (+) and the letter "n". The composition alludes to the name, profession or personal characteristics of the bearer, and speaks to the beholder Non verbis, sed rebus, which Latin expression signifies "not by words but by things"[1] (res, rei (f), a thing, object, matter; rebus being ablative plural).[2] Rebuses within heraldry[edit] Modern rebuses, word plays[edit] A modern example of the rebus used as a form of word play is: = Hear, or Here. p walk ark: walk in the park. Pictograms[edit] Rebus principle[edit] Use in game shows[edit] Canada United Kingdom United States India

Lot No. 249 Short story by Arthur Conan Doyle Written during a period of great European interest in Egyptian culture known as Egyptomania, "Lot No. 249" was inspired by Doyle's interests in the supernatural, crime and Egyptology. Though reanimated mummies had previously appeared in English literature, Doyle's story was the first to portray one as dangerous. The story has been widely anthologised and received positive reviews from critics, including praise from authors H. P. Lovecraft and Anne Rice. Synopsis[edit] Over the next few weeks, Smith is frequently disturbed by the sound of mumbling and muttering from Bellingham's room. Not long afterwards, Monkhouse Lee issues a warning to Smith against Bellingham. After discovering that Lee has been attacked in a similar manner to Norton, Smith concludes that Bellingham has brought the mummy to life and is sending it to attack people whom he dislikes. Background[edit] "Lot. Themes[edit] Imperialism[edit] Masculinity[edit] Critical reception[edit] Legacy[edit]

Why Orthodox Jews are Opposed to the Zionist State The People of Israel oppose the so-called "State of Israel" for four reasons: FIRST -- The so-called "State of Israel" is diametrically opposed and completely contradictory to the true essence and foundation of the People of Israel, as is explained above. The only time that the People of Israel were permitted to have a state was two thousand years ago when the glory of the creator was upon us, and likewise in the future when the glory of the creator will once more be revealed, and the whole world will serve Him, then He Himself (without any human effort or force of arms) will grant us a kingdom founded on Divine Service. However, a worldly state, like those possessed by other peoples, is contradictory to the true essence of the People of Israel. SECOND -- Because of all of this and other reasons the Torah forbids us to end the exile and establish a state and army until the Holy One, blessed He, in His Glory and Essence will redeem us. Zionism will not replace the Jewish People.

Theory of mind Media imperialism Media imperialism (sometimes referred to as cultural imperialism) is an area in the international political economy of communications research tradition that focuses on how "all Empires, in territorial or nonterritorial forms, rely upon communications technologies and mass media industries to expand and shore up their economic, geopolitical, and cultural influence."[1] In the main, most media imperialism research examines how the unequal relations of economic, military and cultural power between an imperialist country and those on the receiving end of its influence tend to be expressed and perpetuated by mass media and cultural industries. In the 1970s, research on media imperialism was mainly concerned with the expansion of US-based news and entertainment corporations, business models, and products into postcolonial countries as related to the problems of communication and media sovereignty, national identity formation and democracy. History of the concept[edit] Herbert I.

Zionism Theodor Herzl is considered the founder of the Zionist movement. In his 1896 book Der Judenstaat, he envisioned the founding of a future independent Jewish state during the 20th century. Zionism (Hebrew: צִיּוֹנוּת, translit. Defenders of Zionism say it is a national liberation movement for the repatriation of a dispersed socio-religious group to what they see as an abandoned homeland millennia before.[5][6][7] Critics of Zionism see it as a colonialist[8] or racist[9] ideology that led to the denial of rights, dispossession and expulsion of the "indigenous population of Palestine".[10][11][12][13] Overview Although initially one of several Jewish political movements offering alternative responses to assimilation and antisemitism, Zionism grew rapidly and became the dominant force in Jewish politics with the destruction of Jewish life in Central and Eastern Europe where these alternative movements were rooted. Zionism also sought assimilation into the modern world. Terminology Organization

How Much is a Million? Billion? What's the difference between a million, a billion, a trillion? A million seconds is 12 days. A billion seconds is 31 years. A trillion seconds is 31,688 years. A million minutes ago was – 1 year, 329 days, 10 hours and 40 minutes ago. A billion minutes ago was just after the time of Christ. A million hours ago was in 1885. A million dollars ago was five (5) seconds ago at the U.S. A trillion dollars is so large a number that only politicians can use the term in conversation... probably because they seldom think about what they are really saying. Trillion = 1,000,000,000,000. Million: 1,000,000 Billion: 1,000,000,000 Trillion: 1,000,000,000,000 Quintillion: 1,000,000,000,000,000,000 Sextillion: 1,000,000,000,000,000,000,000 Nonillion: 1,000,000,000,000,000,000,000,000,000,000 Centillion: 1 followed by 303 zeros

México Indígena México Indígena is a project of the American Geographical Society to organize teams of geographers to research the geography of indigenous populations in Mexico. The project's stated objective is to map "changes in the cultural landscape and conservation of natural resources" that result from large scale land privatization initiatives underway in Mexico.[1] The project is led by Peter Herlihy at the University of Kansas and is funded by the U.S. Department of Defense through its Foreign Military Studies Office. The project has been the subject of criticism by various groups including groups representing indigenous peoples. Project and objectives[edit] The México Indígena was the first in a series of planned projects to enhance United States government geographical data around the world.[2] The stated objective is to produce maps of the "digital human terrain," of the region's indigenous peoples. Project methods[edit] Funding[edit] Further reading[edit] References[edit] External links[edit]

A tale of two peace offers In 2008, then-Israeli Prime Minister Ehud Olmert made the Palestinians an offer so reasonable and enlightened it made Ehud Barak's "generous offer" at Camp David look like the Treaty of Versailles. Bending over backwards to reach a peace settlement, Olmert offered the Palestinians a state on virtually all of the occupied territories. Alas, stubborn as always, Palestinian negotiators turned him down. Much like Barak's mythical "generous offer", this account of Olmert's proposal has been widely repeated, conforming as it does to convenient narratives that place the burden for the continuing conflict on the Palestinians, and demonstrating for all to see that, as Abba Eban famously put it, when it comes to peace, the Arabs "never miss an opportunity to miss an opportunity". What did Olmert really offer? Already it is difficult to see what the fuss is about. If Olmert's deal was a non-starter, did the Palestinians offer an alternative? Key words:

How do people learn to cook a poisonous plant safely? (An example of culture developing) Image copyright Getty Images In 1860, Robert Burke and William Wills famously led the first European expedition across the largely unknown interior of Australia. It did not go well. Due to a combination of poor leadership, bad planning and misfortune, Burke, Wills and their companion John King ran out of food on the return journey. They became stranded at a stream called Cooper's Creek, having found no way to carry enough water to cross a stretch of desert to the nearest colonial outpost at the unpromisingly named Mount Hopeless. "We have been unable to leave the creek," wrote Wills. The local Yandruwandha people seemed to thrive despite the conditions that were proving so tough for Wills's party. The Yandruwandha gave the explorers cakes made from the crushed seed pods of a clover-like fern called nardoo. Burke then fell out with them and, unwisely, drove them away by firing his pistol. But perhaps the trio had already learned enough to survive? Within a week, Wills and Burke were dead.

Linguistic imperialism Transfer of a dominant language to other people as a demonstration of power Linguistic imperialism or language imperialism is occasionally defined as "the transfer of a dominant language to other people". This language "transfer" (or rather unilateral imposition) comes about because of imperialism. The transfer is considered to be a sign of power; traditionally military power but also, in the modern world, economic power. Aspects of the dominant culture are usually transferred along with the language. Since the early 1990s, linguistic imperialism has attracted attention among scholars of applied linguistics. Definition[edit] Linguistic imperialism is a form of linguicism which benefits and grants power to the dominating/oppressing language and its speakers. English[edit] A central theme of Phillipson's theory is the complex hegemonic processes[clarification needed] which, he asserts, continue to sustain the pre-eminence of English in the world today. Other arguments for English are:

First, find out what isn't true... | Discussion & Factual information on the Palestine/Israel issue – So people can have a well informed opinion Kitsch Art or other objects that appeal to popular rather than high art tastes Puppy by Jeff Koons (2010) is a self-aware display of kitsch, specifically as a combination of opulence and cuteness. According to early critical theory, kitsch is the contrived sentiment and immediate gratification behind a culture industry that pacifies social complexity while engendering a psychological interdependence with consumerism.[2] To brand visual art as "kitsch" is often still pejorative, though not exclusively. History[edit] Examples of kitsch in architecture The study of kitsch was done almost exclusively in German until the 1970s, with Walter Benjamin being an important scholar in the field.[6] Analysis[edit] Kitsch in art theory and aesthetics[edit] Kitsch is less about the thing observed than about the observer.[8] According to Roger Scruton, "Kitsch is fake art, expressing fake emotions, whose purpose is to deceive the consumer into thinking he feels something deep and serious Uses[edit] Art[edit] "Kitsch".

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