Le Petit Prince Un article de Wikipédia, l'encyclopédie libre. Le langage, simple et dépouillé, parce qu'il est destiné à être compris par des enfants, est en réalité pour le narrateur le véhicule privilégié d'une conception symbolique de la vie. Chaque chapitre relate une rencontre du petit prince qui laisse celui-ci perplexe quant au comportement absurde des « grandes personnes ». Les aquarelles font partie du texte[1] et participent à cette pureté du langage : dépouillement et profondeur sont les qualités maîtresses de l'œuvre. On peut y lire une invitation de l'auteur à retrouver l'enfant en soi, car « toutes les grandes personnes ont d'abord été des enfants. Résumé[modifier | modifier le code] Le narrateur[modifier | modifier le code] Le narrateur est un aviateur qui, à la suite d'une panne de moteur, a dû se poser en catastrophe dans le désert du Sahara et tente seul de réparer son avion (Antoine De Saint-Exupéry se met en scène lui-même dans son œuvre). Enfin, il arrive dans un jardin de roses.
HTML5 and CSS3: Develop with Tomorrow's Standards Today (Pragmatic Programmers) (9781934356685): Brian P. Hogan 'How Creativity Works': It's All In Your Imagination iStockphoto.com What makes people creative? What gives some of us the ability to create work that captivates the eyes, minds and hearts of others? Jonah Lehrer, a writer specializing in neuroscience, addresses that question in his new book, Imagine: How Creativity Works. Lehrer defines creativity broadly, considering everything from the invention of masking tape to breakthroughs in mathematics; from memorable ad campaigns to Shakespearean tragedies. He finds that the conditions that favor creativity — our brains, our times, our buildings, our cities — are equally broad. Lehrer joins NPR's Robert Siegel to talk about the creative process — where great ideas come from, how to foster them, and what to do when you inevitably get stuck. Interview Highlights On comparing Shakespeare with the inventor of masking tape "I think we absolutely can lump them all together. "... On how Steve Jobs redesigned Pixar studios to maximize collaboration and creativity " ... "It's near midnight.
The 48 Laws of Power (9780140280197): Robert Greene The Thieves of Blood : Book 1 (The Blade of the Flame) (9780786940059): Tim Waggoner Why Are We So Afraid of Creativity? | Literally Psyched Creativity: now there’s a word I thought I wouldn’t see under attack. Don’t we live in a society that thrives on the idea of innovation and creative thought? The age of the entrepreneur, of the man of ideas, of Steve Jobs and the think different motto? We're not always willing to take the risks that come with innovation. As a general rule, we dislike uncertainty. Creativity, on the other hand, requires novelty. Consider a common paradox: organizations, institutions, and individual decision makers often reject creative ideas even as they state openly that creativity is, to them, an important and sometimes even central goal. As Matthew Pearl reminds us in his new historical thriller, The Technologists (out this week), this general distrust of innovation is nothing new. William Barton Rogers, the founder and first president of MIT. Luckily, we know how this particular story ends. While that chain of events is hypothetical, the final step is not.
How to Lie with Statistics (9780393310726): Darrell Huff, Irving Geis Levels of Energy (9781450569323): Frederick E. Dodson