The Heist Conference | Circuit Magazine Inspired by the imaginative potential in relating the warehouse context of the Nova gallery to artists-participants of varying expertise following their diverse fields of work. The fictional premise allows the exploration of character perspectives of double life, role-playing and narrative interpretation. Here, individual projects of diverse media relates to characters that traverse the planes of real life and creative platform. Heist Conference also connects to the venue’s warehouse origins to be an actual set where a scene happens. This is to be able to deal with a kind of exhibition not within the white cube territory, but more so of its ability to bridge meaning to real life. The Heist Conference is inspired by the imaginative potential in relating the warehouse context of the Nova gallery to artists-participants of varying expertise following their diverse fields of work.
Comparatif de 12 solutions de curation Dans le cadre du dossier sur la curation que jai eu le plaisir de coordonner pour la revue Documentaliste et Sciences de linformation de mars 2012 ( ), jai eu loccasion de réaliser un comparatif de 12 solutions dont je vous propose ci-dessous quelques éléments complémentaires. Vous pouvez aussi télécharger cet article au format PDF sur Slideshare Plutôt que de nous concentrer sur les services dont le positionnement marketing est explicitement celui de la curation, nous avons donc choisi de « brasser large » en choisissant des services qui, à minima et sauf exception répondent à la définition proposée par la Wikipedia : « La curation de contenu () est une pratique qui consiste à sélectionner, éditorialiser et partager les contenus les plus pertinents du Web pour une requête ou un sujet donné ». Les douze solutions sélectionnées Images Vidéos Conclusion
CreativePeople Setting up Google Sites-based portfolios – Hapara Support Introduction Google Sites are often used by students in classes, either as e-portfolio sites or project sites. Teacher Dashboard can either automatically create Google Sites for students based on template sites, display any existing site activity across all sites owned by students, or display a single existing site, as long as the URLs of the existing sites have a specified prefix. **New Teacher Dashboard Feature** Display any existing site activity across all sites owned by students The most direct manner in which we can now connect student sites via the Teacher Dashboard is to enter the value 'any' under the "Student Sites" column of the classes spreadsheet. A benefit of using this update is that teachers no longer need to copy an individual site as only a means of updating the url to include their class's e-portfolio prefix. Automatic Creation Of Student Sites Based On Template Sites Creating Source Google Sites Now the site is ready to be replicated for each student. Important Notes
Postproduction | remixthebook The term postproduction in film and television refers to the work done after principal shooting has taken place. This would include the editing, color correction, special effects, etc. In other words, it is during postproduction that the data that has been captured is cut up, moved around, filtered, and shaped into a finished work. On the other hand, postproduction art, a term coined by Nicolas Bourriaud in his book Postproduction: Culture as Screenplay: How Art Reprograms the World, refers to specific artworks made of preexisting works. 1. innovative methods of postproduction (PP) are the modus operandi of many contemporary artists, beginning with Duchamp 2. 3. in addition to Duchamp, the practice of postproduction is indebted to the methods of détournement practiced by the Situationists and their offspring, not to mention the Lettrists who came before them 4. 5. Let’s take a closer look at these five particular remixed samples numbered above. Questions for discussion: 1. 2. 3.
Curadoria de conteúdo – Quando isso começou? (em inglês) If you’re doing any reading about Content Curation as part of an overall content marketing strategy, you sometimes see writers referring to this as something new. I remember when I started really getting interested in it back in 2011. So is it new? When did content curation begin to be included as a content marketing strategy? Actually, it’s a pretty broad question, so let’s narrow it down to this: when did Content Curation begin to be discussed as a strategic content marketing tactic? 1998 – Nothing (data curation is a different issue).1999 – Nothing2000 – References to curation of content for libraries (no marketing).2001 – Nothing2002 – Nothing2003 – O.K., you’re getting the idea, right? I certainly cannot prove that I’ve found the earliest ‘seed thoughts’, but I believe I’ve found some of them, and want to record them here for those of us that wonder about the beginnings of something that’s become a powerful, mainline trend in the overall scope of content marketing. curation”.
Column Five: Infographics, Data Visualization and Motion Graphics Stephanie Syjuco’s FREE TEXTS: An Open Source Reading Room | CHARLOTTE STREET FOUNDATION STUDIO RESIDENCY PROGRAM We’ll Make Out Better Than Okay at La Esquina includes Stephanie Syjuco’s “FREE TEXTS: An Open Source Reading Room”, featuring a wall of flier take-aways of URLs for free online texts surrounding ideas of intellectual property. Stephanie Syjuco’s piece is like a poem of references. With titles like, “Free Culture” and “Reclaiming The Commons”, this installation of community-bulletin-like fliers promotes open conversation and instead of offering phone numbers, lets us take away a digital code belonging to an archived piece of alluring information. The “information” available sets up a self-referencing framework for the nature of the interaction with the work. This lovely and precise scenario, for me, calls to mind how we attempt to acquire information, and the contexts in which we find it desirable. The URLs on a small piece of paper is a strong part of the affect of this piece. - Annie Woodfill Syjuco’s URLs: The Tragedy Of The Commons – Garrett Hardin U.S. Free Culture – Lawrence Lessig
Why Curation Will Transform Education and Learning: 10 Key Reasons There is a growing number of key trends that are both rapidly revolutionizing the world of education as we know it and opening up opportunities to review and upgrade the role and scope of many of its existing institutions, (as the likeliness that they are going to soon become obsolete and unsustainable, is right in front of anyone's eyes). George Siemens, in his recent Open Letter to Canadian Universities, sums them up well: 1) An Overwhelming Abundance of Information Which Begs To Be OrganizedThe goal is not (and probably it never was) to learn or memorize all of the information available out there. It's just too much even if we focus only on the very essence of it. The goal is to learn how to learn, to know where to look for something and to be able to identify which parts of all the information available are most relevant to learn or achieve a certain goal or objective.This is why new digital literacy skills are of such great importance. From the New York Times: "...Mr.
Interactivity - Marketing Interactivo Residence Support Program trans_2014-2015 | Akiyoshidai International Art Village Residence Support Program trans_2014-2015 Application Guideline We are currently accepting entries. To apply, please read the guideline below. The prefix ‘trans’ means to go beyond, get across, cross, exchange, change and convert. The Residence Support Program provides a time and place for artists to experience new encounters and carry out experiments to guide their future projects. Participating artists are expected to bring new ideas to the local culture and people while they, in turn, will hopefully acquire new perspectives through these fresh encounters. Theme: “The Features of This Land” Residency period 16 January (Fri) – 11 March (Wed), 2015 [55 days] Program Schedule January 16 (Fri): Program 1st day January 17 (Sat): Orientation January 31(Sat)： Open Studio February 28 (Sat)： Opening Reception for the exhibition February 28 (Sat) – March 8 (Sun)： Exhibition March 11 (Wed)： Program last day Numbers of artists accepted (1) 3 artists (2 of international, 1 of Japanese), under 40 years old. A.