STEFAN RUIZ SHIZUKA YOKOMIZO, DEAR STRANGER… | THE HARLOW Posted on November 16, 2012 by Isabella Cecconi Dear Stranger, I am an artist working on a photographic project which involves people I do not know…I would like to take a photograph of you standing in your front room from the street in the evening. A camera will be set outside the window on the street. If you do not mind being photographed, please stand in the room and look into the camera through the window for 10 minutes on __-__-__ (date and time)…I will take your picture and then leave…we will remain strangers to each other…If you do not want to get involved, please simply draw your curtains to show your refusal…I really hope to see you from the window. The amazing Shizuka Yokomizo’s photo project, came from running around London with huge telephoto lens, trying to glimpse unsuspecting people through the windows of their flats. Shizuka Yokomizo, Japanese by birth, photographer by choice, has been living in London for more than 15 years. www.shizukayokomizo.com
Jon Rafman MAX PINCKERS photography Raul Ruiz, Poetics of Cinema, Éditions Dis Voir, Paris, 2005, p. 34. Cops, two ‘terrorists’ in 20-minute car chase The Times of India, Monday, July 11, 2011. Cop on security duty shoots at self for medal The Times of India, Tuesday, March 22, 2011. 1982 Coolie accident Hindustan Times, Friday, February 17, 2012. ‘Hello, the Goya is still on our wall, thank you. India: Maria Susairaj walks free — A case of chopped body The Times of India, Tuesday, July 5, 2011. Imaginary robbers fuel mass hysteria India Today, Tuesday, February 14, 2012. Teen comes to city to meet her hero Salman, finds villain instead MiD DAY, Monday, March 5, 2012. Suketu Mehta, Maximum City — Bombay Lost and Found, Penguin Books India Pvt. Slumdog Millionaire,Written by Simon Beaufoy, November 4, 2007 © Slumdog Films Limited, 39 Long Acre, London Wc2e 9Lg 2 held for theft at actress Sridevi’s home Mumbai Mirror, Saturday, February 11, 2012. Index [in order of appearance] The Fourth Wall (2012) See The Fourth Wall book here
Soundcities | La Panacée Installation, 2010 – 2015 Le projet d’installation Soundcities s’inscrit dans le prolongement de la base de données interactive éponyme initiée par Stanza en 1995, pour apparaître sur le web en 2004 dans sa version actuelle, renouvelée en permanence. est la première base de données en open source rassemblant les sons des villes grâce à des captations sur le terrain, à des compilations de sources existantes, et ouverte aux contributions en ligne. Le site permet en outre de composer ses propres cartographies sonores et de mixer les sources.Les recherches de Stanza se concentrent sur les possibilités de représenter et d’interpréter des données sonores, mais aussi de mettre en relation des données issues des champs du contrôle urbain (trafic, surveillance, environnement) avec un espace concret, visualisable, expérimentable physiquement par la figure du flâneur.
Thomas Rousset - Photography MEMORYSCAPES | E M I L I O V A V A R E L L A MEMORYSCAPES, 2013-2015. Multimedia installation (holographic prints, immersive audio installation, digital photos, book); variable dimensions. MEMORYSCAPES investigates how memory and reality affect one another, through notions of architecture and related mental images, resulting in a complex body of work that includes immersive audio installations, multimedia documentation, and cutting-edge holographic technology. In 2013 I started looking for Italians living in New York City who would allow me to interview them; specifically ones who expressed an emotional link to the city of Venice. Holograpic prints: Interviews at Harvestworks: A printed publication, fragments, was created highlighting the poetry of the collected memories. Studies (selected images): Developed with the support of Harvestworks Digital Media Arts Center Special thanks to Kevin Ramsay, sound engineer All the interviews are recorded at Harvestworks – Studio A Exhibited at:
Taiyo Onorato & Nico Krebs DADAMETER - Christophe Bruno (2002 - 2008) Imagine a world of transparency where all desires are negotiated on a global market and their risks are evaluated and optimized. The Dadameter is a tool for the profiling of language at large scale and the historical tracking of artistic and literary movements. It brings about a new alliance between art, science and global finance. We use up-to-date 2.0 trend analysis and data visualization technologies, neural networks, graph theory or quantitative structural linguistics in order to be able to predict the next artistic craze. Our starting point is twofold: 1) the work of Raymond Roussel, considered as a precursor of Dada 2) the recent transmutation of language into a global market ruled by Google et al. Raymond Roussel - In 1912, Marcel Duchamp and Francis Picabia attend Roussel's theater play Impressions d'Afrique whose scandal anticipates the future Dada performances.
Work : Devin Troy Strother lamar getting out of tyrones pool, (nigga get me a towel) acrylic, cut paper, oil pastel, 16"x14" inches Ohhh, that's just my gurrrl Sha'luanda acrylic and auto-body paint on aluminum 26 x 92 x 11 inches The Coloureds Series Part 4: "Gurrrl I'm just talking about that composition, Gurrrrl what'chu know about that post abstraction?" Mixed Media 4x4 ft The Coloureds Series Part 3: "Gurrrl I'm just talking about that composition, Gurrrrl what'chu know about that post modernism?" Mixed Media 4x4 ft The Coloureds Series Part 5 (Nigga on Ground Ambiguity) Mixed Media 36"x 36" "I don't normally do this, but momma said you was specials" (my first time) Mixed Media 24" x 16" "Lashawnda, Laquisha, Latassia, Latrice, Laquanda, and that bitch Lanteesha, posing with abstract forms" (take 2) Mixed Media 16" x 20" The Me, You, Your Mother, And Maybe Even Your Cousin Too Painting Diptych Mixed Media 39" x 38.5" The Hey Sister Soul Sister Slow Sister Woah Sister Painting Mixed Media 48" x 63"