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Copyright Clearance Center

Copyright Clearance Center

http://www.copyright.com/

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The Surprising History of Copyright and The Promise of a Post-Copyright World (Translations: 中文, Italiano, Polski, latviešu valoda. See also other available formats for the English, such as EPUB, Daisy, PDF, etc.) There is one group of people not shocked by the record industry's policy of suing randomly chosen file sharers: historians of copyright. They already know what everyone else is slowly finding out: that copyright was never primarily about paying artists for their work, and that far from being designed to support creators, copyright was designed by and for distributors — that is, publishers, which today includes record companies. But now that the Internet has given us a world without distribution costs, it no longer makes any sense to restrict sharing in order to pay for centralized distribution. Abandoning copyright is now not only possible, but desirable.

MLA Formatting and Style Guide Summary: MLA (Modern Language Association) style is most commonly used to write papers and cite sources within the liberal arts and humanities. This resource, updated to reflect the MLA Handbook (8th ed.), offers examples for the general format of MLA research papers, in-text citations, endnotes/footnotes, and the Works Cited page.

A Short Guide To Open-Source And Similar Licenses Advertisement Many developers and designers want to release their work into the world as open-source projects. They want others to be able to build on and share their code. The open-source community is vibrant because of this. Open-source software is available for virtually any application you could think of. Most designers use open-source software or code on a regular basis (WordPress, Drupal and many other CMS’ are open source). 6 elements of a successful iPad implementation By Samantha Messier and Stephanie Schroeder 11/17/2014 Topics: Mobile Learning, 1-to-1, Professional learning As more districts across the United States move to 1:1 initiatives, a common barrier is financial resources, and a common temptation is to regard these initiatives as technology enterprises rather than instructional transformations. In a three-year pilot project, the Boulder Valley School District (BVSD) addressed these challenges by implementing a creative approach designed to entice public funders by providing all students with equitable access to digital devices. A key feature of our model was synergy among multiple, interdependent program elements: Community engagement A strong instructional model Digital devices and apps for students Logistical support Guidance toward high-leverage resources Ongoing, embedded professional development

DMCA Exemptions Guest Post by Jan Boyles It’s time to protect the hard-won fair use rights that artists, professors, librarians and online video makers won three years ago at the Copyright Office. The Library of Congress has issued a Notice of Inquiry calling for written comments by December 1. Here's why it matters. In 2008, the librarians, professors, documentarians and online video makers successfully argued that they should get an exemption to the Digital Millennium Copyright Act’s penalties for breaking encryption to access copyrighted material, if they are accessing it for fair use purposes. Now, anyone making a non-commercial video (teachers, students, parents, kids, librarians, vidders, really anyone) is so exempt.

7 Rules (And You Can’t Just Do One!) They always say that in polite company we don’t talk about politics, religion, or sex. Because, well, it runs the risk of offending someone and sparking fights and passionate opinion. I never believed that, and I love engaging in the good fight for the rights associated with the basic human condition. That said, when we talk about school library funding, you can get a similar reaction. Some say it’s like the weather: Too many people talk about it but few really do anything about it. I believe that school libraries are a human right—plain and simple. EFF The 2012 DMCA Rulemaking: Last week the Librarian of Congress issued his final decision (pdf) limiting copyright owners’ ability to sue you for making full use of the works you buy. The short version: it’s a mixed bag. On one hand, the Librarian looked to the future, broadening existing exemptions for extracting clips from DVDs to include clips from movies distributed online, as well.

A New Way of Looking at Public Library Engagement in America The Pew Research Center’s Internet Project has intensively studied the changing world of public libraries for the last three years. The first stage of our research explored the growing role of ebooks, including their impact on Americans’ reading habits and library habits. Our second stage examined the full universe of library services, as well as what library services Americans most value and what they might want from libraries in the future. In March, we released a report from our third and final stage of research—the fruits of a representative national survey of 6,224 Americans ages 16 and older. It explores public libraries’ roles in people’s lives and in broader American culture—how libraries are perceived, how they are valued, and how people rely on them.

Copyright Basics for Musicians - Music Copyright Law Entertainment Law March 2009 By Jon M. Garon* The Musician's Law and Business Guide Copyright rules define much of the music business, shaping the practices that drive recording and touring deals.

This website will ensure that you are not going to get sued. This is a for profit company that users may pay to acquire permissions from the copyright owners. Does not account for fair use or give suggestions to look for fair use. by katrinahsmith Mar 4

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