BDMx

Los 16 mejores bancos de imágenes gratis de 2018 - [Alta Resolución] Las imágenes que podés utilizar son aquellas cuyo autor te ha dado permiso por escrito, o bien las que poseen una Licencia de Creative Commons que te habilite a ello. Creative Commons es una Asociación Sin Fines de Lucro que se dedica justamente a brindarle difusión «gratuita» a autores (ya sean fotógrafos, editores de video, escritores o cualquier generador de una pieza creativa), a través de la creación de regímenes de licencias “libres de derechos”… lo pongo así entre comillas, porque si bien hay ciertas limitaciones y restricciones, se podría decir que la gran mayoría son libres de derechos casi en su totalidad… ¡casi! Hay muchos tipos de Licencias Creative Commons, algunos te dejan darles un uso personal pero no comercial, otros para uso personal y comercial pero con atribución (tenés que incluir nombre del autor y enviarle un link), otros no te dejan retocarla o modificarla en ningún aspecto… en fin, las combinación son muchas y te marearán, por algo estás leyendo esto.

Corpus of Maya Hieroglyphic Inscriptions Background Since its inception in 1968, the Corpus of Maya Hieroglyphic Inscriptions (CMHI) has been the leading program for recording ancient Maya hieroglyphs, one of the most artistic and creative graphic writing systems in the world. Founding Director, Ian Graham, a pioneer who laid the foundations for recording the ancient Maya hieroglyphic texts, created an unsurpassed register of carved monuments that has been instrumental in their decipherment. Dates 1966 Luminaries in the field in including, Dr. Historical accomplishments Set the standards for hieroglyphic recordingProduced meticulous scientific photographs and accurate illustrations superceding those made in the 19th century. References 1975 Graham, Ian Introduction to the Corpus, Corpus of Maya Hieroglyphic Inscriptions, Vol 1.1 Peabody Museum of Archaeology and Ethnology, Cambridge, Mass. 1975 Williams, Stephen Foreword, Corpus of Maya Hieroglyphic Inscriptions, Vol 1.1. n. d. Contact Us: Research and Permission Requests: Ian Graham

:::Fototeca Constantino Reyes-Valerio::: Fototeca Constantino Reyes-Valerio El origen de la Fototeca Constantino Reyes-Valerio de la Coordinación Nacional de Monumentos Históricos se remonta a los primeros registros fotográficos institucionales, producto de los hallazgos arqueológicos del antiguo Museo Nacional y de las primeras imágenes de monumentos coloniales, objetos, sitios y personajes históricos realizados por fotógrafos tanto nacionales como extranjeros. Desde finales del siglo XIX estas imágenes se resguardaron en un espacio del antiguo Museo Nacional. Posteriormente se albergaron en distintas sedes, tales como: la Dirección General del Instituto Nacional de Antropología e Historia, (INAH), el Ex convento de Culhuacán y actualmente en la Fototeca de la Coordinación Nacional de Monumentos Históricos. Está formada por un importante acervo fotográfico de originales y reprografías (copias de fotografías) de diferentes ciudades y poblados del país.

Open Access Publications Archive – CLAS (CEDLA Latin America Studies) CEDLA is pleased to present to the academic community a selection of its publications to download in PDF format that are out of print or not easily available. These books have been scanned using ASCII data capture, which means that the PDFs are searchable. The list below will be expanded. Read more... The papers collected in this volume originate from a CEDLA workshop held in October 1983. CLAS 33, © 1985 P.A.G.M. de Smet, reproduced with permission of the author This interdisciplinary study gives a comprehensive survey of the ethnobotany, phytochemistry, psychopharmacology and pharmacokinetics of all the plants that serve as intoxicating enema and snuff ingredients among the native peoples of the Americas. CLAS 39, © 1987 A.G. van der Plas, reproduced with permission of the author In the first years of the Cuban revolution, experimental tribunals were set up in the countryside, and later in the big cities, in which justice was administered by lay judges chosen by and from the people.

Instituto Nacional de Antropología e Historia | Repositorio Institucional INSUMISOS.COM La información calificada sobre América Latina - Inicio .:: Catálogo - 18 lustros ::. En esta serie producida por la Universidad, se da cuenta en períodos de cinco años y un último de diez, del desarrollo económico, político, social y cultural de México con imágenes que van desde la Revolución Mexicana, el nacionalismo en el gobierno de Lázaro Cárdenas, el movimiento estudiantil de 1968, la catástrofe del terremoto de 1985 en la Ciudad de México, entre muchos otros. Son obras hechas a partir de fragmentos de archivo que la Filmoteca ha rescatado y preservado, materiales de ficción, documental y también hechos sociales, culturales y políticos filmados por la propia institución. Y el cine llegó... Los sueños perdidos Y vino el remolino Se está volviendo gobierno Vieja modernidad Sé que es imposible El que manda... vive enfrente Cuando la sombra de la duda se cruza en el camino Tiempos de guerra Humanidad, hasta dónde nos vas a llevar Perdón, investidura Recordar es vivir

Seminario de Estudios para la Descolonización de México Home | Nature Picture Library See more in our May 2024 Highlights gallery Image info See more in our June 2024 Latest Highlights gallery Images and Inspiration from the Natural World News Stories Video Photographers Natural Inspiration Conservation See all our blogs Supporting Nature Conservation At Nature Picture Library we believe passionately in the importance of nature conservation. This year we are supporting See all our donations Discover MAM | Maya Antiguo para los Mayas Alexander Street, a ProQuest Company Created as a sample of what one might hear on a typical summer day in New York City, Tony Schwartz’s 1952 soundscape features the street games and songs of children of West Midtown Manhattan. The distinctive variety of rhythms and melodies are demonstrative of the nationalities represented in one of the many ethnically-diverse neighborhoods in the city. Many of Schwartz’s recordings, such as this album, as well as Music in the Streets (see F... Created as a sample of what one might hear on a typical summer day in New York City, Tony Schwartz’s 1952 soundscape features the street games and songs of children of West Midtown Manhattan. Show more Show less

Maya Decipherment by Eric Taladoire, Université de Paris In 1933, Benjamin L. Whorf published his article on “The Phonetic Value of Certain Characters in Maya Writing,” in which he tried to re-open what many considered an old, obsolete hypothesis of the phonetic decipherment of Maya hieroglyphs. This first essay was quickly followed by a second, mostly similar text in 1935: “Maya Writing and its Decipherment.” Richard C. The first question about this brief controversy bears on the origin of Whorf’s articles. The Man Jean Genet has fallen nowadays in an almost complete oblivion, and he is only mentioned for his edition of Landa’s Relation (Davoust 1995, Stuart 1988). We cruelly miss information about him. He was born on July 3rd 1903 in Boulogne sur Seine, in a Paris suburb, from a shopkeeper family. In 1923, he married Madeleine Perchet, a young woman with a high academic level, which is unusual in those years, and they moved to Paris. And his Work 1927. His true production begins in 1927.

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