Establishing the Right Point of View Establishing the Right Point of View: How to Avoid "Stepping Out of Character" by Marg Gilks Return to Characters, Viewpoint, and Names · Print/Mobile-Friendly Version "Dalquist was shaking with rage, tears streaking down her face. 'Get out,' she whispered. Then she lunged for the other woman, shrieking, 'Get out! Yikes! If you can see what's wrong with this excerpt, congratulations. What's wrong with the above excerpt? Paragraph one is ambiguous. Every scene should have only one POV character, and everything must be filtered through that POV character's perceptions. But, isn't it so much easier just to tell the reader what character X is thinking, rather than trying to show it in ways the POV character (and thus, the reader) can see and understand? Let's look at that again, and we'll see a hint: isn't it so much easier just to tell the reader what character X is thinking, rather than trying to show it in ways the POV character can see and understand? Yup: "show, don't tell."
Wolfram|Alpha: Computational Knowledge Engine The Art of Description: Eight Tips to Help You Bring Your Settings to Life The Art of Description: Eight Tips to Help You Bring Your Settings to Life by Anne Marble Return to Setting & Description · Print/Mobile-Friendly Version Description is something that gets in the way of many authors. Why? Well, because it's so darn hard to write. And no wonder. If you're not very accomplished at writing description, then sometimes you might want to avoid writing it. At the same time, some writers err in the other direction, including too much description. How bad is bad description? Avoid Huge Lumps of Description In the past, authors could get away with including long, detailed descriptions in their stories. Unless they're seeking out writers known for lyrical descriptive passages, today's readers wouldn't put up with that sort of thing. Of course there are authors who, even in today's marketplace, can get away with pages and pages of description. Make Description an Active Part of the Story How did I come up with that line? Describe What Your Characters Would Notice
Magical World Builder By, Stephanie Cottrell Bryant <map name="admap78618" id="admap78618"><area href=" shape="rect" coords="0,0,468,60" title="" alt="" target="_blank" /></map><table cellpadding="0" cellspacing="0" style="width:468px;border-style:none;background-color:#ffffff;"><tr><td><img src=" style="width:468px;height:60px;border-style:none;" usemap="#admap78618" alt="" /></td></tr><tr><td style="background-color:#ffffff;" colspan="1"><center><a style="font-size:10px;color:#0000ff;text-decoration:none;line-height:1.2;font-weight:bold;font-family:Tahoma, verdana,arial,helvetica,sans-serif;text-transform: none;letter-spacing:normal;text-shadow:none;white-space:normal;word-spacing:normal;" href=" target="_blank">Ads by Project Wonderful! The Magical World Builder's Guide is a tool for creating a fantasy universe.
Story Generator Stories This is a satire. The story is about a disloyal ranger who is stalked by a paladin. This is a pure action story. The story is about a naive CFO, a wizard, a fire fighter, and a focused stylist. This is an escape-from-prison story with an emphasis on the need for self-expression. This is a story about family. This is a tale about alienation and how the invention of man can destroy him. This is an odd-couple-teams-up story. This is a natural disaster with an emphasis on man's need for freedom. This is a horror/drama with a strong theme of trust. This is a tale about the dangers of self-expression.
Quick Story Idea Generator Stories The theme of this story: dark quest. The main characters: unbalanced hero and humble secret agent. The theme of this story: light-hearted horror. The theme of this story: metaphorical adventure. The theme of this story: noir slice-of-life. The theme of this story: parody revenge. The theme of this story: serious adventure. The theme of this story: surreal romance. The theme of this story: wacky slice-of-life. The theme of this story: weird revenge. The theme of this story: weird thriller. Gothic, Horror, and Mysteries: YA Fiction for Fans of Edgar Allan Poe It’s the time of year where readers start asking for creepy and the supernatural, and teens flock to stories of gothic horror and murder mysteries. There’s no shortage of young adult fiction in these genres and there’s even quite the list of Poe-inspired works. This is a list to satisfy those with an appetite for the macabre or mysterious! Edgar Allan Poe is often beloved by middle school students. As far as assigned reading in school goes, short stories like “The Tell-tale Heart” or poems like “The Raven” or “Annabel Lee” were some of my personal favorites that even my less bookish classmates enjoyed. These YA novels were inspired by the works of Poe. YA Novels Inspired by the Works of Poe The Masque of the Red Death by Bethany Griffin A steampunk retelling of The Masque of the Red Death. The Fall by Bethany Griffin A new novel is that reimagines The Fall of the House of Usher. Ashes on the Waves by Mary Lindsay A paranormal gothic novel based on the poem Annabel Lee. Nevermore by Kelly Creagh
Creating the Perfect Setting - Part I It was a dark and stormy night... This is one of the most ridiculed openings, not because once upon a time it didn't work, but because too many people have written their own version of it. And yet setting, the weather, landscape, the opening scene, can often lay out the feel and tone of a book brilliantly, and create an instant context, often a time-stamp, a fixed point which helps the reader find the correct emotional stance to absorb the work. The first I heard of the beach was in Bangkok, on the Khao San Road. Khao San Road was backpacker land. Note here that we don't just get setting but also information, some explicit, but a lot implicit. As David Lodge pointed out in The Art of Fiction, a distinctive sense of place was not always a feature of prose fiction. Unfortunately, the first thing some writers did was to overwhelm the reader with masses of descriptive detail, often using description only as a warm-up to the rest of the book. Fog everywhere. Writers have to think of setting.
Creating a Believable World By Sharon Caseburg One of the greatest difficulties Speculative Fiction authors experience when writing stories in this genre is in their ability to provide a believable environment for their readers. Any kind of speculative fiction, whether it be hard-core Science Fiction, Time Travel, Horror, or Fantasy requires readers to put aside the conventions they have become accustomed to in the “real world” for the world the author presents in the story. This of course holds true for speculative romance stories as well. For the most part, readers of these genres are more than willing to put aside the customs of the world they live in, for the environment the author has created. However, when the author does not provide a believable realm, readers can easily become disenchanted with both the author’s world and in turn, the story itself. Basically, this translates to the more the author knows about the world he or she is creating, the more confidently the author can write about it.
Online - Thirty Tools for Writers [Author’s note: Of the many things I’ve written for the Poynter website, none has been as popular as my "Twenty Tools for Writers." This list has been quoted, cited, praised, debated, and repurposed by writers, editors, teachers, and other professionals who care about the craft. That folks find these tools useful gives me courage. As you can see, I’m very impressed with myself. At times it helps to think of writing as carpentry. Below is a list of 30 writing and revising tools. Sentences and Paragraphs 1. 2. 3. 4. Language 5. 6. 7. 8. 9. 10. 11. Effects 12. 13. 14. 15. 16. Structure 17. 18. 19. 20. 21. 22. 23. The Writing Life 24. 25. 26. 27. 28. 29. 30. This list contains tools, not rules. Tags: Writing tips and techniques
Random Book Title Generator Hit a button to share with your friends Brought to You in League With... Leave a message for ANY other driver in the world, check your messages too! So funnny you'll ROFL, maybe PYP The best Comedic Wit in the world Put on your 3D Glasses & freak out! Random Movie Plot Script Generator Eye & Brain Melting Optical Illusions Your IP Address, spoken for the lazy Virtual Reality 3D Face Generator Other Sites & Ppl We Like Ripper's Oculus RiftVideo of the DaySausage DoggieNissan Figaro BlogUK Thunderstorm DetectorUK Bank Holiday DatesToy RayGun CollectorCool GadgetsUKDad Ukulele BlogWebcam DatabaseBaby Name DatabasaeHairyfriend Pet InfoBy Penny - jewellery from photos Mayn't Change the World Chapter 1: Dernière Danse, a puella magi madoka magica/魔法少女まどか★マギカ fanfic Dernière Danse - Last Dance The curtain rose (the fog came in). The witch's barrier bled into the landscape (below the stage, the conductor lifted his hands). Her heart thumped erratically in her chest (her face was set in a determined scowl). 'Again.' Across the stage from her was Madoka (Walpurgis). They met in the middle. Graceful, dizzying circles, and Madoka's dress billowed out as Homura raised her arm to spin her (fire billowed from Walpurgis as Homura leapt across buildings to destroy her). Walpurgis screeched (Madoka laughed) in response. Her heart lurched painfully and though she smiled through it, she felt trapped. 'Let them deal with it,' came the insidious thought. The brisk pace of the music sought to consume her, arms straining as she loaded the dance with as much force as she could muster (dozens of AT-4s lugged over her shoulders, even more lifted by her magic, she was an army of one). After all, what would they have done in her place? But she cared too much. Slowly, Normal…
www.aliciarasley.com/artset.htm Copyright 1999 by Alicia Rasley Here is a quick exercise to help you explore your protagonist's relationship with the setting. Just free-write on the questions. 1. The plot requires a city exploding with growth, as real-estate development plays a role in the story. 2. Meggie is from the east, a working class town like Hartford. 3. A mover and shaker might have been born into a powerful family, or clawed the way up from the lower class. Meggie moved here when she married. 4. I think she's going to decide she has to invest herself in the place. 5. This is a pretty circumscribed place. 6. I think the old-money vs. new-money aspect would interest an outsider. 7. The basic family unit is either the two-income couple, maybe with kids, and the single mom. 8. No doubt about it- money matters in this town. 9. Meggie's overriding goal is to solve the murder. 10. Meggie must eventually either commit to this place as her home, or decide to make her home elsewhere. Go to previous articles:
Maps Workshop — Developing the Fictional World through Mapping Most of the books I’ve written have started with a map. Not with an idea, or a character, or a theme. With a hand-drawn map, doodled out first while I was sitting and keeping someone else company, or while I was on break, or when I couldn’t think of what to write and had no ideas to speak of and knew that if I drew a map something would come to me. If you want specific titles of books that began as maps, I give you Fire in the Mist, Bones of the Past and Mind of the Magic (the Arhel novels), Sympathy for the Devil, The Devil and Dan Cooley, and Hell on High (the DEVIL’S POINT novels), The Rose Sea, Glenraven and Glenraven: In the Shadow of the Rift, Hunting the Corrigan’s Blood, Curse of the Black Heron, and finally the trilogy I’m currently writing, Diplomacy of Wolves, Vengeance of Dragons, and Courage of Falcons (the SECRET TEXTS trilogy.) I have favorite tools for mapping. This first map is going to be your continent. Okay. Get out your graph paper. See what I mean about mistakes?