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End of Summer Voice Over Meetup! - Voice Over Camp (Minneapolis, MN August 21, 2012 · 6:30 PM This location is shown only to members Hey everyone! We are finally set for our "end of summer" meetup event! Antigoni Sander McCloud, a former student of mine, has graciously set up a room for us at her restaurant for this event! PLEASE take advantage of the dinner menu. Kafe 421 has mouthwatering entree's. How to Calculate Delay Time to Tempo Beat « ConradAskland.com Here’s how to calculate millisecond delay time to your tempo so you can make adjustments on the fly (or just set it correctly for a hardline beat delineation.) Needless to say, if you’re not going for strict tempo beat pulses then you can skip equations and do this “by feel”.It’s very simple if you remember this equation: * Delay time in ms (Milli-seconds) = 60000/BPM (Beat Per Minute) Will give you a quarter note delay time.
Bookstore - The Voice Actor's Guide to Home Recording About the Author Harlan Hogan has more than 30 years’ experience as a voiceover actor and has given voice to scores of highly recognizable ad campaigns, including “It’s the cereal even Mikey likes,” “Hey, Culligan Man!,” and “When you care enough to send the very best.” In addition to films and documentaries, it’s Hogan’s familiar voice that says, “This program was made possible by contributions to your PBS station from viewers like you. Compressor control principles A short compendium on digital audio compression techniques. Basic compressor configurations Compression vs. limiting Technically speaking the same principles are used in audio signal limiting and compression processors but just the transfer curves and envelope follower settings are different.
Microphones at zZounds 1. zZounds offers the industry‘s most musician-friendly payment plans zZounds offers a variety of Play as You Pay installment plans that allow you to get the gear you want today. While our competitors might offer house credit cards that require you to fill out an application and pass a credit check, our payment plans are easy to get, simple to use, and, best of all, accrue zero interest. Metering Audio metering is one of the most confusing and complex aspects of sound recording. Technical Editor Hugh Robjohns answers some of the most common questions on the topic. There are literally dozens of different audio metering systems in common use around the world — and they often appear to read completely differently when supposedly displaying the same audio signal! However, there are perfectly good reasons why this should be the case and the differences are mainly due to the historical development of the various metering systems and their interpretation. Having said that, not all meters are equal and it's still a case of 'horses for courses' when choosing which system to use in particular applications. Q What are the meters really for?
Voice Over Xtra Voice actor and home studio consultant Dan Lenard constructed this studio in his basement, sound-proofing the walls with acoustic foam (left photo), and equiping a compact workstation (right photo). Dan Lenard has watched the online, home studio voice-over industry explode since he began his voice acting business in 2004. With 32 years of experience behind the mic and in commercial studios, making the transition to a home-based voice-over business was a quick process for him. And now as an industry expert in home studio construction, Dan is a fee-based home studio consultant. Harnessing The Power Of DSP In the previous segment, we looked at the basic process of using a high-resolution FFT (Fast Fourier Transform) analyzer to view the frequency and phase response of a 12-inch cone driver in a typical 12-inch/2-way loudspeaker. In that segment, we established that the 30-degree off-axis response of the cone driver is substantially lower in level (12 to 18 dB), as well as highly irregular in phase and frequency above approximately 2 kHz, when compared to the driver’s on-axis response (Figure 1). This information allows us make an educated guess at the range where the cone driver should be crossed over. In this particular case, the 30-degree off-axis response is linear up until about 1.28 kHz, after which the output until about 2 kHz. At 2.1 kHz, the output level begins to descend rapidly as the driver enters its breakup mode (see sidebar for discussion of “breakup mode”). In this discussion, we’ll factor in the HF driver and HF horn.
Home Studio - Punch And Roll in Adobe Audition _Adam Verner HOME STUDIOPunch ‘n Roll In Adobe Audition:For Quick Fix Of Recording Flubs By Adam VernerVoice Actor As anyone who has done long-form narration (especially audiobooks) knows, the amount of editing afterwards can be time consuming and tedious. Different narrators have different methods of marking their flubs during a session: a light clap, a snap, a mouth noise I call a "snick,” or most effective, a dog clicker (you can get these at pet stores for a few bucks). Whichever method you use to mark these spots during a session, you still have to go through your files afterwards and remove your mistakes, sneezes, and tummy gurgles. This subtracts money from your bottom line.