Live Cinema and NoiseFold: An Interview with David Stout | InterArts & CBPA Newsfeed Live Cinema and NoiseFold: An Interview with David Stout { Posted by Marc Stevens on 24.02.2010 } Questions by Morehshin Allahyari and Victoria Bradford Photographs by Morehshin Allahyari 1. The different facets of my work all intersect in my role and identity as an artist. 2. As in many other art forms individual approaches can be very diverse. 3. Cory and I have been working together since 2003 and formally began our NoiseFold collaboration about 4 years ago. 4. While I have done a lot of solo performance work, my focus for the past four years has been an exploration of the networked duet. 5. This is a great question. 6. I think many live cinema performers spend much more time collecting or creating video clips and much less time rehearsing transitions, edits or other live performance actions. 7. There are various schools and genres that fit within the live cinema context. 8. It could be, though I wouldn’t know if this is ultimately a good thing for artists or not.
Hip - Hop Musical • Προβολή θέματος - Stous Dromous- MOusikoi Isovites NAI..KITAZO APO TIN AKRI TIS POLIS..TA FOTA POU DINOUN ZOI.. SE ENA APSIXO TOPIO..KANEIS BOUTIA STO KENO..KAI KSIPNAS.. SOU FENETE ASTIO..TO POSO EYKOLA MPOREIS KAI SI NA ANATRAPEIS APO TOUS SINEXEIS KRANDASMOUS.. EXOUN BOULOSEI TA AFTIA SOU KAI DEN AKOUS TPT PIA.. OUTE KAN TIN KARDIA SOU.. se kapia simia mou figan 1-2 lekseis..an kapios katalabe ti akribos lene se ekina ta simia as m stilei pm gia na to fixaro:)
stous dromous-mousikoi isovites - YouTube2HD Writing a Critical Review The advice in this brochure is a general guide only. We strongly recommend that you also follow your assignment instructions and seek clarification from your lecturer/tutor if needed. Purpose of a critical review The critical review is a writing task that asks you to summarise and evaluate a text. What is meant by critical? At university, to be critical does not mean to criticise in a negative manner. What is meant by evaluation or judgement? Here you decide the strengths and weaknesses of a text. What is meant by analysis? Analysing requires separating the content and concepts of a text into their main components and then understanding how these interrelate, connect and possibly influence each other. Next: Structure of a critical review
Project "Pulse Room" Pulse Room is an interactive installation featuring one to three hundred clear incandescent light bulbs, 300 W each and hung from a cable at a height of three metres. The bulbs are uniformly distributed over the exhibition room, filling it completely. An interface placed on a side of the room has a sensor that detects the heart rate of participants. This work was inspired by Macario, directed by Roberto Gavaldón in 1960, a film where the protagonist suffers a hunger-induced hallucination in which every person is represented by a lit candle in a cave.
rheo: 5 horizons | Cimatics agency Format: Installation / pentaptych 5 sound channels Year: 2010 Duration: 00:08:00 (loop) Concept, direction, composition, programming: Ryoichi Kurokawa Production: Cimatics Coproduction: Maison des Arts de Créteil, Le Manège Support: Canon Europe “‘rheo: 5 horizons’ is an audiovisual installation which is composed of 5 flat-panel-displays and 5 multi-channel speakers. Each vertically long imagery pairs with each mono channel sound. And each video is synchronized with each audio. By being synthesized with the move of image, the spatial cognition of the sound can be enhanced. “The term ‘rheo’ in the title is a Greek word that means: ‘flow, current, stream’. This work translates temporal and spatial transition to audiovisual motion as dynamic fluid. By being synthesized with the move of image, the spatial cognition of the sound can be enhanced. “All things flow, everything runs and does not stay in the same place, which seems to be the same but in fact, never is.
Article - News Archive - CIMATICS PLATFORM - Audiovisual Festival / art / media / music / technology rheo by Ryoichi Kurokawa rheo is a triptych 5.1 surround sound cross-media performance by Ryoichi Kurokawa (JP). About rheo Kurokawa’s new work 'rheo' will be displayed as a 5.1 channel audiovisual concert using a triple 9:16 screen set-up. The title of Ryoichi Kurokawa’s new project 'rheo' is inspired from the famous expression of Greek philosopher Heraclitus of Ephesus "panta rhei", which means "everything is in a state of flux". 'rheo' is a new form of audiovisual expression, which tends to eliminate the boundaries of our physical perception where the essence lurks in the transition, as in the law of life, nature or beauty where "everything is evanescent Three dimensional pixel sculptures are the result of Ryoichi Kurokawa’s audiovisual synthesis. About Ryoichi Kurokawa Ryoichi Kurokawa is a young audio-visual artist from Osaka (Japan). Kurokawa was born in 1978 in Osaka.
Sonicity is a responsive installation, a sonification of the space. The sounds you hear are the sound of the changing environment, ie the changes of noise, light, temperature of the space is turned into a real time sound stream using dozens of wireless se Title: "Sonicity: Songs Of Atoms Time And Space". by Stanza "Sonicity: Sonicity: Songs Of Atoms Time And Space" is a responsive installation, a sonification of the real space and environment. The sounds you hear are the sounds of the changing environment, ie the changes of noise, light, temperature of the space is turned into a real time sound stream using dozens of wireless sensors presented as an installation on 170 speakers. The sensor system monitors the space (the building) or the environment (the city) and captures live real time data (light , temperature, noise, humidity, GPS position) to create an ambient sonification, an acoustic responsive environment, literally the sound of the micro incidents of change that occur over time. The Installation Experience. The patterns, movement, and exchanges of data in the real space, are measured and interpreted as an emergent social space and used to make this artwork; in this case a sonification of the space. Sonicity Software Sensors Costs
Stanza at futureplaces 2010 | FuturePlaces I was invited to go and talk and exhibit Sensity for Future Places 2010 in Portugal Sensity. This artwork gathers data from the city (environment) this is then made virtual and then this virtual city is represented as a visualisation of the real time space. Sensing Porto senses the environment to make live visualisation and sonification of the city of Porto. The sensors where laid out across the city to take a snapshot of one day in the life of the city. Sensity artworks are made from the data that is collected across the urban and environment infrastructure. The sensor networks can be moved from urban to rural setting, ( ie they are mobile) and different types of visualization can be made depending on the environment. The mother of big brother. Imagine walking out the door, and knowing every single action, movement, sound, micro movement, pulse, and thread of information is being tracked, monitored, stored, analyzed, interpreted, and logged.
Amphibious Architecture The Living: Amphibious Architecture Amphibious Architecture submerges ubiquitous computing into the water—the substance that makes up 90% of the Earth’s inhabitable volume and envelops New York City but remains under-explored and under-engaged. Two networks of floating interactive tubes, installed at sites in the East River and the Bronx River, house a range of sensors below water and an array of lights above water. The sensors monitor water quality, presence of fish, and human interest in the river ecosystem. The lights respond to the sensors and create feedback loops between humans, fish, and their shared environment. An SMS interface allows citizens to text-message the fish, to receive real-time information about the river, and to contribute to a display of collective interest in the environment. Instead of treating the rivers with a “do-not-disturb” approach, the project encourages curiosity and engagement. [Photos and video by The Living and Chris Woebken]