10+ Great Color Correction Tutorials for your DSLR footage | Alik Griffin - Editor, Director, Photographer Gestion du son et synchronisation d'animations sur After Effects Dans ce nouveau tutoriel gratuit, nous verrons tout ce qui concerne la gestion du son sur After Effects. Nous apprendrons à manipuler nos fichiers audios afin d'être efficace lors de la synchronisation d'animations sur des évenements sonores. Nous verrons les différentes méthodes de synchronisation sur un cas concret, en se basant sur une musique composée par Obny. Apprendre à lire et écouter des sons sur After Effects, et à les manipuler pour ajouter des marqueurs en temps réel.Synchronisation semi-manuelle à l'aide d'images clés couplées à des expressionsSynchronisation automatique à l'aide des données audio extraites et d'expressions pour les exploiterUtilisation (facultative) du plugin Sound Keys pour recréer les étapes précédentes de manière plus rapide, et avec plus de souplesse.Ajout d'un effet de kaleidoscope pour obtenir une scène plus complexe à partir d'une animation simple.
Don’t Have a Make-up Artist on Set? Remove Skin Blemishes from Your Video Using After Effects I’ve been asked to remove blemishes and other imperfections from still photos, but with a video, on the other hand, it’s a bit more involved. When the image isn’t moving, you don’t have to worry about tracking the trouble spot to match the camera and the movement of the subject. We’ve shared quite a few tutorials for Adobe products in the past, but this one specifically uses After Effects to try to make those skin imperfections disappear for good. Thanks to John Hess at FilmmakerIQ for posting this: While this is a good solution for a fairly short clip, or long clips where there isn’t a lot of movement, if you want to get the best results possible, you’re going to want to actually track those blemishes and apply your effect to those tracking points. For this reason when clients ask for this on a video, it’s always best to explain that to do it properly for a longer clip, it’s going to usually take more time than it’s really worth (unless they’re willing to pay for that extra time).
Kinect MoCap Animation in After Effects — Part 1: Getting Started | Victoria Nece This tutorial is now obsolete. Check out the new KinectToPin website for the latest version of the software and how to use it — it’s dramatically easier now. Hello, I’m Victoria Nece. I’m a documentary animator, and today I’m going to show you how to use your Kinect to animate a digital puppet like this one in After Effects. If you have a Kinect that came with your Xbox, the first thing you’re going to need to do is buy an adapter so you can plug it into your computer’s USB port. You don’t need to get the official Microsoft one — I got a knockoff version from Amazon for six bucks and it’s working just fine. Next you’re going to need to install a ton of different software. Here’s a quick overview of how it’s all going to work. Then on the After Effects side of things, you’ll set up a skeletal rig for a layered 2D puppet and apply the tracking data to bring it to life. It’s not an easy process, but the results are worth it. Required Software:
The Visual Student | A resource for students in Visual Journalism. Timber & Frame Video Production Q&A: Ben Severance Ben Severance is a recent graduate of the Western Kentucky University photojournalism program. As the founder of Timber & Frame, an award winning production company, Ben has worked with humanitarian organizations from Sarajevo to Kingston to Alabama. His work has been recognized by the Associated Collegiate Press and William Randolph Hearst Journalism Awards. Originally from... NPPA General Counsel Mickey H. In a phone interview for the Top Five Photojournalism Stories of 2012, NPPA General Counsel Mickey H. Emerging Talent- Andrew Dickinson Andrew Dickinson is a senior at the University of Nebraska-Lincoln. Emerging Talent- Austin Koester From the photographer: I grew up in Nowheresville, Ga. Emerging Talent – Tamir Kalifa TAMIR KALIFA of Kensington, MD, is a recent graduate of the University of Texas at Austin with a major in photojournalism. Designing a Better Portfolio Website: Part 3 There’s no law against bad design.
After Effects Project | Clean Logo Intro Template Clean black and white logo reveals. 3 different versions. Nothing is pre-rendered in this project, everything is created entirely in After Effects. This logo animation is perfect for an intro to your youtube news channel or perhaps a video or photo slideshow. Use it to introduce a sports highlight package or a corporate presentation. It is also perfect for a fashion blog or for promoting your dance studio, action movie, medical technology company or whatever you can think of. This product is an Adobe After Effects project file. Required After Effects Plugins: No Plug-Ins required.
Mapping Puppet to Motion Track in After Effects Once you have some trackers on your video, and you have applyed the transform motion to other layers - so you have solids, or nulls moving around based on captured motion - you are ready to begin these steps. Create a solid and use the pen tool to draw on a mask, or import a photoshop file. With the object that you want to deform selected, click on the pushpin icon at the top of the screen, then click on the object to add control points for aniamtion. Once you have multiple control points, on the timeline, open up the attributes to reveal the Puppet effect that has been applied to your layer. Next, open up the Mesh Attribute and find the Puppet pins in the time line.
keeping track, so you don't have to… Stabilize Shaky Footage with the Warp Stabilizer in After Effects CS5.5 | CS5.5 Production Premium Feature Tour Share this Episode Please select a language: Autoplay End of Video Show End Screen Default Quality Adjust your embed size below, then copy and paste the embed code above. Community Translation Episode available in 8 languages Available Translations: Join the Community Translation Project Thanks for your interest in translating this episode! Please Confirm Your Interest Thanks for your interest in adding translations to this episode! An error occurred while processing your request. Another translator has already started to translate this episode. Thanks for Participating! This episode has been assigned to you and you can expect an e-mail shortly containing all the information you need to get started. About This Episode Learn how to stabilize hand-held footage to look as if it had been shot with a complicated, expensive camera rig with the new Warp Stabilizer in After Effects CS5.5
Dan Ebberts's Expressioneering Design Guide Auto-orientation towards the camera is a 3D technique in After Effects with a lot of uses. Sometimes though, it would be better if the auto orientation only affected the layer's y axis. This is especially true if you want the layer to maintain its vertical orientation. In those cases you may want the object to turn and face the camera but to also maintain its perpendicular relationship with the ground plane. If you examine the three movies to the right you can see the issue. In the middle movie, Auto-Orient Towards Camera has been applied to the bears and the tree. In the bottom movie, each layer has been constrained to orient itself towards the camera only on its y axis, maintaining contact with the ground plane. So what we want to do here is conjure up an expression that will cause a layer to rotate on its y axis to face the camera, but doesn't affect the layer's x or z orientation. First we need to subtract the camera's position in world space from the layer's position in world space.
The Reconfigured Eye: Visual Truth in the Post-Photographic Era download On ebook-download-now.com ebooks search engine, ebook-download-now.com "An intelligent and readable approach to the digitization of images. . . . A useful overview of a critical subject." -- New York Times Book Review Enhanced? Or faked? Today the very idea of photographic veracity is being radically challenged by the emerging technology of digital image manipulation and synthesis: photographs can now be altered at will in ways that are virtually undetectable, and photorealistic synthesized images are becoming increasingly difficult to distinguish from actual photographs. Continuing William Mitchell's investigations of how we understand, reason about, and use images, The Reconfigured Eye provides the first systematic, critical analysis of the digital imaging revolution. And fortunately, both sections are great. We does not store any files on its server.
After Effects Tutorial: Advanced Chroma Keying and Compositing (PART 1) 10 astuces à connaitre sur AfterEffects - motion-cafe.com On a pas tout le temps qu'on veux de se poser pour chercher quelles sont les chemins les plus courts pour développer rapidement sur After Effects.Et pourtant, il y a des outils, des raccourcis et des méthodes qu'on survole tous les jours, et qui pourraient nous faire gagner tellement de temps. En voici une première liste de 10 que j'apprécie : 1. L'organigrammeLorsque l'on travaille beaucoup avec les compositions imbriquées, notre projet devient rapidement un centre de stockage massif de compositions, et on a tendance à tout envoyer dans un chutier dédié à ce nom. Il y a un moyen simple de visualiser l'ensemble de sa hiérarchie en appuyant simplement sur la touche TAB du clavier, et une petite fenêtre popup s'affiche, et va vous offrir un petit visuel sur l'organigramme de la composition actuellement ouverte. Amusez-vous à remonter la hiérarchie en cliquant simplement sur les flèches. 2. 3. 4. 5. 6. 7. 8. 9. 10.