Giant Steps For Guitar: Simplifying The Coltrane Matrix When guitarists first begin to explore Giant Steps changes in their studies, this series of course can seem like an impossible mountain to climb, but that doesn’t have to be the case. Rather than focussing on big, two-octave scales and arpeggios right from the get go, which can make soloing over this tune very difficult, you can instead start your study of Giant steps by using triads, one-octave arpeggios, and the 1235 outline to get your ears and fingers around these changes quickly and enjoyably. This lesson will break down those three approaches, providing four practice variations for each along the way, as well as give you examples of how to turn these technical approaches into licks over the first 8 bars of Giant Steps, which is also called the Coltrane Matrix. Click Here To Download Your Free Jazz Guitar eBook Triad Outlines The first motive that we'll use to outline the Coltrane matrix is the root based triad: 1-3-5 Listen & Play Four Note Arpeggio Outlines 1235 Outline Giant Step Licks
10 Completely Brilliant Guitar Tuition Sites I’ve spent many hours either watching guitar video lessons or reading guitar blog posts and have created a list of the places I keep going back to again and again. Whether you are a learner, intermediate or advanced guitar player there’s something for everyone here. Guitar Jamz Marty Schwartz produces amazing guitar tutorials and tips videos for both electric and acoustic guitars. There’s a large amount of free materials available on his channels and if you want more he offers some great dvd’s at reasonable, good value for money prices. Check out his acoustic blues lesson below: …as well as this electric guitar lesson showing how to play Enter Sandman. Here are Marty’s two YouTube channels: Matt’s Guitar Lessons This small (ish) site offers an excellent selection of video guitar lessons showing how to play popular songs and some general improvisational tips. For examples check out this fantastic free video guitar lesson showing how to play Led Zeppelin’s ‘Bron-Yr-Aur’: Matt’s Guitar Lessons:
In Deep: Jimi Hendrix's "Little Wing" Jimi Hendrix Jimi Hendrix's stature as rock's greatest guitarist is by now an absolute and indisputable fact. In this month's edition of "In Deep," I'll examine his genius within the realm of rhythm guitar. Let’s begin with a breakdown of the intro to the live version of “Little Wing,” transcribed in this issue [see page 136]. Live or in the studio, he always strove for spontaneously inspired performances of every song. This version of “Little Wing,” recorded at what is acknowledged as the Jimi Hendrix Experience’s greatest live performance—on February 24, 1969, at London’s Albert Hall—differs in many subtle but fascinating ways from the studio track heard on Axis: Bold as Love. In the pickup and through bar 1 [see the transcription for this and other “Little Wing” examples], Jimi first strikes muted strings by lightly laying his fret hand across the fretboard. Bar 7 features Hendrix’s signature “sliding sus2” voicings, as Gsus2 slides up to Asus2 and then down to Fsus2.
fb_share_screenshot 50 rock guitar licks you need to know | 50 rock guitar licks you need to know | Guitar Tuition For the past few weeks, Guitar Techniques have been posting sections of this bumper feature showing you how to dramatically increase your rock soloing potential, and boost your fingerboard knowledge at the same time. Here, though, are all 50 licks in the same place for the first time. Scroll down for the full tutorial, and check out the gallery for larger tab… The main focus here in terms of vocabulary is classic rock, which we're going to define for the purposes of this study as pre-Van Halen, so you'll find no eight-finger tapping, no three-octave sweep picked arpeggios and no 32nd-note legato monster licks. They are all also completely useable to guitarists of many levels and in a variety of settings. You'll often find the same fingerings and melodic pathways being adopted by a large number of players, but it's the melodic phrasing and note selection that really allows their personality to shine through. This study divides the fretboard into five areas, or positions. Scale diagrams
Arpeggio Tricks | Shredaholic.com The mp3 audio files for this lesson seem to have gone missing, since this lesson was on the old site, as soon as we find them again they will go back up! Trick 1 Trick 2 Trick 3 Trick 4 click here to view the powertab file for this lesson © Atanas Shishkov 2005 Tagged as: arpeggio, legato Guitar/Blues Exercises Exercise 1 Here is a blues box in C Try using these partial seventh chords shown below as "stab" chords. Quite often when playing soul and jazz using the 12 bar blues form, guitarists will be expected to use "stab" chords to add to the rhythmic drive. You can try to play these on the backbeat (play the chord on the snare) or just as a "down-stroke" on each of the four beats in a bar. Exercise 2 Here is a blues box in Dm You can play a blues using only minor seventh chords. In this variation you will be using a single chord shape to play the twelve bar blues. Exercise 3 Here is a blues exercise in A using sevenths. Twelve Bar Blues In A using Sevenths These sorts of blues riffs were taken by other genres and moulded into something entirely new. Exercise 4 Here is a typical blues rhythm.
Most Effective and Creative Anti-Smoking Ad Campaigns In this post we have gathered some of very creative and effective anti-smoking ad campaigns for your inspiration, please feel free to tell us your favourite anti-smoking ads if we have missed. Victor Wooten Prosessions Discover Your Discomfort by Jamie Andreas (www.guitarprinciples.com) Okay, I'm going to explain some powerful things for the practicing guitarist who wants to see RESULTS from their practice. In other words, the guitarist who wants to do what I call CORRECT PRACTICE. Have you ever had trouble playing something on the guitar? Have you ever seen or heard someone play something, tried to do it yourself, maybe practiced it for a long time, and ended up with only frustration and bad feelings about yourself as a player? There are a few things that are always true when we are unable to play something we want to play on the guitar. Oh sure, you'll hear people say "play S-L-O-W-LY", or "RELAX"! I got a new student about a year ago, we'll call him Tom. Tom has two very important qualities that a player must have in order to overcome problems, and make what I call Vertical Growth. Tom doesn't have the pain in his shoulder anymore, and his playing is getting better and better. Hold the guitar as comfortable as you can.