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British Museum The National Gallery, London: Western European painting 1250–1900 Piccadilly Circus Un article de Wikipédia, l'encyclopédie libre. Piccadilly Circus est un carrefour routier et un espace piéton situé à Londres, au Royaume-Uni. La place, autrefois considérée comme le centre de l'Empire britannique, constitue encore de nos jours un des centres névralgiques de Londres, et est réputée pour l'enchantement que procure le scintillement de la pléthore d'enseignes lumineuses qui la recouvre, mais elle est également entourée de plusieurs curiosités touristiques, dont une fontaine érigée en 1893 en mémoire de Lord Shaftesbury et surplombée par un Ange de la Charité chrétienne (communément appelé Éros), ou encore le théâtre Criterion, le London Pavilion et plusieurs magasins célèbres. Non loin se trouvent le London Trocadero, centre commercial et de loisirs, et la statue Horses of Helios. Situation[modifier | modifier le code] Plan de Piccadilly Circus et de ses environs. Origine du nom[modifier | modifier le code] Historique[modifier | modifier le code] Piccadilly Circus en 1896.

Piccadilly Circus, London The Circus lies at the intersection of five main roads: Regent Street, Shaftesbury Avenue, Piccadilly Street, Covent Street and Haymarket. It was created by John Nash as part of the future King George IV's plan to connect Carlton House - where the Prince Regent resided - with Regent's Park. The creation of Shaftesbury Avenue in 1885 turned the plaza into a busy traffic junction. This made Piccadilly Circus attractive for advertisers, who installed London's first illuminated billboards here in 1895. For some time the plaza was surrounded by billboards, creating London's version of Times Square, but Eros statue currently only one building still carries large (mostly electronic) displays. At the center of the Circus stands the Shaftesbury Memorial Fountain. The name 'Piccadilly' originates from a seventeenth-century frilled collar The Circus at night named piccadil.

Painting of the Month He’s England’s patron saint, but little can be said with any certainty about Saint George. According to legend, Saint George was a Roman soldier who refused to recant his Christian faith, and who was subjected to brutal torture and death by the Emperor Diocletian. He was martyred in Nicomedia (in modern Turkey) and buried in Lydda (in modern Israel). Uccello depicts the scene for which Saint George is most associated - his battle with the dragon - a legend that became popular in the 13th century when recounted by Jacobus de Voragine. The legend tells of a town in Lydda, terrorised by a fearsome dragon living in a nearby lake. After trying to appease the dragon by feeding him sheep, the townsfolk were forced to offer their own people, who were chosen by lot. One day, the lot fell upon the king’s daughter. Uccello has chosen to show both the moment that George defeats the dragon (more accurately, a wyvern), and the moment when the dragon is subdued by the princess’s girdle.

Méridien de Greenwich Un article de Wikipédia, l'encyclopédie libre. Emplacement du méridien de Greenwich (ligne rouge verticale) sur un planisphère Le méridien de Greenwich est le méridien qui sert de référence internationale de longitude, d'où son nom de « méridien origine ». Description[modifier | modifier le code] Histoire[modifier | modifier le code] Le choix du méridien de Greenwich comme point de référence pour la longitude est complètement arbitraire, aussi différents méridiens ont été utilisés par le passé : ↑ History of the Prime Meridian -Past and Present [1] [archive] Zones traversées[modifier | modifier le code] Matérialisation du méridien à l'observatoire de Greenwich Depuis le pôle Nord jusqu'au pôle Sud, le méridien de Greenwich traverse les régions et pays suivants : Notes et références[modifier | modifier le code] Voir aussi[modifier | modifier le code] Méridien

Aztecs (Mexica) During the twelfth century AD the Mexica were a small and obscure tribe searching for a new homeland. Eventually they settled in the Valley of Mexico and founded their capital, Tenochtitlan, in 1345. At the beginning of the sixteenth century it was one of the largest cities in the world. Warfare was extremely important for the Mexica people and led them to conquer most of modern-day central and southern Mexico. Stone sculpture in the British Museum collection reflects the Mexica's complex religious beliefs and the large pantheon of gods they worshipped. Craftsmen also worked in gold, turquoise mosaic and feathers. Hernán Cortés and his small Spanish army arrived in 1519 and overthrew the Mexica ruler Moctezuma Xocoyotzin with relative ease. *The people and culture we know as 'Aztec' referred to themselves as the Mexica (pronounced 'Mé-shee-ka'). Image caption: Mosaic mask of Quetzalcoatl Mexica/Mixtec, 15th-16th century AD.

Ancient Egypt Towards the end of the fourth millennium BC several independent city-states were unified to form a single state, marking the beginning of over 3,000 years of pharaonic civilisation in the Nile Valley. Fertile earth left behind after the yearly Nile flood provided the basis for Egypt’s agricultural prosperity, a key factor in the longevity of the civilisation. Impressive monuments were erected in the name of kings, from monumental temples for the gods to the pyramids marking the burials of rulers. The British Museum collection includes statuary and decorated architecture from throughout pharaonic history, often inscribed with hieroglyphs. Texts preserved on papyrus help reveal the complex administration of the country, but also include magical, medical and mathematical works and poetry. At certain periods, Egypt’s empire extended over neighbouring areas, from Upper Nubia to the Euphrates river.

Polynesia The islands of the eastern Pacific are known as Polynesia, from the Greek for ‘many islands’. They lie across a vast stretch of ocean from Hawaii in the north, to New Zealand in the south and Easter Island in the east. The western Polynesian islands of Fiji and Tonga were settled approximately 3,000 years ago, whilst New Zealand was settled as recently as AD1200. In the past, Polynesians were skilled navigators and canoe builders, creating double-hulled vessels capable of travelling great distances. Today, Polynesian culture continues to develop and change, partly in response to colonialism. The Polynesian collections at the Museum date back to the earliest contact with European explorers and missionaries.

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