Typo.cz | typography and graphic design 20+ Tools to Create Your Own Infographics A picture is worth a thousand words – based on this, infographics would carry hundreds of thousands of words, yet if you let a reader choose between a full-length 1000-word article and an infographic that needs a few scroll-downs, they’d probably prefer absorbing information straight from the infographic. What’s not to like? Colored charts and illustrations deliver connections better than tables and figures and as users spend time looking back and forth the full infographic, they stay on the site longer. Plus, readers who like what they see are more likely to share visual guides more than articles. While not everyone can make infographics from scratch, there are tools available on the Web that will help you create your very own infographics. Read Also: The Infographic Revolution: Where Do We Go From Here? What About Me? “What About Me?” Vizualize.me Vizualize.me allows you to create an online resume format that is beautiful, relevant and fun, all with just one click. Piktochart easel.ly
The History of Visual Communication - The Masters of Typography Download slideshow >>> The Renaissance is the term used to describe the development of Western civilization that marked the transition from medieval to modern times. In the 12th cent. a rediscovery of Greek and Roman literature occurred across Europe that eventually led to the development of the humanist movement in the 14th cent. In addition to emphasizing Greek and Latin scholarship, humanists believed that each individual had significance within society. The growth of an interest in humanism led to the changes in the arts and sciences that form common conceptions of the Renaissance. The 14th cent. through the 16th cent. was a period of economic flux in Europe; the most extensive changes took place in Italy. Renaisance Painting: Sandro Boticelli (1445 - 1510) Renaisance Painting: Michelangelo Caravaggio (1571 - 1610) The Art of Calligraphy It was inevitable that the upheval described above would also affect our subject matter. Renaisance notebooks, late 15th to mid 16th centures.
The Classic Elements Of Visual Design by Digital Photo Secrets A few weeks ago, we discussed all the elements of visual design and how to apply them to your photography. Think of each one of these elements as an assignment, a place to start when you need some inspiration. Now let’s take a quick look back at each of the design elements and the ways that they can help you develop a better eye for a great photo. As artistic concepts, these design elements have been around in some form or another for a long time. The first six of the classic design principles are shape, form, line, color, texture and space. Photographers often include pattern in the list as well, since pattern can be particularly compelling in a photographic image. Shape Shape and form are cousins, with the third-dimension accounting for the primary distinction between the two. Further Reading: Visual Design: Using Shape in Photography Form Further Reading: Visual Design: Finding Form in Photography Line Line is one of the most effective ways to draw your viewer’s eye into an image. Color
Intro Lecture Graphic design is a relatively young way of expression, primarily a response to the needs of the industrial revolution. Early Renaissance Since the invention of movable type in the early 1400’s, book design was a craft primarily focused on readability. Typography was neutral, and headings were very rare. William Addison Dwiggins William Addison Dwiggins coined the term “graphic design” in 1922 to describe his process of designing books, as combination of typesetting, illustration and design. Dwiggins was the director of the Harvard University Press and founder of the Society of Calligraphers in Boston. This book cover by Dwiggins shows this new way of thinking: That seeing is as important as reading, and that typography and illustration can be used for symbolism. Futurists, Dadaists and De Stijl At the same time in the early 20th century, quite a few artistic movements had a an effect on the developments of graphic design. Here it’s the cover for Kurt Schwitters “Anna Blume” from 1919. E.
Principles of Design The Principles are concepts used to organize or arrange the structural elements of design. Again, the way in which these principles are applied affects the expressive content, or the message of the work. The principles are: Balance is the concept of visual equilibrium, and relates to our physical sense of balance. It is a reconciliation of opposing forces in a composition that results in visual stability. Symmetrical balance can be described as having equal "weight" on equal sides of a centrally placed fulcrum. There is a variant of symmetrical balance called approximate symmetry in which equivalent but not identical forms are arranged around the fulcrum line. Asymmetrical balance, also called informal balance, is more complex and difficult to envisage. Whether the solution is simple or complex, some form of balance can be identified in most successful compositions. Proportion refers to the relative size and scale of the various elements in a design. Questions or comments?