rinkokawauchi_jp News: りんこ日記はこちらです。>>Rinko DiaryInstagram >> rinkokawauchi MILK JAPN WEBにて「そんなふう」連載中 2017.9ベク・スンウさんとの共著『Composition No.1 War "Conflict zone" redirects here. For the 2001 video game, see Conflict Zone. The War by Tadeusz Cyprian (1949), a photograph in the collection of the National Museum in Warsaw showing ruins of Warsaw's Napoleon Square in the aftermath of World War II. War is a state of armed conflict between societies. It is generally characterized by extreme collective aggression, destruction, and usually high mortality. An absence of war is usually called "peace".
马良 - Maleonn Photojournalism — Brent Stirton KIKA, CAMEROON, JULY 2010: Members of the Baka Pygmy tribe, the original forest dwellers of the Cameroon forests, Kika, Cameroon, June 9, 2010. The Baka have small logging concessions of their own in community forest areas but are plaughed by a lack of education, logging equipment, access to markets and an addiction to alcohol fostered by their Bantu neighbours who ruled them for many years and who often pay the Baka for labor in alcohol. Logging roads and subsequent small towns created by logging concessions are bringing man and infrastructure further into the forest of Cameroon than ever before, Kika, Cameroon, June 5, 2010. This is severely threatening the great forests of the Congo Basin, one of the last great Forest reserves in the world. The Congo Basin forests cover an area the combined size of France and South Africa. The forests of Cameroon form a large part of this basin.
Peter van Agtmael Archives About Staff BagNews is dedicated to visual politics, media literacy and the analysis of news images. Filter The Archives : Peter van Agtmael "Veramente" de Guido Guidi Guido Guidi, Fosso Ghiaia, Ravenna, 1971 Traduction en espagnol On définit en général Guido Guidi (à la Fondation HCB jusqu’au 27 avril) comme un photographe de paysages : ce n’est pas faux, certes, mais ne vous attendez pas à voir là les collines toscanes, les ruines romaines, le pittoresque napolitain ou les plages ioniennes, ce n’est pas Luigi Ghirri. The Longest War Kabul Cemetery As hard as outsiders have tried to subdue and “re-create” the country in their own image, Afghanistan has been able to absorb the blows of superpowers, and remain essentially the same. Jalalabad
Gregg Segal By continuing to visit this site you agree to our use of cookies. Learn more Un-Daily Bread Daily Bread Wild Swimming The Public Pool Minés par le terrain, les reporters de guerre ont le blues Les reporters de guerre risquent leur vie, dans des conditions qui ne cessent de se durcir. Pourtant, rares sont ceux prêts à jeter l'éponge. A Bayeux, plongée dans cette communauté de passionnés. « Attention ! » Il est 2 heures du matin.
Ecosystem of Excess, 2014 - Pinar Yoldas This project starts in the Great Pacific Garbage Patch. Covering between 700000 and 15 million square kilometers, the site is a monument to plastic waste on a global scale. Referring to Kantian aesthetics, it is a truly ‘sublime’ kinetic sculpture built by all the nations around the Pacific Ocean through many years of mindless, unsustainable consumption. As environmental activist and discoverer of the Trash Vortex Captain Charles Moore boldly claims, ‘the ocean has turned into a plastic soup.’ From primordial soup to plastic soup, An Ecosystem of Excess asks a very simple question: ‘If life started today in our plastic debris filled oceans, what kinds of life forms would emerge out of this contemporary primordial ooze?’
Chris Jordan - Running the Numbers II This ongoing series looks at mass phenomena that occur on a global scale. Similarly to the first Running the Numbers series, each image portrays a specific quantity of something: the number of tuna fished from the world's oceans every fifteen minutes, for example. But this time the statistics are global in scale, rather than specifically American. Finding meaning in global mass phenomena can be difficult because the phenomena themselves are invisible, spread across the earth in millions of separate places.