Open Culture + Wearables This panel will investigate the influence and importance of open culture on wearables production, dissemination and technological crafting. Uniting practitioners in the field of wearables who have worked on and with online platforms, open workshop events, publications, hack spaces, university classrooms and media labs to advance the proliferation of the craft of wearables, the panel will present case studies for the specific integration of open culture in the production and dissemination of wearables. Dates: Monday, 19 September, 2011 - 13:00 - 14:30 Movement by 2nd year Fashion & Textile student at the Royal Academy of Art in The Hague Knit and Crochet 3lectromode – Asymmetrical Modern 001 Chair: Valérie Lamontagne This panel will investigate the influence and importance of open culture on wearables production, dissemination and technological crafting. Paper Abstracts by Valérie Lamontagne by Dr.
NEXT Berlin | Leading. European. Digital Institute for the Unstable Media Technology [KONTEJNER] - Home KONTEJNER is inviting all artists, inventors, scientists, geek tech lovers and all other passionate tech heads to enter the open call and apply their works for presentation at the fourth edition of Device_art! The call for proposals is open until May 2nd 2012. The term device_art refers to art production based on various aspects of technological devices and mechanisms: the creative usage of analogue/digital, high/low technologies, also including devices, gadgets, machines, robots and tech oriented performances. Device_art is a comparative research project which, alongside local production, presents a particular international device art scene. Call for proposals is open until May 2nd 2012 (for artists and applicants residing in Croatia only) applications should be submitted to:e-mail: kontejner@kontejner.orgor via regular mail addressed to: KONTEJNER, Kušlanova 2/I, 10 000 Zagreb, Croatia exhibition location: Zagreb, Prague time period: October and December, 2012
art ARS Electronica | Ars Electronica Festival Am 18. September 1979 beginnt das allererste ARS ELECTRONICA FESTIVAL. Ein Pilotprojekt, das die heraufziehende digitale Revolution zum Anlass nimmt, nach der Zukunft zu fragen und diese Recherche an der Schnittstelle von KUNST, TECHNOLOGIE und GESELLSCHAFT ansiedelt. Mit dieser bis heute gültigen Philosophie legen der damalige Intendant des ORF-Landesstudios Oberösterreich HANNES LEOPOLDSEDER, Elektronikmusiker HUBERT BOGNERMAYR, Musikproduzent ULRICH RÜTZEL und der Kybernetiker und Physiker HERBERT W. FRANKE den Grundstein für die Erfolgsgeschichte der Ars Electronica. Binnen weniger Jahre entwickelte sich die Linzer Veranstaltung zu einem der wichtigsten internationalen Festivals für Medienkunst. Bestritten 1979 noch 20 KünstlerInnen und WissenschaftlerInnen das Programm des Festivals, beteiligen sich mehr als drei Jahrzehnte später mehrere Hundert KünstlerInnen, Netzwerk-NomadInnen, TheoretikerInnen und TechnologInnen aus aller Welt.
Socially Responsive Communication and Art: Kolektiv/Festival/Network/Community Memefest Kolektiv Imagination/Intervention/Investigation Memefest Kolektiv is interested in creating situations that have the potential to engage people in transformative social relations through communication, design and art. We are based in Slovenia and Australia. The loose Kolektiv enjoys its many different roles and integrates education, curatorial and editorial work, publishing, investigation, organization of events, facilitation and production of various media including communication in the public sphere, theory, photography, design and art. The most known project we create every year is the International festival of Socially responsive communication and art. Memefest network: Memefest Kolektiv collaborates with a wider network of people from around the world. The "Festival of Socially Responsive communication and Art," nurtures and rewards innovative and socially responsible approaches to communication. Communication we are interested in is focusing on response-ability.