background preloader

The Character Workshop — Designing A Life

The Character Workshop — Designing A Life
I’ve designed this little workshop to help you sneak up on character development. Answer the questions in order, and take your time. Allow yourself as much space as you need to answer each one — some only require one-word answers, but some require a fair amount of page space to be answered completely. Choose a gender. And that’s it.

Character Skeleton: Let it Out of the Closet “If you cannot get rid of the skeleton in your closet, you’d better teach it to dance.” –George Bernard Shaw The most riveting part of a character is their past, what a reader doesn’t see but knows is there. Crack the Mask What’s in his past made him who he is when he enters your story. The underneath is where a reader connects and empathizes with your character. How do you build a character skeleton? Begin with the Past Start with the character’s childhood and past. Where was your character raised? What sort of influence did this have on him? What about parents? What were his parents’ occupations and value systems? What sort of people where his parents? Are there any siblings? Are they close to him? What kind of education does your character have? What sort of student was he? How did he get along with other kids in school? What role did he play in the social structure at school? Was his childhood happy or unhappy? Did he experience a childhood trauma? What painful event is locked inside?

25 Things You Should Know About Character Previous iterations of the “25 Things” series: 25 Things Every Writer Should Know 25 Things You Should Know About Storytelling And now… Here you’ll find the many things I believe — at this moment! 1. Without character, you have nothing. 2. A great character can be the line between narrative life and story death. 3. Don’t believe that all those other aspects are separate from the character. 4. The audience will do anything to spend time with a great character. 5. It is critical to know what a character wants from the start. 6. It doesn’t matter if we “like” your character, or in the parlance of junior high whether we even “like-like” your character. 7. It is critical to smack the audience in the crotchal region with an undeniable reason to give a fuck. 8. You must prove this thesis: “This character is worth the audience’s time.” 9. Don’t let the character be a dingleberry stuck to the ass of a toad as he floats downriver on a bumpy log. 10. 11. 12. 13. The law of threes. 15. 16. 17. 18.

CALLIHOO Writing Helps--Feelings Table Character Feelings You can describe your character's feelings in more exact terms than just "happy" or "sad." Check these lists for the exact nuance to describe your character's intensity of feelings. SF Characters | SF Items | SF Descriptors | SF Places | SF EventsSF Jobs/Occupations | Random Emotions | Emotions List | Intensity of Feelings Questionnaires for Writing Character Profiles Enter your e-mail to get the e-book for FREE. We'll also keep you informed about interesting website news. "I have searched the web and used different worksheets, but none have come close to your worksheets and descriptions of (what to do and what not to do). Both courses I have taken have with Creative Writing Now have been amazing. "As usual - I already love the course on Irresistible Fiction, rewriting a lot and improving greatly even after the first lesson. “Essentials of Fiction proved that I could indeed write and I wrote every day, much to my boyfriend's dismay (waa sniff).” - Jill Gardner "I am loving the course and the peer interaction on the blog is fantastic!!!" "I'm enjoying the weekly email course, Essentials of Poetry Writing. "Thank you for all the material in this course. "I was pleasantly surprised at the quality of the lessons and feel they were very helpful in introducing new ideas and perspectives to my writing. "Thanks very much for this course. "Thank you so much!!

Related: