Godchecker.com - Your Guide To The Gods What Is A Modern Myth? I’ve had many discussions with people over the past few years about why myth is important. Much of these discussions come down to a misunderstanding about what the word “myth” means, so what could have been an interesting discussion about politics, permaculture, literature (or sex or food for that matter) becomes a lesson in semantics. I’d like to avoid rehashing that argument, and toward that end, give a definition of myth that all of us can wrap our heads around. And I hope as a result of it you will see why this is such a crucial issue to explore, as it has relevance in regard to every other discipline of study. First, I’d like to start us off with a short excerpt from the introduction of The Immanence Of Myth (Weaponized press). Modern myths are, quite plainly, alive. We may use myths to explore why something is the way it is, or what we are to do with it, but a given myth remains just an interface. The myth underlies our motive, or at least, it gives it voice. Take a breath.
What Makes a Hero: Joseph Campbell’s Seminal Monomyth Model for the Eleven Stages of the Hero’s Journey, Animated by Maria Popova “It has always been the prime function of mythology and rite to supply the symbols that carry the human spirit forward.” Nearly four decades before Joseph Campbell (March 26, 1904–October 30, 1987) refined his enduring ideas on how to find your bliss and have fulfilling life, the legendary mythologist penned The Hero with a Thousand Faces (public library) — his seminal theory outlining the common journey of the archetypal hero across a wealth of ancient myths from around the world. Campbell’s monomyth model has since been applied to everything from the lives of great artists to pop-culture classics like Star Wars. But perhaps Campbell’s most important and enduring point from the book has to do not with the mechanics of the hero’s journey but with the very purpose of hero-myths in human life. It has always been the prime function of mythology and rite to supply the symbols that carry the human spirit forward, in counteraction to those that tend to tie it back.
Hipsters and Squares: Psychologist Jerome Bruner on Myth, Identity, “Creative Wholeness” and How We Limit Our Happiness by Maria Popova How our cult of creativity, which replaced religion, is becoming a source of anguish rather than happiness. Today, we hang so much of our identity on our capacity to create, often confusing what we do for who we are. And while creativity, by and large, is a positive force in the external world, its blind pursuit can be damaging to the inner. Bruner begins with some essential definitions: Myth … is at once an external reality and the resonance of the internal vicissitudes of man. But while he acknowledges that the central function of myth is “to effect some manner of harmony between the literalities of experience and the night impulses of life,” Bruner cautions against assuming an opposition of the two — of “the grammar of experience and the grammar of myth” — as they are complementary rather than clashing, something best manifested in the relationship between myth and personality. Consider first myth as projection, to use the conventional psychoanalytic term.
Scientists Trace Society's Myths to Primordial Origins The Greek version of a familiar myth starts with Artemis, goddess of the hunt and fierce protectress of innocent young women. Artemis demands that Callisto, “the most beautiful,” and her other handmaidens take a vow of chastity. Zeus tricks Callisto into giving up her virginity, and she gives birth to a son, Arcas. Zeus’ jealous wife, Hera, turns Callisto into a bear and banishes her to the mountains. Meanwhile Arcas grows up to become a hunter and one day happens on a bear that greets him with outstretched arms. As the Iroquois of the northeastern U.S. tell it, three hunters pursue a bear; the blood of the wounded animal colors the leaves of the autumnal forest. Although the animals and the constellations may differ, the basic structure of the story does not. Folklorists, anthropologists, ethnologists and linguists have long puzzled over why complex mythical stories that surface in cultures widely separated in space and time are strikingly similar. Trail of the Cosmic Hunt
Ways of Interpreting Myth Ways of Interpreting Myth(LINKS) In a recent article on flood myths, Alan Dundes wrote: "Theories of myth interpretation may be roughly divided into two major groupings: literal and symbolic. Literalists tend to seek factual or historical bases for a given mythological narrative while advocates of one the many symbolic approaches prefer to regard the narrative as a code requiring some mode of decipher-ment. It is important to realize that the literal and symbolic exegeses [interpretations] of myths are not necessarily mutually exclusive" (167). As you read through what follows, you might want to classify each "way" of looking at myth as literal or symbolic. 1. Often books on mythology conveniently forget that myth stories were once all believed to be "true" (in some sense). 2. Early philosophers tried to rationalize the fantastic events in myth by claiming that they were distortions of historical fact. 3. 4. 5. 6. 7. 8. 9. 10. 11. 12. Summary
Animals in Mythology - Myth Encyclopedia - Greek, god, story, legend, ancient, famous, snake, war, norse, Japanese, world Since the beginning of human history, people have lived in close contact with animals—usually as hunters and farmers—and have developed myths and legends about them. All kinds of creatures, from fierce leopards to tiny spiders, play important roles in mythology. A myth can give special meaning or extraordinary qualities to common animals such as frogs and bears. However, other creatures found in myths—many-headed monsters, dragons, and unicorns—never existed in the real world. Animals may serve as stand-ins for humans or human characteristics, as in the African and Native American trickster tales or the fables of the Greek storyteller Aesop. Animals often have a dualistic quality in mythology. Animals and People Many myths explore relationships between humans and animals. Transformation. trickster mischievous figure appearing in various forms in the folktales and mythology of many different peoples mediator go-between shaman person thought to possess spiritual and healing powers
Myth, Legend, Folklore, Ghosts Apollo and the Greek Muses Updated July 2010 COMPREHENSIVE SITES ON MYTHOLOGY ***** The Encyclopedia Mythica - SEARCH - Areas - Image Gallery - Genealogy tables - Mythic Heroes Probert Encyclopaedia - Mythology Gods, Heroes, and MythDictionary of Mythology What is Myth? MESOPOTAMIAN MYTHOLOGYThe Assyro-Babylonian Mythology FAQ Sumerian Mythology FAQ Sumerian Mythology Sumerian Gods and Goddesses Sumerian Myths SUMERIAN RELIGION Mythology's Mythinglinks: the Tigris-Euphrates Region of the Ancient Near East Gods, Goddesses, Demons and Monsters of Mesopotamia The Assyro-Babylonian Mythology FAQ More info on Ancient Mesopotamia can be found on my Ancient River Valley Civilizations page. GREEK MYTHOLOGYOrigins of Greek MythologyGreek Mythology - MythWeb Greek-Gods.info (plus a fun QUIZ)Ancient Greek Religion Family Tree of Greek Mythology Greek Names vs. VARIOUS FAIRIES, ELVES, UNICORNS, MERMAIDS, & OTHER MYTHICAL TOPICS HERE BE DRAGONS!
Mythical Creatures List Mythologias