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The World of the Seven Arts

The World of the Seven Arts
The works of French photographer Stéphane Anthonioz can tell anyone's story. The ghostly appearances of peoples silhouettes allows the viewers to identify themselves with the photograph, echoing past feelings and emotions, so personal and intimate, and yet so common and frank. London based designer and illustrator Ross Paul McEwan creates these intricate drawings, where he blends humans and animals, with floral motifs and elements. A good inspiration for the weekend, I’d say! (images via Ross Paul McEwan) Past and present, flora and fauna, real and imaginary, all come together in the works of French artist Frédérique Morrel.

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Victor Enrich Creates Playful And Surreal Architecture Fictions A few weeks back we posted about Filip Dujardin’s digitally manipulated buildings, which gave buildings found in and around Ghent, Belgium an Escherian spin. And since then we’ve come across another photographer, Victor Enrich, who likes to bend reality by turning architecture into surreal playgrounds by forming buildings that, while fiction, are sometimes reminiscent of Frank Gehry‘s iconic, if controversial, designs. Where Filip Dujardin’s manipulations were subtle and implausible in their re-imaginings, the images below are far more outlandish. Buildings are bent over like a concertina or plonked down on the beach, stairways lead off into the sky, high-rise apartments have grown bull horns, and houses are completely tipped over with roofs sitting at ground level.

gopantone.com REPUBLIC X People I know: Jon Jacobsen shows how he sees himself and friends Self thought photographer Jon Jacobsen from Santiago, Chile, presented his project “People I know”. In the project author present his friends who are models, artists, actors and himself, as well (the last photo). You can check the whole project here. Dark as death: artworks by S.V.Mitchell Mitchell was born in Bristol England in 1963.

Sweet Station Zemer Peled Peled was born and raised in a Kibbutz in the northern part of Israel. After completing a BA (Hons) at the Bezalel Academy of Art and Design in Jerusalem she graduated with an MA (Hons) from the Royal College of Art. In recent years her work has been featured nationally and internationally in museums and galleries including Sotheby’s and Saatchi Gallery-London, Eretz Israel Museum-Tel Aviv and the Orangerie du Senate, Paris among others. Zemer Peled’s work examines the beauty and brutality of the natural world. Her sculptural language is formed by her surrounding landscapes and nature, engaging with themes of nature and memories, identity and place.

The Jealous Curator COLLAGES BY ANYONE Pierre Botardo "Unconventional" - 2013 22” x 30” Mixed media and hand cut collage Fine art Fine art, from the 17th century on, has meant art forms developed primarily for aesthetics, distinguishing them from applied arts that also have to serve some practical function. Historically, the 5 main fine arts were painting, sculpture, architecture, music and poetry, with performing arts including theater and dance.[1] Today, the fine arts commonly include additional forms, such as film, photography, conceptual art, and printmaking. However, in some institutes of learning or in museums, fine art and frequently the term fine arts (pl.) as well, are associated exclusively with visual art forms.[citation needed] The word "fine" does not so much denote the quality of the artwork in question, but the purity of the discipline.

hyperallergic New City Art Fair, installation shot (all photos by the author for Hyperallergic unless otherwise noted) Most art fairs in New York City this week are bombastic affairs. New City Art Fair stands in stark contrast to that trend. beautiful decay Collage inherently involves nothing less than altering existence. By taking found imagery, Mario Zoots makes changes both hand-made and (occasionally) digital to alter the perception of the everyday, and continue their evolution towards new definitions. The Denver, Colorado-based Zoots is on the forefront of the modern collage movement, and was featured in Gestalten’s recent The Age of Collage: Contemporary Collage in Modern Art, the definitive investigation into how collage has become one the most vital forms of current visual expression. Separate from the concerns of any loosely-affiliated movement, Zoots describes his own practice from a more personal perspective, “I would like to think that my work is about tapping into the unconscious and setting up parameters to allow chance to work its magic.”

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