Every Frame a Painting This is the first of two new videos today. Watch this one first. Off the top of your head, could you sing the theme from Star Wars? This video was made byBrian Satterwhite: Ramos: Zhou: How do you film a conversation? This video was co-written with Taylor Ramos. How do you emphasize to the audience that something is important? Eight Ways to Get the Audience to Look at Someone/Something:1) Let Them Speak2) Make Them Brighter or Bring Them Closer3) Let Them Move (Especially Hands or Eyes)4) Put Them in the Center of Frame5) Turn Them Towards the Lens6) Separate Them from the Group7) Isolate Them by Moving the Camera8) Have Other People Look at Them Before Edgar Wright and Wes Anderson, before Chuck Jones and Jackie Chan, there was Buster Keaton, one of the founding fathers of visual comedy. For educational purposes only.
Les compléments Dethan Tim Burton’s Corpse Bride | Dr. Grob's Animation Review Director: Tim Burton & Mike JohnsonRelease Date: September 23, 2005Rating: ★★★★Review: The shy Victor and Victoria are forced by their unsympathetic parents to marry each other. Luckily, they actually like each other, but then Victor accidentally marries the deceased Emily who takes him to a world underground, while Victoria is forced to marry the evil lord Barkis… ‘Corpse Bride’ is a typical Tim Burton film, especially in its art direction, in its 19th century, gothic setting, in its dark humor, and in its jolly portrait of death. Also, the art of ‘Corpse Bride’ is a great improvement on ‘Nightmare before Christmas’. All this make ‘Corpse Bride’, together with that other stop-motion film ‘Wallace and Gromit: the Curse of the Were-Rabbit‘, the best animated feature of 2005/2006, surpassing all computer animated films of those years. Watch the tailer for ‘Tim Burton’s Corpse Bride’ yourself and tell me what you think: Like this: Like Loading... Related In "Aardman Studio films" Robots In "★★½"
Ligne Claire — Claire's fancy-pants HISTORICAL FASHION MASTER POST Documentary | animationstudies 2.0 As a film-maker who has become further and further drawn into the world of animated documentary, what has enthralled and inspired me is the overt subjectivity of exploring the world through animation; free from the ‘baggage’ of objectivity implied in… Read more → My local fish and chip shop has a sign in its window that says, in a large font: “CAT FISH – 75p” Just below, in a smaller font, it says “Fish for your cat” This sign always makes… Read more → There came a point in The Beloved Ones, the film I made in 2007 for the UK Film Council, when it became clear that the indexical sound recorded in the field, in Uganda, was not going to be able to… Read more → Last night I attended a panel discussion on “Infotainment” in which New York Times Hollywood correspondent Michael Cieply discussed documentary filmmaking as compared to traditional journalism. Read more →
Mobidic history of animation Stand Still. Stay Silent - webcomic, page 1 Page 1 1 Nov. 2013 Yessss! It has begun! With a rather non-postapocalyptic cover for the prologue of a postapocalyptic tale. On Monday I'll post a few pages at once, either three or four depending on where I feel is the best spot to cut the scene. And here's today's A Redtail's Dream pages up for some quick typo-checking. So, who wants to play a little game I'd like to call "guess where these sceneries are from" while we're waiting for Monday to arrive, hmm?
Fuck Yeah Animation kirbyallen: vingette 03 / king fungus This was posted 5 hours ago. It has 35 notes. . ambitious-drawings: …dear Sarah This was posted 10 hours ago. volkanaydemir: Fight Club animation gif This was posted 15 hours ago. (Source: volkanaydemir) This was posted 15 hours ago. rhymes-with-lemons: we ALL scream for… This was posted 22 hours ago. laisaybond: My GIF for Loopdeloop’s RITUAL theme! This was posted 1 day ago. freddyarenas: California Sunday Magazine - Kim Gordon
élod — À propos & contact Je m'appelle Élodie Michelet, aussi appelée élod ou megaelod sur l'internet, et je suis une illustratrice et autrice de BD basée à Angoulême. En avril 2018, j'ai réalisé un mini-guide pour réduire ses déchets, auto-édité à l'aide d'un financement participatif sur la plateforme ulule.En janvier 2019, je m'essaye à la BD avec “météore”, une mini histoire de 11 pages.Depuis juillet 2019, je dessine un webcomic en duo nommé Recettes de Magie avec esquimaupêche à l'écriture. Pour tout projet et contact professionnel, n'hésitez pas à m'envoyer un mail à : elod.illu@gmail.com My name is Élodie Michelet (also élod or megaelod on the internet), and I am a french illustrator. If you want to work with me on any project, please contact me at : elod.illu@gmail.com
Artella - 3 tips for starting your animated production today... 3 tips for starting your animated production today By: Bobby Beck I was inspired to write this post after watching Pete Docter’s Oscar acceptance speech for Inside Out. Having had the privilege of working with Pete as an animator on, Monster’s Inc. This brings me to today’s topic… I’m often asked, “If I want to do my own animated production where do I start?” 1. It’s common to think you have to have the perfect story figured out all by yourself before you start your production. With a simple pitch (think Kickstarter pitch video) and a concept image, you have the pieces you need to start engaging a core team of artists and, before you know it, you’re already on your way. When starting a project, here are some of the positions I look to fill; storyboard artist, visual development artist, previs animator, animator (not that they will be animating right away, but they will bring good ideas to the table). 2. Don’t make this mistake. 3 .
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