10 inspired alternatives to Helvetica | Typography It's the eternal question for graphic designers the world over: 'Something like Helvetica, but not Helvetica'. Of course, the giant of Swiss typography – which started life as Neue Haas Grotesk, designed by Max Miedinger and Eduard Hoffmann in 1957 – is ubiquitous for a reason. It's clean, bold, legible – and safe. In fact, it's so neutral that many designers default to it because of its lack of discernible personality: it can be used in countless contexts and soak up the emotion of the imagery, colours, shapes or other design elements around it, conveying that timeless Swiss style without ever dominating, and communicating a message without distraction. There's no doubt that it's a versatile, well-designed typeface. The good news is that there are literally thousands of beautifully crafted sans serifs just waiting to add that something extra to your designs, whether you're looking for more personality, warmth or versatility: here are 10 of the very best Helvetica alternatives. 01. 02.
Download the 115 best free fonts | Typography In this freshly updated free fonts for designers post, we bring you the world's best free fonts. We've filtered out the diamonds from the thousands of less perfectly designed free fonts available online, for you to use in your designs and illustrations. Get Adobe Creative Cloud now This list represents the 55 best free fonts we've found in eight categories. Don't forget, we have many other articles covering specialist font types including handwriting fonts, kids' fonts, cursive fonts, beautiful fonts, web fonts, professional fonts and more. Most of the typeface collections listed here can be used in your projects for free, but please be sure to check the terms. Serif fonts 01. This free serif display font takes inspiration from the late 18th century European Enlightenment and the work type designer John Baskerville. The typeface design is a project led designed by Dutch designer Claus Eggers Sørensen. 02. Lora is a free font that has its roots in calligraphy. 03. Image 1 of 2Image 2 of 2
20 Free Fonts For Beautiful Headline Typography Get our posts emailed to you with our monthly newsletter, subscribe here. I am always on the look out for new good quality free fonts, when I find a font I like I always download it and save it for future projects. I have added 20 of the most recent free fonts I have come across recently to this post, specifically I have focused on free fonts for use in headlines. When choosing the right font for a headline it is absolutely paramount to convey the correct look and feel, having an archive of fonts can really help your broaden your design. Of course we cannot always have expensive paid fonts at hand so hopefully some of these free fonts will provide help you on your future projects. You may also like: 18 Free Stylish Sans-Serif Fonts For Your Collection 20 Minimalist & Typographic Brochure Designs Weston Tallys RBNo2 Quattrocento Null Infinity Glide® Font Excellens Elega Code Pro Cabin Font Broken Records Banda Typeface Arvo Piron Roscoe™ Big Noodle Titling Instrumenta font Telegrafico
Helvetica You can rent or download Helvetica online, anywhere in the world, from the window above. In high-definition! It's $3.99 USD to rent, and $9.99 USD to download-to-own (you can pay via credit card or Paypal). Helvetica is also available on DVD & Blu-ray, with an hour of bonus interviews and footage, 5.1 surround sound, and liner notes from director Gary Hustwit. A Collection Of New Free Fonts That Designers Should Check Out Having a large arsenal of typefaces is important if you are a versatile designer who works on various types of design projects and wants each one of them to have an unique style. However, picking the right fonts that you will need at a certain time can be quite difficult. If your collection is not curated carefully, you might end up having a lot of unnecessary fonts. Of course, there are a few typefaces that can go with almost every design, but there are also other which could be used for particular projects. A good advice would be to have installed a basic collection of fonts which can be used on a multitude of projects and keep the special fonts on shortlists rather then installing them all. Also, it is important to classify your fonts properly so it will be easier for you to get what you want, when you want it. Those were my 2 cents on font picking and organizing. Passion One Public Enemy Born Musket Fjalla Gobold Corduroy Slab Andada BenchNine Saniretro Permian Serif Permian Slab Absolut Pro
40 Fresh, Free Fonts for Graphic Designers Choosing the Right Type: 10 Considerations A critical question we often ask ourselves and know other designers contemplate when working on any given design is, “How do I choose the right font?” So many factors go into this decision, however thanks to the help of some friends, including Creative Director Michael Prewitt as well as Art Directors Craig Weiland and Harley Peddie, we’re here to share with you ways you can choose the perfect typeface for every project. Use this tool from inspirationlab.wordpress.com, Pinned on Go Media’s Pinterest How to Choose a Font 1. Before venturing into your design, investigate the mood, personality, and attitude of the project. Then, as Michael Prewitt notes, ask yourself, ‘Is the typeface appropriate for the subject?’ “This question,” he finds, “is the king. Adds Craig Weiland, “A designer has to be aware of the basics of type usage. Does this logo’s typeface communicate the kind of things you’d go to a massage parlor for? 2. 3. 4. 5. Prewitt agress. 6. 8.
20 fonts every graphic designer should own | Typography Renowned Italian designer Massimo Vignelli, creator of the classic American Airlines logo design, once said that designers use far too many typefaces. But with so many great free fonts around, it's no surprise creatives collections are ever-growing. Vignelli's all-purpose toolkit features household names like Garamond, Bodoni, Helvetica, Univers, Futura, Caslon and Baskerville – between them spanning some three centuries of type design history. And few designers would disagree that all of the above are timeless, albeit well-worn classics. But sometimes something a little different is required of a display face for that extra punch. F37 Bella Based on letterforms of American typographers John Pistilli and Herb Lubalin, and Swiss typographer Jan Tschichold, F37 Bella is an award-winning display font by Rick Banks. Eames Black Stencil Otto Otto is a stunning font from talented design duo Non-Format. Poster Bodoni Cumulus & Foam Linotype Didot Mrs Eaves Bembo Modern No 20 Rooney Gotham AG Book Rounded
35 Cool Free Fonts to Add to Your Collection Resources January 26, 2011 Fonts are integral to communicating your message through. If chosen wisely, fonts could help convey your message easily. And yes, the choice of which font you use could either make or break you. Gone are the days when people use one font for every correspondence or design they make. Fungal Rounded Download Source Cappuccino Serif Download Source Ubuntu Download Source Clean Download Source Pinstripe Limo Updated Download Source Now! Download Source Practique Download Source Arvo Download Source Denne Shuffle Download Source Four Free Type Download Source Matilde Download Source Original Font 2 Download Source Lato Download Source Arimo Download Source Vado Free Font Download Source Null Free Font Download Source Dezen Pro Download Source St. Download Source Jacobine Download Source Hero Free Font Download Source Tipografia Gratis Spatha Serif Download Source Capsuula Download Source Color Lines a Free Font Download Source Thunder Ball Download Source Fr. Download Source Mobivus Download Source Josefin Slab
Our Favorite Typefaces of 2012 | Typeface Reviews I’ll be honest. When December rolls around and I ask a group of smart, articulate font users and makers to each select their favorite release of the year, not everyone rushes back with their pick. And when they do, they don’t always have much to say about it. I got so many responses this time around, many with texts that were longer and more in-depth than ever before, that I admittedly fell behind in the editing and production of the list. If you need an entry point, might I suggest: Matthew Butterick’s review of Eskapade, in which he explains the difference between originality and surprise; Sébastien Morlighem on the unusual stencil family that is Bery; Indra Kupferschmid on Stan, with history on the unusual designs that inspired it; Eben Sorkin on Turnip, Typographica’s new text face; Catherine Griffiths, our newest contributor, on FF ThreeSix; Florian Hardwig, who offers not only praise, but a bit of critique for Axia; Shoko Mugikura and Tim Ahrens on the complex beauty of Quintet;
Useful New Free Fonts For Designers To Download And Use There are many typefaces options out there, complex and different in styles, and it can be difficult to choose one for a project. How do you actually do that? Firstly, you will have to imagine the impression of the audience, what they will think about it, if it’s appropriate for them and useful in the context of your design design and target audience. Secondly, you can’t forget about the basic things that you should look for in a font, legibility and readability. After going through these first two steps, you’ll be thinking about aesthetics. In the end you’ll see that the personal choice of a font is not a personal choice anymore, and the actual concept is minimized. I wrote this big description for how you should use a font because I received feedback from some of my visitors who were saying that they loved a certain font and used it in their websites, brochures, business cards etc. The article contains 49 new free fonts and I hope they will be useful to you. Jura Calendas Plus Satellite
Is My Type Stressed? A Primer on Stressed Typography As a designer, either working with a design firm or on a freelance basis, you probably know a lot about stress. From deadlines to redesigns, client relations to cash flow — it is part of everyday life for someone working as a designer in any capacity. But did you know your typography could also be stressed? Just like in your life, type has certain pressure points, and there are good and bad types of type stress. What is Type Stress? Type can also be stressed by its surroundings Type stress refers to the change in direction of a stroke, vertically or horizontally. Typefaces are designed with or without stress points. Type can also be stressed by its surroundings and by effects that are added by the designer in the creative process. Stress by Design Certain type categories tend to contain stress more than others. Uneven Strokes Variations between thick and thin strokes cause varying degrees of type stress depending on the difference in stroke weight. Tilts Arches Bowls and Counters Kerning