Hazards in Ceramic
Lead poisoning from pottery glaze and paint NO form of lead or arsenic may be used in our materials without specific clearance and training from the instructor. Lead is hazardous to breathe, to ingest (eat), and can be released from firing into the air. Finally, any container glazed with these materials may be toxic to eat or drink from because lead can leach into food or drink stored in the vessel. While new pottery sold today in the United States is generally assumed to be safe from lead, occasionally one still reads about cases of pottery that is accidentally sold with dangerous amounts of lead in the glaze. Lead has many very serious effects if ingested. In paint, lead carbonate was formerly used for white. The following hazardous materials may be used with care and precautions. The court did not find legal proof of negligence on the part of the chemical suppliers. The following materials can liberate toxic fumes while being fired. See:Alfred Franzblau, et.al. OUCH! Allergies
Creative Kismet » Blog Archive » little guiding stars
Since the new year has started I’ve been trying to think of ways to be more kind to my self. Especially when that nasty gremlins try to creep in and stump me. I remembered this origami star video on You Tube and had to get them involved in my plan. I thought it would be fun to make a whole bunch with kind words and “you are….” phrases inside. I used 12 x 12 inch scrapbook paper and cut 1/2 x 12″ strips, then followed the video HERE*. *UPDATE! Be Sociable, Share!
Throw, Cut, and Paste: Combining Wheel Throwing, Handbuilding and Multi-Step Glazing to Create Distinctive Vibrant Forms : Ceramic Arts Daily
The Pedestal Gravity is one of the challenges faced when it comes to thrown forms. A thrown and altered shape may have a dynamic profile from the waist up while the foot often remains static and gravity bound. This issue can be resolved in a few different ways. fig. 1 (click to enlarge) Starting a piece by throwing it up-side down allows alteration to the foot and the opportunity to create a dynamic negative shape under the base. fig. 2 To begin the pedestal, throw a tapered cylinder with a ¼-inch thick floor. fig. 3 After this rim has dried slightly but is still soft and pliable, you’re ready to alter the shape. fig. 4 Cut into the rim on either side of your mark using an X-Acto knife, making an arced, V shape. fig. 5 Following your design ideas and sketches for the finished piece, complete any slip-based surface decoration. The Vase fig. 6 The vase is thrown in two parts. fig. 7 fig. 8 fig. 9 fig. 10
Ribbon organizer in Crafts for decorating and home decor
Do you belong to those people who have dozens of ribbon reels and are looking for an economical and practical method of storage? In Spunky Junky we've found this great idea where using a slotted tupperware bin and inserting a pair of dowl rods inside (smaller than holes), we can organize and categorize all those ribbons that lurk in no order around our house.
Flat to Functional: Handbuilding & Slip Decorating : Ceramic Arts Daily
In this installment of the Ceramic Arts Daily Presents Video Series, potter Lisa Naples shares her love of handbuilding with earthenware. Determined to change the myth that earthenware is punky and weak, Lisa explains how this beautiful forgiving clay body is every bit as strong as its higher-fired counterparts when it’s fired beyond the traditional Cone 04. In addition to covering the mechanics of good slab rolling, Lisa guides you through her straightforward soft-slab building techniques. She demonstrates how to add interest to handbuilt forms by adding texture and cutting darts to create custom shapes. In the decorating portion of the video, Lisa gives a thorough explanation of her “dry” and “wet” slip brushing techniques, explaining how they can add both beautiful texture and color. In addition, she explains how to effectively use animal imagery to tell stories on functional objects.
marble magnets
I finally gave in and made marble magnets. Not surprisingly they are quite fun, smooshing the glue out to make a perfect little magnified image is very satisfying. Here, in order of appearance, are the places I referenced: paper candy instructions with pictures (this is the first place I saw this project) dogmestic with instructions and pictures photogeek pictures ugly green chair cute ladybug magnets – pictures with packaging threads at Glitter:onetwothree I bought all of these supplies at Michael’s, including the glue I went back for since I got the wrong kind to start with. These are great packaged in those Altoid-sized tins, I’ve seen them in office/gift shops like that.
Workshop Handbook: Clay Projects and Studio Resources
Welcome to your workshop! Whether you enjoy throwing, handbuilding, glaze testing or all of the above, we’ve pulled together several things for you to try out once you get back to your studio. If you’re familiar with Pottery Making Illustrated and Ceramics Monthly, then you already know they’re packed full of practical information, projects, and techniques you can use. Here’s an excerpt from one of the mini pottery workshops you’ll find in the 2014 Workshop Handbook: Clay Projects and Studio Resources: Surface Decoration by Doug Peltzman My decorating technique requires incised lines inlaid with a black slip. Note: The added moisture from the wax can soften the piece, so be careful when handling. Now that the piece has been broken up into sections, I start by filling in every other square with a pattern. The last step in the greenware stage is to apply texture if desired. To see the rest of this article, download your free copy of the Workshop Handbook: Clay Projects and Studio Resources…
mayumi yamashita 'make me me': learning by making
how it's made... how it affects whole design... why is it necessary? なぜそれが必要なのか？ When you know why and how you would realise how deep 'making' could be. どうやって作るのか？ 同時に、「作ること」の奥深さを知ることになりますね。
