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3 Trends That Will Define The Future Of Infographics

3 Trends That Will Define The Future Of Infographics
Now that everyone loves them, early adopters and forward thinkers want to know what is next for the infographic. Is this just the beginning of a visual revolution, or have they already jumped the shark? This is an important question, especially for those who are making large investments in the medium, such as publishers and marketers. Is the Infographic Dead? My cofounder, Jason Lankow, says it well when people ask about the fate of infographics in the face of increasing web saturation. As he describes it, we are seeing the death of the novelty of infographics, not a decline in their value. Infographics at Present Infographics have been utilized for hundreds of years for various purposes, but have taken on a new face in the last few years, with a bit of help from the Internet. [An infographic video created by Chris Harmon] Motion Graphics Utilizing motion and animation in infographics is another current trend that is on the rise. The Future of Infographics

http://www.fastcodesign.com/1665029/3-trends-that-will-define-the-future-of-infographics

Digital Digressions: Running Creative Brainstorms: A Collection of 'Non-method' Methods Recently I was yet again faced with the prospect of running a series of brainstorms to generate new product concepts. This time, with a team of people I had never met before. Aside from being a slightly daunting prospect, it got me thinking about the role of the catalyst in such situations - what is it that brings out the best in us and stimulates parts of our accumulated knowledge and insights and turns it into great ideas we felt we had all along, but struggled to articulate. At the start of the day I was asked what methods I was intending to use and must say I struggled to name specific methods.

5 misconceptions about visualization Last month, I had the pleasure of spending a week at the Census Bureau as a "visiting scholar." They're looking to boost their visualization efforts across all departments, and I put in my two cents on how to go about doing it. For being a place where there is so much data, the visual side of things is still in the early stages, generally speaking. During all the meetings, there were recurring themes about what visualization is and what it is used for. Some people really got it, but others were new to the subject, and we ran into a few misconceptions that I think are worth repeating.

Six Thinking Hats Six Thinking Hats is a book by Edward de Bono which describes a tool for group discussion and individual thinking involving six colored hats. "Six Thinking Hats" and the associated idea parallel thinking provide a means for groups to plan thinking processes in a detailed and cohesive way, and in doing so to think together more effectively.[2] Underlying principles[edit] The premise of the method is that the human brain thinks in a number of distinct ways which can be deliberately challenged, and hence planned for use in a structured way allowing one to develop tactics for thinking about particular issues. de Bono identifies six distinct directions in which the brain can be challenged.

How to use FF Chartwell Primarily suitable for Adobe Creative Suite, FF Chartwell for print uses OpenType ligatures to transform strings of numbers automatically into charts. The data remains in a text box, allowing for easy updates and styling. It’s really simple to use; you just type a series of numbers like: ‘10+13+37+40’, turn on Stylistic Alternates or Stylistic Set 1 and a graph is automatically created. To help get you started using FF Chartwell we’ve created this video tutorial and here are some simple steps: ONE — Firstly always make sure the letter spacing is set to “0” (zero)

Visual Complexity: Mapping Patterns for the Information Age by Maria Popova What the basis of Buddhism has to do with Jack Kerouac, poverty in Italy and Alice in Wonderland. Data visualization is a running theme of visual literacy here, and Manuel Lima has been one of its biggest advocates since 2005 when, shortly after graduating from the Parson School of Design, he launched VisualComplexity — an ambitious portal for the visualization of complex networks across a multitude of disciplines, from biology to history to the social web. This month marks the highly anticipated release of Visual Complexity: Mapping Patterns of Information — a rigorously researched, beautifully designed, thoughtfully curated anthology of the world’s most compelling work at the intersection of these two relatively nascent yet increasingly powerful techno-cultural phenomena, network science and information visualization. Philipp Steinweber and Andreas Koller Similar Diversity, 2007

Classifying Experiences Wednesday February 22, 2006 / 8 Comments I’m excited to announce that I’ll be presenting at the 2006 IA Summit in Vancouver Canada. While it’s not a formal lecture style presentation (maybe next year?), I’m very grateful to have been asked to convert my proposal into a poster presentation (you can view the 2005 presentations here). In hindsight, my model is certainly more suited to this format. And, I’ll have a chance to get feedback from some of the really smart people in the IA community.

Emergent Futures Mapping with Futurescaper Futurescaper is an online tool for making sense of the drivers, trends and forces that will shape the future. As a user interface system, it still needs development. As a tool for analyzing and understanding complex systems, it works very well and does something I have yet to see anything else be able to do. Several people asked me about this after my last post, so here is some more detail. Following the logic of collective intelligence (as part of my my PhD), I broke up the the scenario thinking process into discrete chunks, came up with a system for analyzing and relating them together, and then distilled them into key outputs for helping the scenario development process.

In Graphics Issue 2 on Datavisualization The Berlin-based design studio Golden Section Graphics recently released their second edition of In Graphics. The magazine is published twice per year as a bilingual edition in English and German. The first issue won 10 national and international design prizes, including a bronze award from the ADC Germany and a gold European Design Award in the magazine category. The cover story explores visually the events around 9/11.

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