Common, Yet Terrible Character Descriptors - And How To Fix Them
When asked to describe their characters, many people tend to use the same over-generalized descriptors over and over. The result tends to be what I call a "Forer profile" - it's so vague that it can fit any number of characters - all of whom are wildly different - equally well. And when the same character description could fit a sneaky trickster as it could a determined soldier as it could a grad student opening a florist's shop, that's a problem. So, I'm going to outline how to give more and better information on your character to give people a better idea of what sort of person they're reading about. For the sake of simplicity, we'll go with "animals" for most of this particular section. Question is, what do you mean by "animals," and how does your character relate to them?
So You Wanna Write/Play A Powerful/Talented Character That Probably Won't Be Perceived As A Mary Sue?
Many, many, many times I've seen people complain that they can't write or play powerful characters without these characters being labelled as Mary Sues. I really have only one thing to say to this: it's probably either because your characters are Mary Sues, or because you're presenting your character the wrong way. Sure it's not the former? Okay, then let's get on to how you can present your character so people probably won't grab the torches and pitchforks. This article is largely intended for fan characters, though most of it applies to other character types as well.
Basic Tips To Create Better Characters With Tragic & Traumatic Backstories
First, ask yourself why you're giving your character a tragic or traumatic backstory. Are you giving your character this backstory to build up/explain what kind of person your character is now? Or are you doing it mainly to make readers or other characters feel sorry for your character, or to make your character seem more badass/tough for having survived the ordeal? Or are you doing it mainly to give your character a reason to run away from home and/or have nobody to be attached to so xe can go hang out with the cool characters with nothing to pull xir away? The first one is a legitimate reason to give your character a tragic/traumatic backstory.
How to Write a Synopsis of Your Novel
by Glen C. Strathy* To sell your novel, you may need to know how to write a synopsis, even if you are a pantser-type novelist who can write a whole novel without making an outline first. Agents and publishers will often ask for a synopsis along with sample chapters before they request a complete manuscript. The biggest mistake most people make when they try to write a synopsis for the first time is to create a bare bones plot summary, along the lines of “First this happens, then this happens, then this happens...”
How to Write a Horror Story: 12 steps
Adjunct Assistant Professor of English This article was co-authored by Christopher Taylor, PhD. Christopher Taylor is an Adjunct Assistant Professor of English at Austin Community College in Texas. He received his PhD in English Literature and Medieval Studies from the University of Texas at Austin in 2014. Co-authors: 169
Basic Tips To Write Better (And More Likeable) Badasses
Yet another character type that is often poorly-written by amateurs, many badass characters end up becoming completely unlikeable or even despicable. Here are a few tips to keep these characters from going this route. Your character needs to be more than tough and talented. Strong, sexy, smart, skilled, and sassy are all great character traits, but on their own they're going to leave you with a character who is at best forgettable, and at worst completely unlikeable.
Introducing Characters - First Impressions
Introducing Characters - First Impressions by Melanie Anne Phillipscreator StoryWeaver, co-creator Dramatica When your reader/audience first meets your characters in a story, it has the same effects as when you are introduced to someone in real life.
Writing Tips - Publishers list of phrases for writers to avoid
We have all met people who have the extraordinary ability to talk in clichés: Y’know, not to beat around the bush or hedge your bet, this section is a must-read because it calls a spade a spade and in a nutshell leaves no stone unturned to pull the rug from under those off-the-cuff, old-hat bête noires called clichés. These are the people who’ve given the cliché its bad name. We all tend to use them, of course. Sometimes that familiar phrase is the neatest way of expressing yourself and most of us can, in a flash (cliché), unconsciously call up a few hundred of them to help us out in writing and conversation. But how aware are we of the irritation (or worse, sniggering) that the overuse of clichés can cause?
Writing Realistic Injuries
Quick Contents Introduction General remarks What's normal?Reactions to injury - including emotional reactions, fainting and shock. Minor injuries - such as bruises, grazes and sprains Head injuries - from black eyes to severe concussions Broken bones Dislocated jointsCutting and Piercing - for various locations, including blood loss symptoms and figures. Blunt trauma - getting hit, internal injuries.Burns - including electrical burns Hostile environments - such as extreme cold and heat, oxygen deprivation and exposure to vacuum. References - useful websites.
Mary Sue Test
Background A Mary Sue is an unrealistic type of literary character commonly created by inexperienced authors. Although they vary, a typical Mary Sue has an unreasonable number of cool or special traits, especially ones the author wishes he or she had, and they tend to accomplish things too easily, solve problems too neatly, and become the center of attention whether they deserve it or not.
Creative Writing Course
In this fifth session in my free creative writing course, we will be looking at writing characters. In creative writing we become, in a way, like God. In short stories, novels and poems, we construct a world then fill it with people who take on a life of their own.
Eight Secrets Which Writers Won’t Tell You
Image from Flickr by Lazurite This is not particularly relevant to the post, but I’m getting an awful lot of comments telling me, often a little snarkily, “it’s ‘THAT’ not ‘WHICH’”. The “don’t use which for restrictive clauses” rule comes (as far as I can tell) from Strunk and White.
First Person Point of View — The Writer’s Craft
When you tell a story through a viewpoint character using I or we, you are using first person point of view. Example: The banging on my door reverberated within my skull like a giant church bell in an empty hall. I groaned and rolled onto my stomach, pulling the pillow over my head. Every detail of your story must be filtered through the storyteller.
