Questionnaires for Writing Character Profiles - Creative Writing Help Enter your e-mail to get the e-book for FREE. We'll also keep you informed about interesting website news. "I have searched the web and used different worksheets, but none have come close to your worksheets and descriptions of (what to do and what not to do). Both courses I have taken have with Creative Writing Now have been amazing. Each time I have learned something new. The one thing I love, you take everything apart and give examples." - Katlen Skye "As usual - I already love the course on Irresistible Fiction, rewriting a lot and improving greatly even after the first lesson. “Essentials of Fiction proved that I could indeed write and I wrote every day, much to my boyfriend's dismay (waa sniff).” - Jill Gardner "I am loving the course and the peer interaction on the blog is fantastic!!!" "I'm enjoying the weekly email course, Essentials of Poetry Writing. "Thank you for all the material in this course. "Thanks very much for this course. "I'm learning so much. "Thank you so much!!
201 Ways to Arouse Your Creativity Arouse your creativity Electric flesh-arrows … traversing the body. A rainbow of color strikes the eyelids. A foam of music falls over the ears. It is the gong of the orgasm. ~ Anais Nin Creativity is like sex. I know, I know. The people I speak of are writers. Below, I’ve exposed some of their secret tips, methods, and techniques. Now, lie back, relax and take pleasure in these 201 provocative ways to arouse your creativity. Great hacks from Merlin Mann of 43 Folders
25 Things You Should Know About Character Previous iterations of the “25 Things” series: 25 Things Every Writer Should Know 25 Things You Should Know About Storytelling And now… Here you’ll find the many things I believe — at this moment! 1. Without character, you have nothing. 2. A great character can be the line between narrative life and story death. 3. Don’t believe that all those other aspects are separate from the character. 4. The audience will do anything to spend time with a great character. 5. It is critical to know what a character wants from the start. 6. It doesn’t matter if we “like” your character, or in the parlance of junior high whether we even “like-like” your character. 7. It is critical to smack the audience in the crotchal region with an undeniable reason to give a fuck. 8. You must prove this thesis: “This character is worth the audience’s time.” 9. Don’t let the character be a dingleberry stuck to the ass of a toad as he floats downriver on a bumpy log. 10. 11. 12. 13. The law of threes. 15. 16. 17. 18.
Kurt Vonneguts 8 Tips on How to Write a Great Story By Maria Popova The year of reading more and writing better is well underway with writing advice the likes of David Ogilvy’s 10 no-bullshit tips, Henry Miller’s 11 commandments, Jack Kerouac’s 30 beliefs and techniques, John Steinbeck’s 6 pointers, and various invaluable insight from other great writers. Now comes Kurt Vonnegut (November 11, 1922–April 11, 2007) — anarchist, Second Life dweller, imaginary interviewer of the dead, sad soul — with eight tips on how to write a good short story, narrated by the author himself. Use the time of a total stranger in such a way that he or she will not feel the time was wasted.Give the reader at least one character he or she can root for.Every character should want something, even if it is only a glass of water.Every sentence must do one of two things — reveal character or advance the action.Start as close to the end as possible.Be a Sadist.
36 Writing Essays by Chuck Palahniuk 1: Establishing Your Authority Chuck teaches two principal methods for building a narrative voice your readers will believe in. Discover the Heart Method and the Head Method and how to employ each to greatest effect. 2: Developing a Theme At the core of Minimalism is focusing any piece of writing to support one or two major themes. 3: Using “On-The-Body” Physical Sensation Great writing must reach both the mind and the heart of your reader, but to effectively suspend reality in favor of the fictional world, you must communicate on a physical level, as well. 4: Submerging the “I” First-person narration, for all its immediacy and power, becomes a liability if your reader can't identify with your narrator. 5: Nuts and Bolts: Hiding a Gun Sometimes called "plants and payoffs" in the language of screenwriters, Hiding a Gun is an essential skill to the writer's arsenal that university writing courses almost never touch upon. 6: Nuts and Bolts: “Thought” Verbs 8: Nuts and Bolts: Using Choruses
Daily Grammar Archive - Comprehensive Archive of Grammar Lessons This archive contains links to all of our free grammar lessons and quizzes. You can use this archive to study Daily Grammar at your own pace. Lessons 1-90 cover the eight parts of speech, which are verbs, nouns, pronouns, adjectives, adverbs, prepositions, conjunctions, and interjections. Lessons 91-300 cover the parts of the sentence, such as appositives, predicate nominatives, direct objects, prepositional phrases, clauses, and verbals. Lessons 301-440 cover the mechanics of grammar, which is also known as capitalization and punctuation. Our lessons have been organized by lesson number and by subject. Lessons 1, 2, 3, 4, 5 - Quiz Lessons 6, 7, 8, 9, 10 - Quiz Lessons 11, 12, 13, 14, 15 - Quiz Lessons 31, 32, 33, 34, 35 - Quiz Lessons 36, 37, 38, 39, 40 - Quiz Lessons 41, 42, 43, 44, 45 - Quiz Lessons 46, 47, 48, 49, 50 - Quiz Lessons 51, 52, 53, 54, 55 - Quiz Lessons 56, 57, 58, 59, 60 - Quiz Lessons 61, 62, 63, 64, 65 - Quiz Lessons 66, 67, 68, 69, 70 - Quiz
20 Common Grammar Mistakes That (Almost) Everyone Gets Wrong I’ve edited a monthly magazine for more than six years, and it’s a job that’s come with more frustration than reward. If there’s one thing I am grateful for — and it sure isn’t the pay — it’s that my work has allowed endless time to hone my craft to Louis Skolnick levels of grammar geekery. As someone who slings red ink for a living, let me tell you: grammar is an ultra-micro component in the larger picture; it lies somewhere in the final steps of the editing trail; and as such it’s an overrated quasi-irrelevancy in the creative process, perpetuated into importance primarily by bitter nerds who accumulate tweed jackets and crippling inferiority complexes. Below are 20 common grammar mistakes I see routinely, not only in editorial queries and submissions, but in print: in HR manuals, blogs, magazines, newspapers, trade journals, and even best selling novels. Who and Whom This one opens a big can of worms. Which and That Lay and Lie This is the crown jewel of all grammatical errors. Moot Nor
Internet Resources - Writers Resources - Writing Links & Writers Links for Writers - Word Stuff Unsorted [/writers] James Patrick Kelly - Murder Your Darlings - "When time comes to make that final revision, however, you must harden your heart, sharpen the ax and murder your darlings." Greda Vaso - Determining the Readability of a Book - includes formulas for Gunning's Fog Index, Flesch Formula, Powers Sumner Kearl L. Kip Wheeler - Literary Terms and Definitions L. Kip Wheeler - Comp - Lit - Poetry - Links - more Style - Grammar - Errors in English [/writers]American Heritage - Book of English Usage - free download Band-Aid AP StylebookPaul Brians - Common Errors in EnglishCJ Cherryh - Writerisms and other Sins The Chicago Manual of Style FAQ Gary N.
25 Things You Should Know About Word Choice 1. A Series Of Word Choices Here’s why this matters: because both writing and storytelling comprise, at the most basic level, a series of word choices. Words are the building blocks of what we do. They are the atoms of our elements. They are the eggs in our omelets. 2. Words are like LEGO bricks: the more we add, the more we define the reality of our playset. 3. You know that game — “Oh, you’re cold, colder, colder — oh! 4. Think of it like a different game, perhaps: you’re trying to say as much as possible with as few words as you can muster. 5. Finding the perfect word is as likely as finding a downy-soft unicorn with a pearlescent horn riding a skateboard made from the bones of your many enemies. 6. For every right word, you have an infinity of wrong ones. 7. You might use a word that either oversteps or fails to meet the idea you hope to present. 8. Remember how I said earlier that words are like LEGO, blah blah blah help define reality yadda yadda poop noise? 9. 10. 11. 12. 13. 14.
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