Printing Hokkaido After narrowing down my Hokkaido work through my edit process, I’m now left with a collection of images to print. Here’s my rough process. 1. Is my monitor recently calibrated? 2. Have I set my Image Size correctly? 3. I study my work under a large diffused skylight. I print with an Epson 3880 which I love, but I’m eyeing something bigger. If you want to bump your digital printing skills a little, or you’re just getting into it, I strongly recommend Martin Bailey as a resource. 4. As always, questions in the comments are welcome. If you’ve missed some of the Hokkaido work, here are a few blog posts with some images:
Everything I Know About Chasing a Dream y eyes fluttered open and I found myself off-kilter. Which is basically the fancy way of saying I woke up grumpy. The house was silent, my boys were sleeping, and the curtain waved from the breeze at the window, but my brows furrowed. I wish I could just move past this point, I muttered under my breath. Then I clamped my hand over my mouth. I swore to never say I wanted to move past a point in life because I'm destined to learn something important. So, what did I learn my first year in business? The lessons of yesteryear and the lessons I'll learn tomorrow are the most valuable part of the process...I'm slowly learning to take it for all it's worth.
"People of the Delta" Film Project by Joey L. People of the Delta is a cinematic narrative film collaborating with real people and stories from the tribes of Ethiopia's Omo Valley. The script was written with true events in mind, shaped from the collective wisdom of stories handed down from the elders of the Dassanach and Hamar tribes. These two tribes are historically known for competing against one another for the limited amount of fertile land found along the Omo River. This fragile way of life becomes the backbone of our film’s plot. Conflict over resources extends to every culture and country on the globe today, and is expressed with an entirely unique perspective in the film. The story is told in two chapters from two unique perspectives. Joey L. Aside from bringing back a great piece of cinema that presents the tribes in a dignified manner, the local people will also benefit from this film. (Above: Early movie poster concept artwork by artist Sam Spratt. Lighting will be kept minimal due to the remote nature of location.
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