Rhea (or Cybele), after a marble, 1888. Then she hid Zeus in a cave on Mount Ida in Crete. According to varying versions of the story: Rhea only appears in Greek art from the fourth century BC, when her iconography draws on that of Cybele; the two therefore, often are indistinguishable; both can be shown on a throne flanked by lions, riding a lion, or on a chariot drawn by two lions. Most often Rhea's symbol is a pair of lions, the ones that pulled her celestial chariot and were seen often, rampant, one on either side of the gateways through the walls to many cities in the ancient world. In Homer, Rhea is the mother of the gods, although not a universal mother like Cybele, the Phrygian Great Mother, with whom she was later identified.
"Venus figurines" is an umbrella term for a number of prehistoric statuettes of women portrayed with similar physical attributes from the Upper Palaeolithic, mostly found in Europe, but with finds as far east as Irkutsk Oblast, Siberia, extending their distribution to much of Eurasia, from the Pyrenees to Lake Baikal. Most of them date to the Gravettian period, but there are a number of early examples from the Aurignacian, including the Venus of Hohle Fels, discovered in 2008, carbon dated to at least 35,000 years ago, and late examples of the Magdalenian, such as the Venus of Monruz, aged about 11,000 years. These figurines were carved from soft stone (such as steatite, calcite or limestone), bone or ivory, or formed of clay and fired. The latter are among the oldest ceramics known. In total, over a hundred such figurines are known; virtually all of modest size, between 4 cm and 25 cm in height. They are some of the earliest works of prehistoric art. History of discovery Notes
Queen of Heaven
The title Queen of Heaven has long been a Catholic tradition, included in prayers and devotional literature, and seen in Western art in the subject of the Coronation of the Virgin, from the High Middle Ages, long before it was given a formal definition status by the Church. Theological basis Queen of Heaven (Latin Regina Caeli) is one of many Queen titles used of the Virgin Mary. Pius XII explained on the theological reasons for her title of Queen in a radio message to Fatima of May 13, 1946, Bendito seja: He, the Son of God, reflects on His heavenly Mother the glory, the majesty and the dominion of His kingship, for, having been associated to the King of Martyrs in the ... work of human Redemption as Mother and cooperator, she remains forever associated to Him, with a practically unlimited power, in the distribution of the graces which flow from the Redemption. Biblical basis A statue of the Assumption of Mary typically crowned with 12 stars. Historical practice
Nineteenth dynasty statue of Mut, part of a double statue, c. 1279-1213 BCE, Luxor Museum Mut, which meant mother in the ancient Egyptian language, was an ancient Egyptian mother goddess with multiple aspects that changed over the thousands of years of the culture. Alternative spellings are Maut and Mout. She was considered a primal deity, associated with the waters from which everything was born through parthenogenesis. She also was depicted as a woman with the crowns of Egypt upon her head. Some of Mut's many titles included World-Mother, Eye of Ra, Queen of the Goddesses, Lady of Heaven, Mother of the Gods, and She Who Gives Birth, But Was Herself Not Born of Any. Changes of mythological position Much later new myths held that since Mut had no parents, but was created from nothing; consequently, she could not have children and so adopted one instead. Making up a complete triad of deities for the later pantheon of Thebes, it was said that Mut had adopted Menthu, god of war.
Etruscan Menrva Stemming from an Italic moon goddess *Meneswā ('She who measures'), the Etruscans adopted the inherited Old Latin name, *Menerwā, thereby calling her Menrva. It is assumed that her Roman name, Minerva, is based on this Etruscan mythology, Minerva was the goddess of wisdom, war, art, schools and commerce. She was the Etruscan counterpart to Greek Athena. Like Athena, Minerva was born from the head of her father, Jupiter (Greek Zeus). Worship in Rome Raised-relief image of Minerva on a Roman gilt silver bowl, 1st century BC As Minerva Medica, she was the goddess of medicine and doctors. In Fasti III, Ovid called her the "goddess of a thousand works". The Romans celebrated her festival from March 19 to March 23 during the day which is called, in the neuter plural, Quinquatria, the fifth after the Ides of March, the nineteenth, an artisans' holiday . Universities and educational establishments Societies and governmental use See also References Sources
Horus is one of the oldest and most significant deities in ancient Egyptian religion, who was worshipped from at least the late Predynastic period through to Greco-Roman times. Different forms of Horus are recorded in history and these are treated as distinct gods by Egypt specialists. These various forms may possibly be different perceptions of the same multi-layered deity in which certain attributes or syncretic relationships are emphasized, not necessarily in opposition but complementary to one another, consistent with how the Ancient Egyptians viewed the multiple facets of reality. He was most often depicted as a falcon, most likely a lanner or peregrine, or as a man with a falcon head. Etymology Horus was also known as Nekheny, meaning "falcon". Note of changes over time In early Egypt, Horus was the brother of Isis, Osiris, Set and Nephthys. Horus and the pharaoh Origin mythology Mythological roles Sky god God of war and hunting
Portrayed as majestic and solemn, often enthroned, and crowned with the polos (a high cylindrical crown worn by several of the Great Goddesses), Hera may bear a pomegranate in her hand, emblem of fertile blood and death and a substitute for the narcotic capsule of the opium poppy. A scholar of Greek mythology Walter Burkert writes in Greek Religion, "Nevertheless, there are memories of an earlier aniconic representation, as a pillar in Argos and as a plank in Samos." Etymology The cult of Hera Hera may have been the first to whom the Greeks dedicated an enclosed roofed temple sanctuary, at Samos about 800 BC. We know that the temple created by the Rhoecus sculptors and architects was destroyed between 570- 60 BC. In Euboea the festival of the Great Daedala, sacred to Hera, was celebrated on a sixty-year cycle. Hera's early importance According to Walter Burkert, both Hera and Demeter have many characteristic attributes of pre-Greek Great Goddesses. Epithets
Hathor (/ˈhæθɔr/ or /ˈhæθər/; Egyptian: ḥwt-ḥr and from Greek: Άθωρ, "mansion of Horus") is an Ancient Egyptian goddess who personified the principles of joy, feminine love, and motherhood. She was one of the most important and popular deities throughout the history of Ancient Egypt. Hathor was worshiped by Royalty and common people alike in whose tombs she is depicted as "Mistress of the West" welcoming the dead into the next life. In other roles she was a goddess of music, dance, foreign lands and fertility who helped women in childbirth, as well as the patron goddess of miners. The cult of Hathor predates the historic period, and the roots of devotion to her are therefore difficult to trace, though it may be a development of predynastic cults which venerated fertility, and nature in general, represented by cows. Hathor is commonly depicted as a cow goddess with horns in which is set a sun disk with Uraeus. Early depictions Temples Hesat Notes