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Famous, Infamous and Iconic Photos

Famous, Infamous and Iconic Photos

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Related:  Year 12 Study GroupsHenri Cartier-Bresson

What makes an image unforgettable? Joe Rosenthal's 1945 photograph of U.S. troops raising a flag in Iwo Jima during World War II remains one of the most widely reproduced images. It earned him a Pulitzer Prize, but he also faced suspicions that he staged the patriotic scene. While it was reported to be a genuine event, it was the second flag-raising of the day atop Mount Suribachi. The first flag, raised hours earlier, was deemed too small to be seen from the base of the mountain. Look back at other photographs that have helped define modern history. Bresson There are giants in this world. Each discipline and art has them. In photography one of the towering names is Henri Cartier Bresson.

Photo Opportunities : Corinne Vionnet + PUBLICATION: Art and The Internet 2014 Black Dog Publishing, UK + PUBLICATION: ScreenDump #2 2014 ScreenDump #2, by Suzan Geldhoff and Karin Krijgsman, NL + EXHIBITION: Musée des Beaux-Arts, Liège March 15th - May 25th, 2014 Icones / Pixels of Paradise, Image & Belief; 9th International Biennal of photography and visual arts, Liège, Belgium + EXHIBITION: Musée d'Art, Pully, Switzerland March 5th - May 11th, 2014 Do You Speak Tourist? Quand les photographes décodent le cliché.

Thesis Statements What is a Thesis Statement? Almost all of us—even if we don’t do it consciously—look early in an essay for a one- or two-sentence condensation of the argument or analysis that is to follow. We refer to that condensation as a thesis statement. Why Should Your Essay Contain a Thesis Statement? to test your ideas by distilling them into a sentence or two to better organize and develop your argument to provide your reader with a “guide” to your argument Tips > Cropping Thoughts One learns to avoid mentioning certain topics with people that you don't know well, such as: • Religion • Politics MATERIAL WORLD (in progress) : Photography by David Welch Material World takes influence from the Marxist concept “Objectification”. This concept marks a transformative relationship between humankind and nature where individuals manifest their activities into materially existing forms. To Marx, these forms serve as mirrors for self-understanding through contemplation and reflection, progressive steps towards our enhanced capacity as human beings.

The Tank Man This is a picture that needs no caption. However, very few people know or care about the exact details of the events that transpired on June 5th, 1989. The day after Chinese troops expelled thousands of demonstrators from Tiananmen Square in Beijing (in a process that left thousands dead), the tanks returning from their mission at the Square were confronted with a lone rebel.

10 Things Henri Cartier-Bresson Can Teach You About Street Photography Don’t forget to pre-order the new re-print of “The Decisive Moment” by Henri Cartier-Bresson! I have been doing quite a bit of research into Henri Cartier-Bresson, the godfather of street photography. Although my current approach in street photography is more like Bruce Gilden and less of Henri Cartier-Bresson, HCB influenced much of my earlier work and I still deeply respect his photography and philosophies. I hope you are able to enjoy these things I believe you can learn from Henri Cartier-Bresson about street photography. Keep reading to become inspired and learn more. Migrant Mother Dorothea Lange was one of the photographers hired by the Farm Security Administration (FSA) to document the social condition as a result of the Depression. Exhausted from photographing farms in Nipomo, California, Lange turned down a dirt road to investigate a migrant camp of pea pickers. In less than fifteen minutes, Lange was back on the road after making five exposures of a woman (Florence Thompson) and her children in the camp.

Henri Cartier-Bresson: Living and Looking The journalist and filmmaker Sheila Turner-Seed interviewed Henri Cartier-Bresson in his Paris studio in 1971 for a film-strip series on photographers that she produced for Scholastic. After her death in 1979 at the age of 42, that interview, along with interviews that Ms. Turner-Seed had conducted with Bruce Davidson, Cornell Capa, Lisette Model, W. Exposing of A Gestapo Informer In Dessau, at a camp of displaced persons waiting for repatriation, a Gestapo informer who had pretended to be a refugee is discovered and exposed by a camp inmate. Cartier-Bresson draws the audience right into the middle of that anguished circle of the formerly wronged and the abused. The judge’s dazed aplomb was contrasted with the denouncer’s rage, the informer’s resignation, while faces of anguish and anger framed the picture in a modern day Greek chorus. Henri Cartier-Bresson, himself once a German prisoner-of-war, took the photo between 21 April and 2 July 1945, between the American occupation of the city and the arrival of their Russian replacements. He was working with the Americans on a film for the Information Service about the home-coming of French prisoners of war, he recalled: “It was a film by prisoners about prisoners.

Street Photography Composition Lesson #3: Diagonals For today’s street photography composition lesson, we will discuss a compositional rule that is simple enough: the diagonal. Credit goes to Adam Marelli for teaching me about this important design element which can help street photographers all around the globe. Diagonals are one of the strongest and most fundamental compositional elements– something that we all know quite well. There are 3 types of main lines: the horizontal, vertical, and diagonal line. They also go in degrees of intensity (the horizontal line being the least dynamic and the diagonal line as the most dynamic).

The Execution of A Vietcong Guerilla Feb 1, 1968. There were a lot of pictures taken during the Vietnam War-those of burning monks, fallen soldiers and whirling helicopters. But this picture by Eddie Adams is the one that defined the conflict and changed history.

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