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Bakounine et Dostoïevski Bien que contemporains, Bakounine (1814-1876) et Dostoïevski (1821-1881) semblent s’opposer sur à peu près tout: l’un est avant tout un praticien de la révolution, l’autre un écrivain qui, avec le temps, est devenu de plus en plus inquiet devant les progrès du parti révolutionnaire en Russie. Par ailleurs, ils n’appartiennent pas aux mêmes périodes de la vie intellectuelle russe : Bakounine a été membre du cercle de Stankevitch, par lequel la philosophie allemande a pénétré en Russie, entre 1837 et 1840, alors que Dostoïevski a fait son entrée dans les salons littéraires de Moscou après la publication de son premier roman, Les pauvres gens (publié en 1846). Trois éléments semblent toutefois devoir rapprocher les deux personnages. Tout d’abord, il a souvent été dit que Bakounine aurait inspiré à Dostoïevski le personnage de Stavroguine dans Les possédés (ou Les démons), roman écrit entre 1869 et 1871 et publié en 1872. Bakounine modèle de Stavroguine?

A itinerância das ideias e o pensamento social africano. | Leite Hernandez | Anos 90 O arquivo PDF selecionado deve ser carregado no navegador caso tenha instalado um plugin de leitura de arquivos PDF (por exemplo, uma versão atual do Adobe Acrobat Reader). Como alternativa, pode-se baixar o arquivo PDF para o computador, de onde poderá abrí-lo com o leitor PDF de sua preferência. Para baixar o PDF, clique no link abaixo. Caso deseje mais informações sobre como imprimir, salvar e trabalhar com PDFs, a Highwire Press oferece uma página de Perguntas Frequentes sobre PDFs bastante útil. Tela cheia Tela padrão Anos 90 - Revista do Programa de Pós-Graduação em História da Universidade Federal do Rio Grande do Sul Étudier le marketing à la lumière de la communication Le marketing n’est plus confiné à la seule sphère économique ; de nombreuses organisations sociales comme les partis politiques, les syndicats, l’Église ou les associations font appel à cette méthode. Quel est l’impact d’une telle utilisation ? Le marketing renforce-t-il les capacités d’action des organisations qui l’utilisent en solutionnant leurs problèmes de communication ou, au contraire, conduit-il à une rationalisation utilitariste de la vie sociale ? Nous avons tenté d’apporter un début de réponse à cette question en étudiant les usages du marketing dans le monde associatif. Nos travaux ne portent pas, bien entendu, sur l’ensemble du monde associatif, mais sur ce que Bruno Rebelle nomme les « forces agissantes » (Rebelle, Swiatly, 1999) et que, pour notre part, nous avons nommées « les associations de transformation sociale » à savoir des organisations non lucratives d’intérêt général, initiées par des citoyens et régies par la loi de 1901 (Dacheux, 2000).

Slide Show: Photographing Love In celebration of Valentine’s Day, we’ve curated a selection of intimate portraits from photographers who have a significant body of work devoted to their husband, wife, partner, or lover. The images below explore intangible emotions, from new, lustful love to lengthy, studied intimacy to a love transformed or lost. Nicholas Pye and Sheila Pye, “Sitting on a Unicorn” (2004). “Playing self-invented, absurdist, and at times juvenile games, Sheila and I developed a situation or stage for power struggles between female and male to play out. Angelo Merendino, from “My Wife’s Fight with Breast Cancer.”

Civil and Uncivil Violence in Lebanon: A History of the Internationalization of Communal Conflict In this long-awaited work, Samir Khalaf analyzes the history of civil strife and political violence in Lebanon and reveals the inherent contradictions that have plagued that country and made it so vulnerable to both inter-Arab and superpower rivalries. How did a fairly peaceful and resourceful society, with an impressive history of viable pluralism, coexistence, and republicanism, become the site of so much barbarism and incivility? Khalaf argues that historically internal grievances have been magnified or deflected to become the source of international conflict.

L'illusion qui nous frappe. Proust et Dostoïevski Karen Haddad-Wotling, L'illusion qui nous frappe. Proust et Dostoïevski. Une esthétique romanesque comparée. Les moyens auxquels cette étude fait appel pour justifier le rapprochement des deux auteurs passent, dès le début, par l'opposition entre ce que Haddad-Wotling appelle l'oeuvre unique - celle de Proust, et l'oeuvre multiple - celle de Dostoïevski. Malgré l'utilisation abondante de termes comme théorie de l'art, principe esthétique, loi esthétique, structure, composition, vision, etc., ces concepts ne sont jamais explorés dans le sens où un travail en littérature comparée l'exigerait, justement. Une importante partie de l'analyse est dédiée aux "principes de composition" de la théorie de l'art que Proust aura découverte et énoncée à partir de l'oeuvre de Dostoïevski. Qu'en est-il donc des études en littérature comparée en France? Angela Cozea Université de Western Ontario

PsychopolitcsMasterPDF.pdf Marketing Definition Share Video undefined What is 'Marketing' Marketing are activities of a company associated with buying and selling a product or service. BREAKING DOWN 'Marketing' Many people believe that marketing is just about advertising or sales. Amelia Earhart on Marriage by Maria Popova “I cannot guarantee to endure at all times the confinements of even an attractive cage.” Charles Darwin gleefully weighed the pros and cons of marriage, ultimately deciding in its favor, while Susan Sontag called it “an institution committed to the dulling of the feelings.” But marriage, of course, is like most things in life — all else being equal, you get out of it exactly what you put in. Amelia Earhart — pioneering aviator, bestselling author, and one altogether fierce lady — must have known that when she sat down on the morning of February 7th, 1931, and penned this exacting, resolute letter to her publicist and future husband, George Putnam. Noank ConnecticutThe Square House Church StreetDear GPPThere are some things which should be writ before we are married — things we have talked over before — most of them. The two married that afternoon. ↬ Feministing ↬ @dearsarah Donating = Loving Bringing you (ad-free) Brain Pickings takes hundreds of hours each month.

“Beirut Photographer”: An Ode to Memory What does it mean to bear witness to events? What responsibility does the act of witnessing carry? These are the central questions evoked by George Azar and Mariam Shahin’s documentary film “Beirut Photographer.” Released on Al Jazeera English in part to remember the thirtieth anniversary of the 1982 Israeli invasion of Lebanon–and more particularly of Beirut–the film is a multi-layered and fascinating portrayal of the often contradictory aspects of battles that would become subsumed under the label of the “Lebanese civil war,” as well as of the process, and cost, of documenting conflict. The film initially centers on photographer and filmmaker George Azar. He introduces himself as having Lebanese heritage and explains his interest and fascination with the Middle East: “Like a lot of Arab-American kids, […] the Middle East was a mystery to me” until, he states, the Palestinian liberation struggles of the 1970s put the region at the forefront of people’s consciousness in new ways.

Gabrielle Althen / Dostoïevski. Le meurtre et l'espérance Gabrielle Althen Dostoïevski. Le meurtre et l'espérance P. Léon Robert Paris, Éd. du Cerf, coll. « Cerf Littérature », 2006. - 192 p., 20 €. Esprit & Vie n° 191 - Avril 2008 - 1re quinzaine, p. 34. Seule une lecture chrétienne de Dostoïevski est cohérente. Intitulé « Le roman et le prêche », le premier chapitre de l'étude met en évidence l'importance de la référence évangélique : deux préceptes ; celui de ne pas juger (Mt 7, 1-3) et celui de pardonner (Mt 22, 37-40), énoncés au début des romans et rappelés fréquemment par des personnages relais, donnent la clé de l'interprétation de l'œuvre. Le second chapitre dont le titre est « La relève par le meurtre » étudie l'univers de l'absence de Dieu ; celui du mal et du péché, dont le meurtre est le symbole. Le dernier chapitre intitulé : « Au-delà du bien et du mal » propose une solution au mal. Il fallait le crime pour faire naître l'espérance, laquelle a changé le meurtre en expiation, la solitude en communion. [1] Universitaire, G.

523492.pdf marketing /mahr"ki ting/, n. 1. the act of buying or selling in a market. 2. the total of activities involved in the transfer of goods from the producer or seller to the consumer or buyer, including advertising, shipping, storing, and selling. Activities that direct the flow of goods and services from producers to consumers. Inadvancedindustrialeconomies, marketingconsiderationsplayamajorroleindeterminingcorporatepolicy. Onceprimarilyconcernedwithincreasingsalesthroughadvertisingandotherpromotionaltechniques, corporatemarketingdepartmentsnowfocusoncreditpolicies (seecredit), productdevelopment, customersupport, distribution, andcorporatecommunications. Introduction the sum of activities involved in directing the flow of goods and services from producers to consumers. Marketing's principal function is to promote and facilitate exchange. The evolving discipline of marketing Themarketingdisciplinehaditsoriginsintheearly20thcenturyasanoffspringofeconomics. Roles of marketing The marketing process Positioning

Laws of Physics Can't Trump the Bonds of Love Zack ConkleLIFE LESSONS Jeffrey Wright with his son, Adam, who has a developmental disorder, in a scene from “Wright’s Law.” Jeffrey Wright is well known around his high school in Louisville, Ky., for his antics as a physics teacher, which include exploding pumpkins, hovercraft and a scary experiment that involves a bed of nails, a cinder block and a sledgehammer. But it is a simple lecture — one without props or fireballs — that leaves the greatest impression on his students each year. The talk is about Mr. Wright’s son and the meaning of life, love and family. It has become an annual event at Louisville Male Traditional High School (now coed, despite its name), and it has been captured in a short documentary, “Wright’s Law,” which recently won a gold medal in multimedia in the national College Photographer of the Year competition, run by the University of Missouri. The filmmaker, Zack Conkle, 22, a photojournalism graduate of Western Kentucky University and a former student of Mr. Mr.