untitled Posts tagged with ‘typography’ triboro leftovers info AM on The Present Tense Mode, images, pop culture Off the Farm: The Story of Idaho Bob 5th Apr 2014 | 1 note A few days ago the Insane Clown Posse came out with a video that is a shot for shot homage to David Shadi Perez’s original video for House of Pain. I thought it only fitting to put them side by side. enjoy 3rd Apr 2014 by Rasquaché Film Productions A Ghanaian student’s vision of his future takes a sudden turn after his father’s death. 30th Mar 2014 | 4 notes Save the Children released a haunting video that imagines one little girl’s life ravaged by war in the course of one year. To get involved, visit Save the Children’s website. via: FeatureShoot 27th Mar 2014 The Instagram version of the Adidas = Pharrell Williams shoot #whatsunderthehat 27th Mar 2014 | 2 notes Directed and shot on location in Australia by the one and only David Shadi Perez ( shadinyc ) with pharrell-williams. 18th Mar 2014 | 1 note —Darius Khondji 3rd Mar 2014 | 2 notes Spike Jonze 24th Feb 2014 from Idaho Bob 21st Feb 2014 | 1 note objectfocusbowl: 20th Feb 2014 from Toby & Pete 19th Feb 2014 from Alan Warburton
Spatial Design « Inspiration Lab Confetti System I am WAYYYYY behind on posting. But still here! Just working super hard. But hey! It’s time for the weekend and what’s more party friday than confetti? See more: Casa do Conto How about going away for the weekend? See more: Jaime Hayon I guess Jaime Hayon might be on the outskirts of what I normally post but to me he’s so inspiring and since this place IS about inspiration I’m thinking why not? See more: Cielito Querido Café by Esrawe Ohh how I would love to have a cup of coffee at Cielito Querido Café, but alas, Mexico is kind of a long way to go for that experience (although I AM going to Bruxelles over easter just to stay at the Pantone hotel!). Visit Esrawe. Visit Cielito Querido Café. Radford Wallis I have a kinda sick fascination with those flourescent Stabilo markers, so when I saw this project by Radford Wallis I almost died and went to heaven. Timothy Goodman Studio Myerscough
MODELS © by V / Photography Sebastian Faena / Styling Julia von Boehm / Make-Up Jeanine Lobell at Tim Howard Mgmt / Hair Didier Malige at Art Partner / Models Kate Upton at IMG, Liam Dean at Red NY, Kremi Otashliyska at Ford NY / Manicure Honey at Exposure NY / Light Design Chris Bisagni / Prop Styling Anthony Bornstein, Clare Joan Byrne, Michael Gleeson / Make-Up Assistance Chisa / Hair Assistance Takashi Yusa / Production Helena Martel / Production Assistance Alberto M. Colombo / Prop Styling Assistance Sam White / Light Design Assistance Carlos Ruiz / Location The Waldorf Astoria, New York / Location Equipment Root / Retouching Smooch NYC / Special Thanks Martin Andersen V MAGAZINE Website
L’anatomie des monstres – Alien, Predator, Gremlins… L’anatomie des monstres – Alien, Predator, Gremlins… Une série d’illustration expliquant l’anatomie des monstres du cinéma comme Alien, Predator, Gremlins,ou encore les extraterrestres de Mars Attack, réalisée par l’illustrateur Brad McGinty avec une touche vintage assez sympa ! Brad McGinty – via Fat & furious burger. Theories of The Deep Understanding of Things Gurafiku: Japanese Graphic Design Japanese Poster: Hiroshima Appeals. Kenya Hara, Yoshitaka Mizutani. 2017 Started in 1983, Hiroshima Appeals is a yearly poster project in observation of the atomic bombing of Japan in 1945 with the goal of promoting peace at home and abroad. Designer Kenya Hara writes: “This is an illustration drawn from the perspective of looking up from below a mushroom cloud. I am filled with despair with the reality that nuclear weapons are being stockpiled in quantities that can destroy the Earth several times over while being called ‘deterrence.’
Visva whoworeitbetter Analyse D'image Joseph Kosuth, Wittgenstein’s color, 1989 ____________ Quelques extraits de mon article « Usages sociaux du caractère typographique », paru dans Livraison 13 La démocratisation des outils conjuguée à la dé-légitimation de la compétence esthétique a contribué à brouiller les frontières qui interdisaient au profane, jusqu’au milieu du XXe siècle, l’accès à un espace restreint dont les imprimeurs avaient le monopole : la typographie. Si la lecture savante d’une œuvre requiert la maîtrise d’un code, c’est-à-dire, la capacité à percevoir et à comprendre tout ce que ne fournit pas le signe linguistique (connotation, références à l’histoire et au contexte de création, citation), il ne faut pas oublier que la consommation d’une œuvre peut tout aussi bien se passer de cette compétence. Le décalage entre le processus de lecture et la perception du signe plastique, serait par ailleurs à questionner sur le terrain scientifique.