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British Council Literature

British Council Literature

Audiotool Lydia Davis Lydia Davis is an American writer who was born in Massachusetts in 1947 and is now a professor of creative writing at the University at Albany, the capital of New York state. She is best known for two contrasting accomplishments: translating from the French, to great acclaim, Marcel Proust’s complex Du Côté de Chez Swann (Swann’s Way) and Flaubert’s Madame Bovary, and writing short stories, a number of them among the shortest stories ever written. Much of her fiction may be seen under the aspect of philosophy or poetry or short story, and even the longer creations may be as succinct as two or three pages. She has been described by the critic, James Wood in his latest collection, The Fun Stuff and Other Essays, as “a tempestuous Thomas Bernhard”. Most of all, as Craig Morgan Teicher, of the Cleveland Plain Dealer, wrote in 2009, the year that Davis’s Collected Stories appeared as a single volume: She is “the master of a literary form largely of her own invention.”

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Roberto Bolaño: “Mexican Manifesto” Laura and I did not make love that afternoon. In truth, we gave it a shot, but it just didn’t happen. Or, at least, that’s what I thought at the time. Now I’m not so sure. The boy who worked at Montezuma’s Gym was an orphan, and that was his primary topic of conversation. In every public bath, there tends to be a fight from time to time. The saunas, though it might be more precise to call them private rooms, were a set of two tiny chambers connected by a glass door. One day I’ll wander around in here, Laura said. Together, riding a Benelli—they were everywhere then—we attempted to visit all the baths in Mexico City, guided by an absolute eagerness that was a combination of love and play. The baths were most crowded at seven, seven-thirty, eight at night. These kinds of friendships rarely went beyond a beer or a drink in the bar. In our private room, things were different. If they were acquaintances, Laura would invite them to undress and join us in the steam. Time passed.

How Shakespearean are you? The words of Shakespeare are still held, nearly 400 years after his death, to be some of the most poetic ever written and his influence on modern English is indisputable. Contributions such as pound of flesh (Merchant of Venice) and green-eyed monster (Othello) are fairly well-known, but did you know that he was the first person to use the adjectives misplaced (from King Lear) or neighbouring (Henry IV, Part 1); or the adverbs obscenely (Love’s Labour’s Lost) or out of work (Henry V)? These days we often hear accusations of the English language having been dumbed down, so it is interesting to compare English now to that used by Shakespeare. Grammar, punctuation, and spelling are now more standardized than in the sixteenth and seventeenth centuries, but can English today hold a candle to the Bard of Avon’s work? Enter some English text in the box below and click the button. Shakespeare feature loading, please wait…

Women’s Fiction 2013 Shortlist gettingtrickywithwikis - Image as a Frame Background <script language="javascript" type="text/javascript"> document.getElementsByTagName("body").item(0).style.background = "url( #777"; </script> Just substitute your url for his. - Thanks Mike. Granta's "Best Young British Novelists" Arts &amp; Entertainment Please sign in using one of our supported services to begin saving your favorite programs and videos. We have updated our registration process. Please sign in using one of our supported services to bookmark your favorite programs and videos. If you have a PBS account, your stored favorites and viewing history will be safely migrated. By signing in, you are authorizing PBS to share your email address with your local PBS station to send you periodic communications about station events, services and support. Warning: Data migration for current PBS account holders is a one time only event.

Granta's 'Best Of Young British Novelists' Shows A 'Disunited Kingdom' : The Two-Way Once every decade, the literary magazine Granta publishes an issue called "Best of Young British Novelists," with short excerpts from the novels of 20 emerging authors. In the past, the list of names has proved unusually prescient, with authors such as Salman Rushdie, Martin Amis and Zadie Smith featured before they were widely read. So the release of the fourth list Monday afternoon is accompanied by, as Granta editor John Freeman writes in his introduction to the issue, "the newspapery whiff of zeitgeist prediction." If the list is an accurate bellwether for the direction British fiction is taking, then it provides hope that the model of an insular and class-based literary community in Britain is beginning to fade. As Freeman wrote in an email, "the literary community used to feel like a club. Many of the authors come from former English colonies, and the list includes authors from Somalia, China, Pakistan, Bangladesh, and second generation immigrants with roots in Nigeria and India.

Materials for Students: Writing the Academic Paper: Developing Your Thesis Rachel Kushner, Author of ‘The Flamethrowers’ Photo LOS ANGELES — On a recent morning the novelist Rachel Kushner stood in the parking garage of the Petersen Automotive Museum, where the Green Monster, a lean, turbo-jet-powered vehicle used to set land speed records, was displayed in a roped-off corner. In her new, rapturously reviewed novel, “The Flamethrowers,” set in the 1970s, the narrator finds herself driving just such a vehicle on the Bonneville Salt Flats in Utah, where those records are set. How outlandish is it to put a ’70s female character in a speed machine designed to go 500 miles an hour? “I based that scene on something that actually happened in 1965,” Ms. Kushner said. It’s the same speed and the same record achieved by Ms. Painting is dead, Minimalism is on the decline, and artists are ransacking their own bodies and lives for ideas and gestures that might make an impact. “Reno is a persuasive and moving narrator because Ms. Ms. Ms. At 16, Ms. Ms. Behind the back alley sits her ’64 Ford Galaxie 500.

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