Conseil A new stage age: why theatres should embrace digital technology | Lyn Gardner | Stage Facing the future ... Unlimited's The Moon, the Moon, which invites online public participation. Photograph: Robert Day There was a time, back in the late 1980s and early 1990s, when "multimedia" was a real buzzword. Theatre Sandbox is one such opportunity. There are already plenty of examples of how technology has transformed theatre. As Andrew Taylor over at the Artful Manager has suggested, "participatory technology seems foreign to many, but it is also intriguing as it carries many of the qualities we value in the arts.
Présentations expertes Digital Drama: The technology transforming theatre "Vidiots, they sometimes call us," admits Timothy Bird. Some people in the theatre industry don't take kindly to the innovations that Mr Bird and his team at Knifedge are introducing to the stage. Innovations like a computer-generated avatar sword-fighting an actor live on stage in his most recent show Pippin, transporting the audience to the world of a computer game. Or the sight of a Seurat painting gradually coming to life on stage in Sunday in the Park with George, the show which cemented Knifedge's reputation with an Olivier award for Best Set Design in 2007. Impressive feats like these by Mr Bird and others like him have meant that in the last five years the role of "video designer" has become increasingly common in theatrical programme credits - a term hardly known a decade ago. So who are these "vidiots", and what do they want to do to theatre? No 3D glasses required "Theatre is very different," he says. Image copyright Other Image copyright bbc 'Mere spectacle' Classic drama Critical eye
Vuvox The Choreography of Attention | elevr At nearly every VR related conference I’ve been to someone either on stage or in discussions steadfastly claims: You can not edit in VR. Usually this is followed by a quip about teleporting audience members from place to place and how ‘just not real that is.’ I’m not sure how this strange notion got started, but let me assure you: it’s all lies. Lies I tell you! Seriously people. Editing is a thing When an expert says that you can’t edit in VR what they usually mean is that the standard film language for shot types: establishing shot, close up, etc, have no easy analog in VR. VR recorders are not cameras, like mobiles are not phones Now that I have thoroughly convinced you that VR editing in a thing, let’s talk turkey. VR is a somatic medium You might notice that nearly every filmic shot type is defined by its relationship to the main subject being recorded. We know things with our guts. This format is all about guiding people through an immersive experience, body and mind.
Stockvault.net | Free Stock Photos and Free Images Votre CV interactif Powerpoint « présentations expertes Voilà un moyen simple de sortir votre CV du lot de candidats, sur le bureau des DRH, si vous êtes en recherche active ; mais vous pouvez également vous présenter avantageusement de cette façon si vous êtes directeur de projet transversal dans votre entreprise. C’est un CV dynamique intégrant vos principales réalisations et votre présence sur les médias sociaux, sous l’angle professionnel…sobre et élégant. Une barre de menu est créée pour permettre à votre interlocuteur de naviguer sur votre parcours… Vous pourrez aisément modifier les textes et la mise en forme, sur la version 2003 et 2007. A télécharger directement : version 2003 et 2007 : CV Powerpoint version 2007 : CV Powerpoint Like this: Like Loading...
so good to see an individual so passionate about her craft. the depth she has created in her character is amazing. by shaunaobrien Feb 10
Natasha seems so passionate in her art. It's great how she brings technology to art and really expands the theatre. It's fascinating how she uses the sounds and video as actors to work with. by katetunney Feb 4
I thought that the way Natasha used technology in her performance piece was a good example of how different forms of performance and media can make you interpret the artform. She was able to establish a connection with the audience and the viewer and the experience was something that I had not seen before. by rorymoore Jan 27
I think that the way Nathasa as an artist wants to express herself is outstanding. She created a magic experience for her audience by using technology. It is surpricing me as I wasn't a big fan of using technology in performance arts. She is not only uses it as support, but also as her partner on the stage. This 'partnership' gives a very positive results. Well done Natasha! by patryks Jan 27
I enjoyed Natasha's use of anecdotes and how she related art, science and technology to eachother. Found it very interesting and wanted to find out more... by katieseville Jan 27
I loved her energy and use of technology. It was very interesting to watch and she really kept my interest and the interest of the crowd. by melissahersee Jan 24
I loved Natasha's cool, energetic style. Natasha's performance was as eloquent as her clear, insightful and interesting talk. by maresehickey Jan 23
I love the way she interacts with the technology. I also find it really interesting that she used to be a street performer. by fayemiller Jan 22
Quite interesting how she talked about the connection between art and science. Up wake looked pretty cool, and how it was mainly created through simple technology by helenaburns Jan 22