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Why Fiction is So Hard to Write

Why Fiction is So Hard to Write
I’ve been blogging for a little over three years. I’ve been writing fiction since … well, pretty much since I could write. My blog posts are read by thousands of people. Only 1% of the fiction I’ve ever written has been published. Fiction is incredibly hard to do well. Lots of people can write decent non-fiction. I’m going to say this, despite being an advocate of great writing: Non-fiction doesn’t have to be especially well-written. Of course, it needs to be competent. Fiction is very, very different. Why do you read novels? I believe we read fiction to escape the world for a little while – to escape the limits of our own experience, our own perspective, our own consciousness. That’s why fiction writers have it so tough. When I’m writing a blog post, I don’t have too much to worry about. When I’m writing a single scene in a novel, I have a heck of a lot to do. And all those scenes need to tie together. With fiction, it’s impossible to get it right on the first pass through. Really hard. But…

Eight Secrets Which Writers Won’t Tell You Image from Flickr by Lazurite This is not particularly relevant to the post, but I’m getting an awful lot of comments telling me, often a little snarkily, “it’s ‘THAT’ not ‘WHICH’”. The “don’t use which for restrictive clauses” rule comes (as far as I can tell) from Strunk and White. Plenty of authors, including Austen, have used “which” exactly as I use it in the title. There was never a period in the history of English when “which” at the beginning of a restrictive relative clause was an error. I thought about putting “that” in the title – but I like the sound of “which” between “secrets” and “writers”. And with that out of the way, enjoy the post! A few years ago, I’d look at published writers and think that they were somehow different from me. They were real writers. But as I’ve taken more and more steps into the writing world, I’ve realised that my perception just doesn’t match up to the reality. I’m going to go through eight secrets. Secret #1: Writing is Hard It doesn’t end there.

Writer's Block Help - Inspired Creative Writing Ideas and Techniques Words of Wisdom: 101 Tips from the World’s Most Famous Authors If you've ever wanted to sit down with your favorite writer and ask advice, then you should take a look at these tips from some of the most famous authors in the world. These valuable bits of information provide guidance on strengthening your writing skills, becoming a better fiction writer or poet, learning to tap into your creativity, advice on education and school, and even a few suggestions on success and living a meaningful life. Of course, another excellent way of improving your writing is through traditional or online master’s degrees in creative writing. General Writing Tips Improve any type of writing you do with these solid tips from successful writers themselves. Ernest Hemingway. Tips for Beginning Writers If you are thinking about a career in writing, whether you have a bachelor degree or a master’s degree, or are just starting to write seriously, then use these tips for great suggestions. Stephen King. Fiction Tips Kurt Vonnegut. Poetry Robert Frost. Tips for Creativity Success

Scene Transitions « Becky Levine Posted by beckylevine under Scenes | Tags: Revising, Scenes, Transitions | [4] Comments Remember, in the days when you were writing essays for English class, and a teacher would write the word “transition” in the margin of your paper? They wanted you to smooth out the jump from one paragraph to another, to use a phrase that would make the flow of text more clean. When we’re writing fiction, moving our readers from scene to scene, we need transitions, too. So what do we do? We have to be elephants. So you remember the connections. Here are a few suggestions: Show your hero stuck in, or fighting off, her mood from the scene before.Drop the characters into an action set up by the previous scene’s cliff-hanger.Send the story in a new direction, but let the main character show an awareness of that change. Don’t, as we all did with that pat phrase on our essays, stick your transition awkwardly and obviously into the first sentence of every new scene. How do you work out your transitions?

Writing Tips - Publishers list of phrases for writers to avoid | authonomy writing community We have all met people who have the extraordinary ability to talk in clichés: Y’know, not to beat around the bush or hedge your bet, this section is a must-read because it calls a spade a spade and in a nutshell leaves no stone unturned to pull the rug from under those off-the-cuff, old-hat bête noires called clichés. These are the people who’ve given the cliché its bad name. Most clichés begin life as someone’s incredibly neat, timely or witty way of expressing or emphasising a thought. Many clichés are centuries old. The grammarian Eric Partridge identified four kinds of cliché. Partridge’s third group consists of foreign phrases (terra firma; in flagrante delicto; plus ça change) while his fourth comprises snippets and quotations from literature (a little knowledge is a dangerous thing from Pope, and Shakespeare’s a thing of beauty is a joy for ever). However we haven’t yet rounded up all the usual suspects (cliché). Answers: 1D; 2C; 3A; 4E; 5B

500 Cliches to Avoid in Your Creative Writing Cliches (properly spelled clichés, with the acute accent) are words and phrases, once interesting, which have lost their original effect from overuse. They are considered trite and should be avoided in writing unless used purposely for effect. We all use them without thinking, sometimes because they fit the bill or are just the ticket (both cliches), but usually because they're metaphors, idiom, or truisms that have become so common we no longer notice them. If we say better late than never or speak of someone being down in the dumps , we likely won't register that we just used a cliche. Writing that relies heavily on cliches is considered poor or lazy writing. The list of cliches below is not meant to be comprehensive, but should help you catch some of the more common cliches in use. If some cliches slip by you and your editor, it's not the end of the world. Cliche list A-K:

25 Insights on Becoming a Better Writer When George Plimpton asked Ernest Hemingway what the best training for an aspiring writer would be in a 1954 interview, Hem replied, “Let’s say that he should go out and hang himself because he finds that writing well is impossibly difficult. Then he should be cut down without mercy and forced by his own self to write as well as he can for the rest of his life. At least he will have the story of the hanging to commence with.” Today, writing well is more important than ever. Far from being the province of a select few as it was in Hemingway’s day, writing is a daily occupation for all of us — in email, on blogs, and through social media. So what can we do to improve our writing short of hanging ourselves? 1. Don’t just plan to write—write. 2. [The] Resistance knows that the longer we noodle around “getting ready,” the more time and opportunity we’ll have to sabotage ourselves. 3. Find your best time of the day for writing and write. 4. 5. 6. 7. 8. 9. Treat writing as a job. 10. 11. 12.

How to Cut the Waffle From Your Writing – and Grab Readers’ Attention (Image from Flickr by Unhindered by Talent) Have you ever read a book that was way too wordy? (For me, Stephen Covey’s otherwise excellent 7 Habits of Highly Effective People comes to mind…) The content itself might have been good – but the substance ended up buried beneath a froth of unnecessary words. Perhaps you found it hard to stay focused, or you simply stopped reading. When you write – especially if you’re writing online – it’s important to avoid waffle. So, how do you go about cutting the waffle from your writing? Step #1: Get Clear About the Topic Whatever you’ve written – whether it’s a novel, an ebook or a blog post – you need to figure out what belongs and what doesn’t. Have you included a chapter in your ebook that should really be a separate blog post? This isn’t about how good your writing is. Do It: Write down a one-sentence summary of your post/book/etc.Skim through and ask yourself does this fit? Step #2: Cut Out Any Paragraphs That Don’t Belong At the start of your piece.

How to Write Thousands of Words Every Single Week How much do you write every week? It’s probably not as much as you’d like. A few years ago, I had all day, every day to write – but I’d still end up spending the whole of Monday writing a couple of pages for my critique group. My novel of the time was progressing at a snail’s pace. Nowadays, if I still wrote at that rate, I’d be broke. Here’s how I do it – and how you can too. #1: Write on Topics Which Interest You It’s no coincidence that my blog posts are nearly always about writing, blogging or personal development. It’s much easier to produce thousands of words if you really enjoy writing them. What interests ? Particular themes, settings and character types for fiction – hint: start with what you love to read Topics which you’re a little bit obsessed with for blogging – don’t just pick something which you think will be popular, unless you really do love it A specific audience (e.g. you love writing for artists, or for new mothers, or for teenagers) #2: Plan Before You Start #4: Set a Timer

6 Writers Who Broke the Rules and Got Away with It Have you ever read a book and noticed the author has broken what we writers often hear of as “the rules”? My initial reaction is usually indignation: “Why can she get away with that, and I can’t??” The more I study the craft of writing, the more rules I hear about, and most of these are guidelines based on making a book reader-friendly. As much as I believe it’s good practice to avoid the common pitfalls of beginning writers, there are always exceptions to every rule. Here are six commonly heard rules for writers, and six authors who’ve gotten away with breaking them. (By ‘gotten away with’, I mean being published, selling tons of copies, and in some cases, winning awards): Rule: Don’t write in First Person, Present Tense Audrey Niffenegger, The Time Traveler’s Wife: Niffenegger’s popular title is told by dual narrators from the first person point of view, in the present tense. Rule: Keep your novel under 100,000 words Rule: Limit the use of adverbs. Rule: Don’t begin a story with dialogue.

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