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Portfolio - The Visual work of Scott Hansen

Portfolio - The Visual work of Scott Hansen

diisign PRETTY COLORS Bastien Dubois - Director souvenir de Ain-elhammam fonts, typefaces and all things typographical — I love Typography (ILT) Ask MOO About: Templates and guidelines Pre-designing cards before you upload to MOO is something we only recommend to design professionals, or those very comfortable with graphics applications. Some technical knowledge is required to use the templates, and to save your work in the best format for print. We've put together a slideshow explaining the bleed, trim and safe area, common mistakes and how to avoid them. Below you'll find helpful tips and templates in a variety of different formats. 4 Rules for Designing the Perfect Fit: Make sure you've accounted for the 'bleed' in your design, filling this area with any background colours or images. To set the correct colour space for your PDF, click on the 'output' option shown on the left of your screen when you select the 'Adobe PDF/X-1a' preset. Download product templates To begin creating your designs, please download the template for the relevant product and software from the list below: Business Cards AI Template PSD Template ID Template JPEG Template MiniCards AI Template PSD Template

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Blog Esprit-Design : Tendance Design / Deco Icon Tada Le Journal des Vitrines — les plus belles vitrines des plus beaux magasins, par Stéphanie Moisan Luke Chueh Laver House by Kennedy Nolan Previous Entry Next Entry Buoy Lamps by PostlerFerguson Tailored Wood Bench TWB by Raw Edges for Cappellini Kennedy Nolan’s interiors are beautifully composed. The palette of textured cream surfaces bolstered by the purity of white makes for an impeccably calming and satisfying field of vision. The salient problems of the suburbs as defined by Boyd were–and still are–sprawl, aesthetics and sustainability. Laver House, by Kennedy Nolan Architects, via: Australian Design Review Friday, November 5th, 2010 Previous Entry Next Entry Editor's Picks Bell Side TableHand-blown in the traditional manner using a wooden mould, the transparent tinted glass base asserts a sculptural presence in space, contrasting intriguingly with the solid brass frame on top while also forming with it a harmonious unit recalling the elegant curving silhouette of a bell. Suggested Reading Cars Freedom Style Sex Power Motion Colour Everything. Design Icons Resources More Books The U.N. Desire The Shape of Things to Come.

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