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Inanna

Inanna
Inanna (/ɪˈnænə/ or /ɪˈnɑːnə/; Cuneiform: 𒀭𒈹 DMUŠ3; Sumerian: Inanna; Akkadian: Ištar; Unicode: U+12239) is the Sumerian goddess of love, fertility, and warfare, and goddess of the E-Anna temple at the city of Uruk, her main centre. Part of the front of Inanna's temple from Uruk Origins[edit] Etymology[edit] Inanna's name derives from Lady of Heaven (Sumerian: nin-an-ak). Worship[edit] One version of the star symbol of Inanna/Ishtar Iconography[edit] Inanna's symbol is an eight-pointed star or a rosette.[10] She was associated with lions – even then a symbol of power – and was frequently depicted standing on the backs of two lionesses. Inanna as the star, Venus[edit] Inanna was associated with the celestial planet Venus. Inanna's Descent to the Underworld explains how Inanna is able to, unlike any other deity, descend into the netherworld and return to the heavens. Character[edit] Inanna is the goddess of love – but not marriage. Myths[edit] Enmerkar and the Lord of Aratta[edit]

Gaia (mythology) The Greek word γαῖα (transliterated as gaia) is a collateral form of γῆ[4] (gē, Doric γᾶ ga and probably δᾶ da)[5] meaning Earth,[6] a word of uncertain origin.[7] R. S. P. Beekes has suggested a Pre-Greek origin.[8] In Mycenean Greek Ma-ka (trans. as Ma-ga, "Mother Gaia") also contains the root ga-.[9][10] According to Hesiod, Gaia conceived further offspring with Uranus, first the giant one-eyed Cyclopes: Brontes ("Thunder"), Steropes ("Lightning") and Arges ("Bright");[16] then the Hecatonchires: Cottus, Briareos and Gyges, each with a hundred arms and fifty heads.[17] As each of the Cyclopes and Hecatonchires were born, Uranus hid them in a secret place within Gaia, causing her great pain. Because Cronus had learned from Gaia and Uranus, that he was destined to be overthrown by his own child, Cronus swallowed each of the children born to him by his Titan sister Rhea. With Gaia's advice[21] Zeus defeated the Titans. In classical art Gaia was represented in one of two ways.

Ghouls in popular culture Ghouls have been portrayed in many instances in literature, television and film fantasy. Literature[edit] One Thousand and One Nights is the earliest surviving literature that mentions ghouls,[original research?] and many of the stories in that collection involve or reference ghouls. A prime example is the story "The History of Gherib and His Brother Agib", in which Gherib, an outcast prince, fights off a family of ravenous Ghouls and then enslaves them and converts them to Islam.[1] In 2012 horror novel American Ghoul, a student in the school turns out to be a ghoul, he comes from a family of ghouls who rob graves and feast on corpses. In Harry Shannon's 2006 horror novel Daemon, the wife of a retired black ops specialist Jeff Lehane is Latino rap star who is killed during the concert. The Morlocks in H.G. In the fiction of H. In Neil Gaiman's novel The Graveyard Book, ghouls are small, ape-like creatures who make their home in an extradimensional realm called Ghûlheim. In P.B. In J.K.

Ishtar Ishtar (English pronunciation /ˈɪʃtɑːr/; Transliteration: DIŠTAR; Akkadian: 𒀭𒈹 ; Sumerian 𒀭𒌋𒁯) is the East Semitic Akkadian, Assyrian and Babylonian goddess of fertility, love, war, and sex.[1] She is the counterpart to the Sumerian Inanna, and is the cognate for the Northwest Semitic Aramean goddess Astarte. Characteristics[edit] Ishtar was the goddess of love, war, fertility, and sexuality. Ishtar was the daughter of Ninurta.[2] She was particularly worshipped in northern Mesopotamia, at the Assyrian cities of Nineveh, Ashur and Arbela (Erbil).[2] Besides the lions on her gate, her symbol is an eight-pointed star.[3] One type of depiction of Ishtar/Inanna Ishtar had many lovers; however, as Guirand notes, Descent into the underworld[edit] One of the most famous myths[5] about Ishtar describes her descent to the underworld. If thou openest not the gate to let me enter, I will break the door, I will wrench the lock, I will smash the door-posts, I will force the doors. In other media[edit]

Real estate listing for 201 Bessemer Greensboro NC - Home for Sale - MLS #565985 What is an Estimate? “An ‘Estimate’ is a computer-generated approximation of a property's market value calculated by means of the Automated Value Model (AVM). As such, an Estimate is calculated on the basis of: Publicly available tax assessment records for the property Recent sale prices of comparable properties in the same area There are many additional factors that determine a property‘s actual market value, including its condition, house style, layout, special features, quality of workmanship, and so on. Copyright © 2013 Eppraisal.com, Inc.

Demeter In ancient Greek religion and myth, Demeter (/diˈmiːtər/; Attic: Δημήτηρ Dēmḗtēr; Doric: Δαμάτηρ Dāmā́tēr) is the goddess of the harvest, who presided over grains and the fertility of the earth. Her cult titles include Sito (Σιτώ), "she of the Grain",[1] as the giver of food or grain[2] and Thesmophoros (θεσμός, thesmos: divine order, unwritten law; "phoros": bringer, bearer), "Law-Bringer," as a mark of the civilized existence of agricultural society.[3] Etymology[edit] Demeter's character as mother-goddess is identified in the second element of her name meter (μήτηρ) derived from Proto-Indo-European *méh₂tēr (mother).[11] In antiquity, different explanations were already proffered for the first element of her name. An alternative, Proto-Indo-European etymology comes through Potnia and Despoina; where Des- represents a derivative of PIE *dem (house, dome), and Demeter is "mother of the house" (from PIE *dems-méh₂tēr).[20] Agricultural deity[edit] Festivals and cults[edit] Myths[edit]

Black Death (Official Movie Site) - Starring Sean Bean, Eddie Redmayne and Carice Van Houten - Premieres on Demand February 4th - In Theatres March 11th - Trailers, Pictures & More Persephone Persephone as a vegetation goddess and her mother Demeter were the central figures of the Eleusinian mysteries that predated the Olympian pantheon and promised the initiated a more enjoyable prospect after death. Persephone is further said to have become by Zeus the mother of Dionysus, Iacchus, or Zagreus, usually in orphic tradition. The origins of her cult are uncertain, but it was based on very old agrarian cults of agricultural communities. Name[edit] Etymology[edit] Persephone or "the deceased woman" holding a pomegranate. Persephatta (Περσεφάττα) is considered to mean "female thresher of corn," going by "perso-" relating to Sanskrit "parsa", "sheaf of corn" and the second constituent of the name originating in Proto-Indo European *-gʷʰn-t-ih, from the root *gʷʰen "to strike".[8] An alternative etymology is from φέρειν φόνον, pherein phonon, "to bring (or cause) death".[9] John Chadwick speculatively relates the name of Persephone with the name of Perse, daughter of Oceanus.[12] Italy.

Napoleon-proof your home: convert a Martello tower | Art and design Martello towers were built, at great cost, along the coasts of Kent, Sussex, Essex and Suffolk at the time of the Napoleonic wars. Originally, there were 103 of these 30ft-high towers, with walls 13ft thick and roof-mounted cannons capable of shooting lead balls a mile out to sea. Duncan Jackson's Martello tower, rising from behind the seawall at Bawdsey in Suffolk, is a daunting structure, yet it has been reworked to provide a warm and unexpected welcome: warm because the thick walls keep the winter at bay; and unexpected because, inside, industrial designer Jackson has shaped one of the most original and soul-stirring modern homes in Britain – from a neglected fort never designed for comfort. Until it became redundant in the 1870s, there had been troops at Tower Y, as well as coastguards after Napoleon's defeat. Jackson first came across the tower in June 2000, when it was rotting away at the edge of a farm. Instead, Jackson and his architect Stuart Piercy got stuck in.

Rhea (mythology) Rhea (or Cybele), after a marble, 1888. Then she hid Zeus in a cave on Mount Ida in Crete. According to varying versions of the story: Rhea only appears in Greek art from the fourth century BC, when her iconography draws on that of Cybele; the two therefore, often are indistinguishable;[10] both can be shown on a throne flanked by lions, riding a lion, or on a chariot drawn by two lions. Most often Rhea's symbol is a pair of lions, the ones that pulled her celestial chariot and were seen often, rampant, one on either side of the gateways through the walls to many cities in the ancient world. In Homer, Rhea is the mother of the gods, although not a universal mother like Cybele, the Phrygian Great Mother, with whom she was later identified.

Science Fiction and Fantasy Books, News, Stories, Forum Mother goddess Mother goddess is a term used to refer to a goddess who represents and/or is a personification of nature, motherhood, fertility, creation, destruction or who embodies the bounty of the Earth. When equated with the Earth or the natural world, such goddesses are sometimes referred to as Mother Earth or as the Earth Mother. Many different goddesses have represented motherhood in one way or another, and some have been associated with the birth of humanity as a whole, along with the universe and everything in it. Others have represented the fertility of the earth. Paleolithic figures[edit] The Venus of Dolní Věstonice, one of the earliest known depictions of the human body, dates to approximately 29,000–25,000 BC (Gravettian culture of the Upper Paleolithic era) Neolithic figures[edit] "Bird Lady" a Neolithic Egyptian ceramic, Naganda IIa Predynastic 3500-3400 BCE, Brooklyn Museum Old Europe[edit] Examples[edit] Egyptian[edit] Indigenous people of the Americas[edit] Aztec[edit] Anatolia[edit]

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