Pracownia Olszańska – malarstwo, rzeźba, lalkarstwo, batik, rysunek, biżuteria Pełnyekran Podziel się tym Efekty dźwiękowe Proudly created by Prace powstają techniką własną za pomocą rąk i wyobraźni. Do malowania używam farb renomowanych firm: Rembrandt, Van Dyck, Astra. Batik - ręczna technika malowania rozgrzanym woskiem na płótnie, a następnie wielokrotnego farbowania wybranych fragmentów tkaniny. Prace są wykonywane w technologii "na wosk tracony": najpierw wyrzeźbione w materiale miękkim (wosk), a następnie odlane z mosiądzu i poddane obróbce końcowej. Prace powstają w technice własnej. Wszystkie prace powstają tylko w jednym egzemplarzu, według mojego pomysłu i projektu. Uff, po ponad roku wytężonej pracy w glinie, gipsie, żywicy i metalu wszystkie czternaście stacji Drogi Krzyżowej oddane :) Zapraszam do obejrzenia zdjęć w dziale GALERIA lub na żywo w kościele pw. Równolegle z pracą nad ołtarzem powstaje nowy cykl rzeźb z mosiądzu. wyrażania opinii na Facebooku :) Uwaga! Barbara Olszańska-Żywalewska Rzeźbię, maluję, rysuję. Inspiracje Trzcina na wietrze.
All Articles on Codrops Little Fragments: Creating a Simple Image Poster Effect In Tutorials by Mary Lou on 10 Comments A tutorial on how to create a simple image effect with little image fragments inspired by some poster art and powered by clip-path.... read more Mirror Effect In Playground by Mary Lou on 8 Comments Mirror effect as seen around the Web lately, i.e. on Corentin Fardeau's and Method's website. untitled RELIGION is a new hand drawn display typeface, available from Greenhouse Supply Co. by Justin Greene. Great for Logos, Stationary, Posters, Apparel, literally everything design related. Perfect for that Vintage signage & hand drawn inspired feel. As with anything made by Greenhouse, expect only the best, from the kerning to the alternates, down to the smallest details. The alternate uppercase characters are perfectly kerned for your use. Made for designers, by designers. Thanks! RELIGION ~ Hand Drawn Font Fonts > Blackletter
» Stan Manoukian News | Circus Posterus If you are thinking about attending the first ever Stranger Factory Portfolio Review during this year’s Designer Con, we got some handy guidelines for you to help you along. · Must be 21 yrs or older · Open to entry/mid level artists whose artwork retail cost falls between the $100-$5,000.00 range. · Open to US based artists and international artists (if visiting DCon). · Please try to not bring original artwork to the open submission. · If you hold regular ongoing art sales or sell originals through your own online shop(Etsy, BigCartel, Shopify…etc) – please do not apply. · If possible, please bring a printed resume or exhibition history – if not, be prepared to fill out a contact sheet for the gallery. · Artists must be familiar with the type and style of artwork we show at Stranger Factory and you work must connect or fall relatively well under Narrative/Character based art and/or ‘Pop Surrealism.” · You should be working with archival medias such as oils, acrylics, etc.
Design Spartan : Art digital, digital painting, webdesign, ressources, tutoriels, inspiration | Tutoriels, ressources et inspiration sur l'art digital, l'illustration, le digital painting et le webdesign Rape investigations 'undermined by belief that false accusations are rife' | Society A "misplaced belief" that false accusations of rape or domestic violence are commonplace may be undermining police and prosecutors' efforts to investigate such crimes, the director of public prosecutions has warned. Keir Starmer QC, speaking as he published a study showing there were only a few false allegations during 17 months over 2011 and 2012, said police should not adopt "an over-cautious approach" because "of the understandable concern that some allegations are false". In the aftermath of the Jimmy Savile scandal, and separate concerns about the handling of rape cases by two police forces, Starmer told the Guardian: "Because people recognise the devastating effect of false allegations and because they perceive there to be more false allegations than this report would suggest there are, arguably they adopt a cautious approach. If [that] leads to a more rigorous test being applied when people report rape or domestic violence, then that can lead to injustice for victims."
Blank graph paper templates that you can customize - Paperkit Prenez un temps d'avance Les meilleurs de -35 ans Rencontrez les 10 meilleurs "Innovators Under 35" sélectionnés par la MIT Technology Review. Ca se passe le 14 septembre, à la station F lire plus Rentrée littéraire En attendant de vous retrouver à la rentrée, on prépare quelques surprises pour vous. Le changement #positif Le ChangeNOW Summit lance sa 1e édition à la Station F les 29 et 30 septembre 2017. Comics Color Comics Color Virtually all color printing is done with four colors of ink: yellow, cyan (blue), magenta (red) and black. Every magazine, every newspaper, every brochure – no matter how many different colors appear to be used – are made up of dots of those four colors, the white of the paper, and a process in your brain that makes you see a merged color. The size of the dots – and the resulting amount of white paper that shows between them – determines how light or dark the color is. For 40 years color in the American comic industry used a simple, hand separated 4-color (CMYK) system. The colors were made of three percentages of each of the three printing inks (CMY): A 25% dot, a 50% dot, and a 100% (or solid) color. The possible combinations of these tints gave colorists a palette of 64 possible colors to use in the books, though most used no more than half of them. 49 colors used by Chemical Color of Derby, Connecticut. To create a light green, for instance, a code of Y2B2 was used.