BLUE VERTIGO | Motion Graphics | Argentina | Studios Blue vertigo newsletter motion design Lovely Package® . The leading source for the very best that pack Visual Effects, Animation and Computer Graphics, Soho, London - Jellyfish Pictures Grafica in movimento, Motion Graphics, Motion Design, Video Arte e Tutorial | Archive | Featured Tutti sul nostro gruppo Facebook! Cambiamo semplicmente forma di comunicazione optando per messaggi più brevi e aperti ad un pubblico più ampio. Il blog resterà attivo così da essere un ricco archivio online ricco di ispirazioni e di spunti... Continua a leggere... Ora il mondo è perfetto Il videoclip che stiamo per presentarvi è stato realizzato dallo studio Made On per il pezzo "Ora il mondo è perfetto" dei Planet Funk ft. Continua a leggere... Laika – Paranorman Dai creatori di Coraline, Laika, sta per uscire il 17 Agosto un nuovo film d'animazione... Continua a leggere... Dmitry Zakharov – Micron Video ufficiale di Dmitry Zakharov per il pezzo Micron di Max Cooper. Continua a leggere... Unleash your fingers Unleash your fingers è il titolo della nuova campagna Samsung per la promozione del nuovo cellulare Galaxy. Continua a leggere... Continua a leggere... The Mill Group Showreel 2011 Continua a leggere... Uovo fritto Continua a leggere...
About | The Art of the Title Sequence About About the site “Projectionists — pull curtain before titles.” This note, stuck on the cans of film reels for Otto Preminger’s contentious new movie, The Man with the Golden Arm, sparked the industry’s capricious love affair with film titles. From the tense closeups of Kim Novak’s face in 1958’s Vertigo to the singing ruby lips of The Rocky Horror Picture Show in 1975; from the graceful, three-and-a-half minute crane shot in 1958’s Touch of Evil to the playful, referential intro to The Player in 1992; and from the shadow and substance of The Twilight Zone in 1959 to the intricate cartography of the 2011 TV adaptation of Game of Thrones, title sequences have prepared, captivated, thrilled, and inspired us. Art of the Title is the leading online publication on the creative process behind title sequence design, spanning the film, television, conference, and videogame industries. The Team The site was founded in 2007 by Ian Albinson, and in 2008 Alexander Ulloa joined as Head Writer.
fonts, typefaces and all things typographical — I love Typograph Audi Commercial Makes Q5 Out of Cardboard Box - worldcarfans A cool and quirky new commercial has been popping up on television in the EU for the new Audi Q5. Called "Unbox the Box", the advertisement features an animated man drawn on the side of a cardboard box carefully reshaping the box into a Q5. Set to American folk singer Woody Guthrie's "Car Song", the minute-long spot was directed by Aaron Duffy and Russell Brooke. Select credits for the commercial can be seen below. Seen here is the Dutch version of the advertisement, calling the Q5 the most streamlined SUV, and fitting in environmentally friendly classes of B and C. The British version of the spot ends with "We've unboxed the box. The new Audi Q5 has a choice between a 2.0 liter TFSI petrol engine, a 2.0 liter TDI, or a 3.0 liter TDI. All models comes with a seven-speed S-tronic dual-clutch transmission, dual xenon lights, LED daytime running lamps, and LED taillights. "Unbox the Box" was developed by Bartle Bogle Hegarty London, a British ad agency.
digup•tv | digital design / human stories Heavy Backpack – A Creative Catalogue pixblog Media Talent Bank Speaking as someone who is still finding my feet as a freelance graphic designer (I think it takes a couple of years minimum to fully get to grips with it), I think it may be of use to write a little on the subject of taking the plunge! Mention you’re a freelancer and a lot of people will conjure up an image you of loafing in pyjamas in front of Trisha, sending the occasional email from a laptop. While freelancing does give you the chance to work from the comfort of your own home, if you’re going to make a go of it then the televisual delights of Jeremy Kyle and the like should be furthest from your mind. I should start off by saying that there probably isn’t a perfect time to go freelance, if you’re already in full time employment, finding the time to organise everything you need to will be a struggle. As I started to get some sporadic bits of work coming my way the thought of going back to being a full-time employee lost a bit of its shine. Are you organised? Are you experienced enough?
idents.tv > Quicktime H.264 (18.6mb) > iPod Compatible (8.3mb) > Watch in Flash (7.3mb) > Quicktime H.264 (19.8mb) > iPod Compatible (9.5mb) > Watch in Flash (7.9mb) > Quicktime H.264 (17.4mb) > iPod Compatible (5.9mb) > Watch in Flash (6mb) Brazil just got itself a new channel with the launch of children’s entertainment network Gloob earlier this month. > Quicktime H.264 (180.7mb) > iPod Compatible (34.1mb) > Watch in Flash (5.2mb) With the Comcast/NBCU merger complete the newly formed NBC Sports division (which includes a rebranded Versus Network) needed a clear identity. In steps LA based Troika who created the new branding for the division that would represent everything from the Olympics to Sunday Night Football and Tour de France. Roll montage.. > Quicktime H.264 (9.9mb) > iPod Compatible (5.8mb) > Watch in Flash (5.2mb) > Quicktime H.264 (52.8mb) > iPod Compatible (22.5mb) > Watch in Flash (6.8mb) > Quicktime H.264 (29mb) > iOS Compatible (6mb) > Watch in Flash (8mb) (Thanks for the details Nick)
Justin Metz | Motion Design