thx1137#1460034/ALBUMS#1460034/ALBUMS
Albums édités par la Manufacture Errata VPC : contact mail DISTROS 2013 - K7 ARCHIVE - Thats one small step on my blue suede shoes 2013 - K7 ARCHIVE - Report from the simili planet 2013 - K7 ALBUM - Expédition de Reconnaissance 2013 - NET ALBUM - Oh god I am not good with noise music 2013 - CD MAXI - Driving My Car 2013 - CD MAXI - Waiting My Female Robot 2013 - CD MAXI - Cucumber Power Plant 2012 - NET MAXI - Cucumber Power Plant 2012 - CD SPLIT - Twinsplithx 2011 - K7 SPLIT - Copilot N°1 2011 - NET ALBUM - Bloop 2011 - NET ALBUM - Live La Lune Verte 2011 - NET ARCHIVE - Piratage de démangeaison 2010 - CD ALBUM - Live Back To The Future 2010 - CD ALBUM - Agujero Negro 2009 - CD ALBUM - Expédition de Reconnaissance 2009 - CD MAXI - Over The Datas - outracks ChewZ 2008 - CD MAXI - Girls In House Of Sex 2008 - NET ALBUM - ChewZ Or Reallusion + Outracks 2008 - CD ALBUM - Thx meets Lanusse - Live In The Valley Cassette d'archive copiée à la maison, première série : 10ex. - 30min 1.
stereomood - emotional internet radio - music for my mood and activities
Tritone
In classical music, the tritone is a harmonic and melodic dissonance and is important in the study of musical harmony. The tritone can be used to avoid traditional tonality: "Any tendency for a tonality to emerge may be avoided by introducing a note three whole tones distant from the key note of that tonality. Augmented fourth and diminished fifth[edit] Full ascending and descending chromatic scale on C, with tritone above each pitch. Any augmented fourth can be decomposed into three whole tones. B–C (minor second), C–D (major second), D–E (major second), and E–F (minor second). Using the notes of a chromatic scale, B–F may be also decomposed into the four adjacent intervals B–C♯ (major second), C♯–D♯ (major second), D♯–E♯ (major second), and E♯–F (diminished second). Notice that the latter diminished second is formed by two enharmonically equivalent notes (E♯ and F). Definitions[edit] A tritone (abbreviation: TT) is traditionally defined as a musical interval composed of three whole tones.
Keeril Makan - Composer
Where Eagles Dare Drum
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Thom Yorke’s Isolated Vocal Track on Radiohead’s 1992 Classic, ‘Creep’
The 1992 song “Creep,” Radiohead’s anthem of self loathing and unrequited love, was originally recorded in one take. The song had been written several years earlier by singer Thom Yorke, when he was still a student at Exeter University. “When I wrote it,” Yorke said in an early interview, “I was in the middle of a really, really serious obsession. It lasted about eight months. And it was unsuccessful, which made it even worse. She knows who she is.” The emotions were apparently still running deep when Yorke and his bandmates went into Chipping Norton Studios in their hometown of Oxford to record their debut album, Pablo Honey. The original take was largely retained, except for a few touch-ups. Related Content: Listen to Freddie Mercury and David Bowie on the Isolated Vocal Track for the Queen Hit ‘Under Pressure,’ 1981 A Middle-Eastern Version of Radiohead’s 1997 Hit “Karma Police” Radiohead’s Thom Yorke Gives Teenage Girls Endearing Advice About Boys (And Much More)
The Micronauts
Melted Magic | Astro Nautico
As Astro Nautico's fifth official release, Brooklyn producer Obey City's debut EP, "Melted Magic", offers four idiosyncratic yet seamlessly styled dance tunes. Lush synthesizers are paired with chopped vocals in a complex melodic matrix, while syncopated drum machine patterns and sub-bass frequencies set the songs into movement. As the cover art so aptly illustrates, Melted Magic is a work of warped beauty that provides a mind expanding trip for the listener. Snickers Official Video: vimeo.com/26843915
Reed Ghazala and Circuit Sound Artists in Videos, as NYC’s Bent Festival Gets Underway
Circuit bending has a reputation as involving far-out, unstructured experimental noise, of real violence and distortion done to instruments. And there’s probably a place for that. But Reed Ghazala, circuit bending’s spiritual father and electronic practitioner, takes a more organic, evolutionary approach. Reed recently told me about his favorite application of his iPad, apart from exploring new experimental soundscapes with tools like the brilliant granular app Curtis. He brings it with him into the forest, using GPS for location, and tracking plants and animals, identifying the sounds of bird and beasts. In our electronic ecosystem, fowl and beast are finding their own electro-diversity. For a sense of how broad that notion spans — both in Reed’s own head and at Brooklyn’s festival — our friend Kaley at VICE points us to their Motherboard.tv series on Reed, and his 1967 breakthrough of circuit bending, as well as their coverage of last year’s Bent. Bent Festival 2011
Coma Cinema
radiozerozero
