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A Trip to the Moon / Le Voyage dans la lune - 1902

A Trip to the Moon / Le Voyage dans la lune - 1902

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Griffiths psilocybin The following Q&A is with Roland Griffiths, the study’s lead researcher. Q 1: Why did you undertake this research? In the 1950s and 1960s, basic science and applied research studies were taking place with hallucinogens, offering hints that they might be of value in psychotherapy, addiction treatment, and creativity enhancement, and suggestions that the hallucinogens can occasion mystical-type experiences. Laws enacted in response to excesses of the "psychedelic 1960s" stopped almost all that work, leaving some promising threads dangling. Despite ongoing illicit and licit use, remarkably little is known, from the standpoint of modern psychopharmacology research, about the acute and long-term effects of the hallucinogens. Maries Georges Jean Méliès was born in Paris in 1861 and from a very early age he showed a particular interest in the arts which led, as a boy, to a place at the Ecole des Beaux Arts in Paris where Méliès showed particular interest in stage design and puppetry. In 1884, Méliès continued his studies abroad, in London at the request of his parents - they insisted he learn English after which they intended him to work at his father’s footwear business. While in London, he developed a keen interest in stage conjury after witnessing the work of Maskelyne and Cooke. On his return to Paris he worked at his father’s factory and took over as manager when his father retired.

Stereoscope,William Kentridge,1999 William Kentridge Back to William Kentridge Stereoscope (1999) The following interview is taken from, 1998: William Kentridge Answers a Few Questions Question 1: Your works appear very labor intensive. Peter Gandy (author) The Complete Guide to World Mysticism (1998)The Hermetica: The Lost Wisdom of the Pharaohs (1998)The Wisdom of the Pagan Philosophers (The Wisdom of the World) (1999)The Jesus Mysteries: Was the "Original Jesus" a Pagan God? (1999)Jesus and the Lost Goddess: The Secret Teachings of the Original Christians (2002)The Laughing Jesus: Religious Lies and Gnostic Wisdom (2005)The Gospel of the Second Coming (2007)

Illuminations: Kellner By Douglas Kellner Paul Virilio is one of the most prolific and penetrating critics of the drama of technology in the contemporary era, especially military technology, technologies of representation, and new computer and information technologies. For Virilio, the question of technology is the question of our time and his life-work constitutes a sustained reflection on the origins, nature, and effects of the key technologies that have constituted the modern/postmodern world. In particular, Virilio carries out a radical critique of the ways that technology is transforming the contemporary world and even the human species. Yet I want to argue in this study that Virilio has a flawed conception of technology that is excessively one-sided and that misses the emancipatory and democratizing aspects of new computer and media technologies. Speed, Politics, and Technology

Aldous Huxley Aldous Leonard Huxley /ˈhʌksli/ (26 July 1894 – 22 November 1963) was an English writer, philosopher and a prominent member of the Huxley family. He was best known for his novels including Brave New World, set in a dystopian London, and for non-fiction books, such as The Doors of Perception, which recalls experiences when taking a psychedelic drug, and a wide-ranging output of essays. Early in his career Huxley edited the magazine Oxford Poetry, and published short stories and poetry. Film Analysis: Man with a Movie Camera Man with a Movie Camera (1929), directed by Dziga Vertov, is a unique film. It has no actors nor story. It takes place over the span of one day and is a montage of the urban life in and around a Russian city.

Kathleen Harrison Vault : Kat Harrison, Botanical Dimensions, and the Shamanic Plant Mind Since the introduction of shamanic plants and medicines to Western science, many anthropologists and laboratory wizards have struggled to divine their cultural significance and figure out how they work their peculiar magic. Yet, in spite of all the work done in university laboratories, sterile hospitals, and million-dollar pharmaceutical research wings, conventional science has done little to unravel the ancient mysteries of shamanic healing power. Divorced from traditional contexts, shamanic folk medicines and visionary practices have remained a mystery. It is only recently, through the work of researchers in the "softer" sciences of ethno- and entheobotany, that the true role of these plants could be understood in terms the Western mind could appreciate. Despite the ancient wisdom and power offered by these plant spirits, shamanic plants and practices are now threatened by the encroachment of industrialized forces into rainforest societies.

Hugo, Remediation, and the Cinema of Attractions, or, The Adaptation of Hugo Cabret It’s obvious that Martin Scorsese’s movie Hugo (2011) showcases its director’s great love of cinema and cinema history. Less obvious, perhaps, is the film’s love of books. Hugo adapts Brian Selznick’s bestselling children’s novel, The Invention of Hugo Cabret, which won the 2008 Caldecott Medal for best children’s illustrations.

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