Strobist Learn Adobe Photoshop, Lightroom and Digital Photography | NAPP Camera Lens Once you've settled on the subject and the light, you have to decide on the relative prominence of objects in the scene. By moving the camera position back and forth, you can adjust the relative size of objects in the scene. After you're happy with the position, you pick a camera lens whose angle of view encompasses all the objects that you want to include in the photo. Objects? Au contraire! Aesthetic tip from MIT: when your nose sticks out 5" in front of your eyes, you don't want it to appear relatively more prominent. Suppose that you actually want this photo as the "before" illustration in a plastic surgeon's advertisement. Suppose that you wish to flatter Cyrano. What about the 24mm lens from this camera position? Exactly how long a camera lens do you need? Apologies to people from countries that have adopted sensible units. If sensors and camera lenses were perfect... you would need only one lens! In a perfect world, you would leave the house with only a Canon 14 super-wide lens. Rent
The Turning Gate — Photographers Plugins and Resources The-Digital-Picture.com קומפוזיציה - מגזין הצילום של ישראל The Russell Brown Show - Advanced Masking with Photoshop CS5 Share this Episode Autoplay End of Video Show End Screen Default Quality Adjust your embed size below, then copy and paste the embed code above. Community Translation Your transcript request has been submitted. Adobe TV does its best to accommodate transcript requests. Join the Community Translation Project Thanks for your interest in translating this episode! Please Confirm Your Interest Thanks for your interest in adding translations to this episode! An error occurred while processing your request. Another translator has already started to translate this episode. Thanks for Participating! This episode has been assigned to you and you can expect an e-mail shortly containing all the information you need to get started. About This Episode In this episode, Russell Brown demonstrates advanced masking techniques in Photoshop CS5 that will help you get great results from seemingly impossible images. Presented By Runtime : 00:12:31 Added : 06/10/2010 About this show The Russell Brown Show
Camera Lenses" In the last section, we saw that at any one point, a lens bends light beams to a certain total degree, no matter the light beam's angle of entry. This total "bending angle" is determined by the structure of the lens. A lens with a rounder shape (a center that extends out farther) will have a more acute bending angle. Increasing the bending angle has an obvious effect. Increasing the distance between the lens and the real image actually increases the total size of the real image. The same basic thing happens in a camera. Professional cameras let you attach different lenses so you can see the scene at various magnifications. Different lenses are suited to different situations.
FOTO DIGITAL TIPS Sorry, no technical support is available for my tips and techniques Please report any web-related problems by sending an email to the address listed below. Sorry for the inconvenience, but I will not have the chance to respond to questions relating to these tutorials. For immediate response to your issues and questions, check out the Adobe Forum: forums.adobe.com Also be sure to visit the Adobe TV site for a great collection of information and tutorials: tv.adobe.com Sincerely, Russell Brown russellprestonbrown@mac.com Intellectual property; limited license to users The Materials and Services on this Site, as well as their selection and arrangement, are protected by copyright, trademark, patent, and/or other intellectual property laws, and any unauthorized use of the Materials or Services at this Site may violate such laws and the Terms of Use.
Enhance Contrast In this tutorial one of our senior members from our forums Japaslavian (Jeff Masamori over at Flickr) shares a simple photoshop technique for enhancing contrast. This is probably the most useful little adjustment I’ve come across (in Photoshop) just playing around a few years ago. It has served me well, and I hope it will do the same for you all, as there is not a single photo I have ever taken that does not look better without it. NEVER. Very very simple. 1. 2. 3. 4. 5. 6. Before After/Edited So there you have it. Like I said, I’ve never taken a shot that this didn’t do miracles for. Makes a great action as well.