How to Draw Celtic Knotwork The old method These instructions can be followed with pencil and paper or using any computer based drawing or drafting program. I have used Corel Draw, Adobe Illustrator, and AutoDesk AutoCad for various projects, but my favorite is Corel Draw. In the tutorial below I show the method that I use in Corel Draw; however, I have deliberately left out program-specific instructions. I did this to make the instructions more broadly applicable to work with as many drawing and CAD programs as possible. This method, like most, begins with drawing the grid. The second step is to draw in the diagonals. Next draw in the connecting curves that will become the edges of the knotwork. This is the step that most people have the most trouble with: deciding where to "Break the Grid". So, where do we put these spaces to make an aesthetically pleasing design? Here is how I do it:: I CHEAT! 1). Or 2). But back to the tutorial. Follow the diagonals until you come to a red line. We're almost there!
design resources Following the huge success of last year’s “World’s Biggest Ever List of Graphic Design Blogs”, we’ve decided that we should turn it into an annual event – after all, more people than ever before are blogging and the talent pool continues to grow. This year, we’ve added in some additional categories including typography and image sourcing sites to help you along your way. The list is at least 40% larger than last year and is the one stop shop for all that you could need in terms of inspiration, reference material or tools for you to use. So, without further ado, ladies and gentlemen…. drum-roll please! Graphic Design 1stwebdesigner Blog by Dainis Graveris in Latvia covering all things design and freelance. 2expertsdesign A blog filled with tips – whether it’s graphic design, logo design, web design, advertising, branding or typography. 456 Berea Street Blog from Roger Johansson containing articles and tutorials on web standards, accessibility and usability. 72dpi Graphic design inspiration.
Ember-Eyed &Eerie Illustrations By Mezamero Illustrations By Mezamero Prepare for nightmares! These intense and eerie illustrations are the work of Russian mastermind Mezamero (who's real name is Viktoria). Her work on Deviant Art towers over much of the other submissions on the site, to date she's nearly had a staggering 500,000 views. The dark and malevolent theme displayed in her images below though, doesn't continue throughout all of her creations, so make sure you check out & support the rest of her wonderful illustrative & digital work here
Paul Cadden's Hyperrealistic Drawings Made with Graphite and Chalk Paul Cadden is a Scottish-born hyperrealist artist who creates painfully realistic artworks using only graphite and chalk. I’ve posted some pretty realistic drawings in the past, like Rajacenna’s detailed celebrity portraits, Juan Francisco Casas’ photo-like ballpoint pen drawings, or Paul Lung’s pencil artworks, but the pieces you’re about to see are on a whole other level. Using simple materials like graphite and white chalk, Paul Cadden is able to replicate complex photos down to the tiniest details. Whether it’s the countless wrinkles on an old man’s face, the smoke from a lit cigarette or the water dripping from someone’s face, he makes it look unbelievably realistic. “Although the drawings and paintings I make are based upon a series of photographs, video stills etc, the art created from the photo is used to create a softer and much more complex focus on the subject depicted, presenting it as a living tangible object. via Deviant Art Reddit Stumble
How Color Affects Purchases Gorgeous Bird Paintings by Adam S. Doyle Artist Adam S. Doyle who recently relocated to Hong Kong creates beautiful gestural paintings of birds, where the seemingly incomplete brushstrokes form the feathers and other details of the animal. In some strange way it reminds me of the story of the Renaissance painter Giotto who is rumored to have been able to draw a perfect circle without the aid of a compass, as if Doyle just picks up a dripping paint brush and in a few seconds paints a perfect bird. In reality his work demonstrates a profound control of the paintbrush and careful understanding of the mediums he works with. Via email he tells me: Yes, what you see is what it appears to be—strokes of paint. Doyle most recently had a show at Skylight Gallery in 2011 and is now currently working on a new body of work in Hong Kong.
How To Draw A Wave | Club Of The Waves This art tutorial, kindly donated by surfing comic strip illustrator and surf artist Bob Penuelas covers how to draw a wave the Wilbur Kookmeyer way! If you're like me, then you've probably spent a lot of time in high school class daydreaming and doodling a thousand perfect cartoon waves in your notebook. It's safe to say that ninety percent of us surfers have a habit of scribbling perfect waves whenever a pencil is in our hands. Hopefully the following pointers will help you change your throw-away wave doodles into actual compelling artwork that you want to keep forever. Remember, there are millions of ways to draw a wave and hopefully with these simple pointers you'll find a million more. So, have fun. Drawing a basic wave The following illustrations and captions by Bob Penuelas take you through the basic steps of drawing a wave… Step 1 Sketch in the basic shape of the curl, spray, foam and base of the wave. Step 2 Step 3 Step 4 Add the rest of the flow lines. Step 5 Step 6 Tips… Paddler's view
About Internet IllustrationChristoph Niemann Writers/EditorsMin Li Chan, Fritz Holznagel, Michael Krantz Project CuratorMin Li Chan & The Google Chrome Team DesignFiPaul Truong DevelopmentFi Very Special Thanks To Brian Rakowski, Ian Fette, Chris DiBona, Alex Russell, Erik Kay, Jim Roskind, Mike Belshe, Dimitri Glazkov, Henry Bridge, Gregor Hochmuth, Jeffrey Chang, Mark Larson, Aaron Boodman, Wieland Holfelder, Jochen Eisinger, Bernhard Bauer, Adam Barth, Cory Ferreria, Erik Arvidsson, John Abd-Malek, Carlos Pizano, Justin Schuh, Wan-Teh Chang, Vangelis Kokkevis, Mike Jazayeri, Brad Chen, Darin Fisher, Johanna Wittig, Maxim Lobanov, Marion Fabing Nicolas, Jana Vorechovska, Daniele De Santis, Laura van Nigtevegt, Wojtek Cyprys, Dudley Carr, Richard Rabbat, Ji Lee, Glen Murphy, Valdean Klump, Aaron Koblin, Paul Irish, John Fu, Chris Wright, Sarah Nahm, Christos Apartoglou, Meredith Papp, Eric Antonow, Eitan Bencuya, Jay Nancarrow, Ben Lee, Gina Weakley, Linus Upson, Sundar Pichai & The Google Chrome Team
Extraordinary Brush-Less Paintings Amy Shackleton, who is only 25-years-old, is a unique artist. While her paintings use tons and tons of paint, she doesn't use paintbrushes to create them! Rather, she squeezes paint onto canvases and then allows the paint to naturally drip. She then rotates the canvas to control the direction of the drips, making her paintings appear natural yet controlled. The subjects of many of her paintings are also quite interesting. We were so intrigued by her process that we decided to ask Amy some questions. When did you first know that you wanted to become a professional artist? As a child, I taught myself the basics by drawing and sketching in my free time. Your process is so unique. I worked on unstretched canvas at first, so the surface was flexible and I could move it whichever way I wanted. How long does each piece take from start to finish? How do you stay creative? At first I looked to other artists for inspiration to try and find out what my style was. What's next in store for you?
The hand The hands are a notorious source of frustration. This section won't concentrate on the muscle structure, since the hand is very complex in this regard, and knowing this won't help much in drawing them. Instead, we'll look at proportions, range of motion, and possible simplifications. Structure and proportions Figure 2.20. There is a very easy and surprisingly accurate way to remember the proportions of an adult's hand. The palm of the hand houses the metacarpal bones. The palm of the hand can be simplified to a box. Figure 2.21. Notice that the box does not line up with the contour of the fingers. The two black arrows in the previous figure show how the little finger can move up and down. Figure 2.22. Take a look at some examples of how to use this model: Figure 2.23. The first one is a relaxed pose. This is certainly not the only way to draw a hand.