Modern - Wikipedia Modern generally denotes something that is "up-to-date", "new", or contemporary. It may refer to: in history Modern history in philosophy and sociology in art as a proper name toponymy Modra, a Slovak city, referred to in the German language as "Modern" Greenberg: Modernism Modernist Painting Forum Lectures (Washington, D. C.: Voice of America), 1960Arts Yearbook 4, 1961 (unrevised)Art and Literature, Spring 1965 (slightly revised)The New Art: A Critical Anthology, ed. Gregory Battcock, 1966Peinture-cahiers théoriques, no. 8-9, I974 (titled "La peinture moderniste")Esthetics Contemporary, ed. Richard Kostelanetz, 1978Modern Art and Modernism: A Critical Anthology. ed. Greenberg's first essay on modernism, clarifying many of the ideas implicit in "Avant-Garde and Kitsch", his groundbreaking essay written two decades earlier. ... the use of characteristic methods of a discipline to criticize the discipline itself, not in order to subvert it but in order to entrench it more firmly in its area of competence. The essay is notable for its illuminating (and largely undeveloped) observations about the nature and history of pictures, let alone Greenberg's mid-life perception of the character and importance of the avant-garde. Postscript (1978)
Marcel Duchamp Marcel Duchamp (French: [maʁsɛl dyʃɑ̃]; 28 July 1887 – 2 October 1968) was a French-American painter, sculptor, chess player, and writer whose work is associated with Dadaism[1][2] and conceptual art,[3] although not directly associated with Dada groups. Duchamp is commonly regarded, along with Pablo Picasso and Henri Matisse, as one of the three artists who helped to define the revolutionary developments in the plastic arts in the opening decades of the twentieth century, responsible for significant developments in painting and sculpture.[4][5][6][7] Duchamp has had an immense impact on twentieth-century and twenty first-century art. By World War I, he had rejected the work of many of his fellow artists (like Henri Matisse) as "retinal" art, intended only to please the eye. Instead, Duchamp wanted to put art back in the service of the mind.[8] Importance[edit] Early life[edit] Of Eugene and Lucie Duchamp's seven children, one died as an infant and four became successful artists.
Vorticism - Wikipedia Origins[edit] The name Vorticism was given to the movement by Ezra Pound in 1913,[1] although Lewis, usually seen as the central figure in the movement, had been producing paintings in the same style for a year or so previously.[4] Participants[edit] The eleven signatories of the Vorticist manifesto were: BLAST[edit] The Vorticists published two issues of the literary magazine BLAST, in June 1914 and July 1915 which Lewis edited.[5] It contained work by Ezra Pound and T. Demise and legacy[edit] Paintings and sculpture shown at the Rebel Art Centre in 1914, before the formation of the Vorticist Group was experimental work by Lewis, Wadsworth, Shakespear and others, using angular simplification and abstraction. After this, the movement broke up, largely due to the onset of World War I and public apathy towards the work. See also[edit] Notes[edit] References[edit] Antcliffe, Mark, and Green, Vivien (eds.). External links[edit]
Modernism Origin of the word Etymologically, modernism means an exaggerated love of what is modern, an infatuation for modern ideas , "the abuse of what is modern", as the Abbé Gaudaud explains (La Foi catholique, I, 1908, p. 248). The modern ideas of which we speak are not as old as the period called "modern times". Though Protestantism has generated them little by little, it did not understand from the beginning that such would be its sequel. During the early years of the present century, especially about 1905 and 1906, the tendency to innovation which troubled the Italian dioceses , and especially the ranks of the young clergy , was taxed with modernism. Theory of theological Modernism The essential error of Modernism A full definition of modernism would be rather difficult. Such are the fundamental tendencies. It will be advisable for us to quote a full critique of such supernatural knowledge as an example of the mode of procedure. Catholic and Modernist notions of dogma compared
Jonathan Jones on how Duchamp's urinal revolutionised modern culture The object in Tate Modern is white and shiny, cast in porcelain, its slender upper part curving outward as it descends to a receiving bowl - into which I urinate. It's just a brief walk from here in the fifth-floor men's loo to Marcel Duchamp's Fountain, an object sealed in a plastic display case on a plinth that is nevertheless almost identical to the receptacle into which I've just pissed. This museum treasure is no more or less than Duchamp described it to his sister in a letter of spring 1917: une pissotière en porcelaine. The eminent New Yorkers who ran the American Society of Independent Artists decided in April 1917 that it wasn't. The next month, a little magazine called The Blind Man, which was co-edited by Duchamp, defended Mr Mutt's Fountain: "Whether Mr Mutt with his own hands made the fountain or not has no importance. These words resonate as excitingly, provocatively, philosophically today as they did in the early 20th century. Duchamp grew up with art.
World War I - Wikipedia World War I (WWI or WW1), also known as the First World War, or the Great War, was a global war centred in Europe that began on 28 July 1914 and lasted until 11 November 1918. More than 70 million military personnel, including 60 million Europeans, were mobilised in one of the largest wars in history. Over 9 million combatants and 7 million civilians died as a result of the war (including the victims of a number of genocides), a casualty rate exacerbated by the belligerents' technological and industrial sophistication, and the tactical stalemate caused by trench warfare, a grueling form of warfare in which the defender held the advantage. It was one of the deadliest conflicts in history, and paved the way for major political changes, including revolutions in many of the nations involved. The trigger for the war was the assassination of Archduke Franz Ferdinand of Austria, heir to the throne of Austria-Hungary, by Yugoslav nationalist Gavrilo Princip in Sarajevo on 28 June 1914. Prelude
A Brief Guide to Modernism "That's not it at all, that's not what I meant at all"—from "The Love Song of J. Alfred Prufrock," by T. S. The English novelist Virginia Woolf declared that human nature underwent a fundamental change "on or about December 1910." "On or about 1910," just as the automobile and airplane were beginning to accelerate the pace of human life, and Einstein's ideas were transforming our perception of the universe, there was an explosion of innovation and creative energy that shook every field of artistic endeavor. The excitement, however, came to a terrible climax in 1914 with the start of the First World War, which wiped out a generation of young men in Europe, catapulted Russia into a catastrophic revolution, and sowed the seeds for even worse conflagrations in the decades to follow. Ezra Pound, the most aggressively modern of these poets, made "Make it new!" William Carlos Williams wrote in "plain American which cats and dogs can read," to use a phrase of Marianne Moore.
Modern Art in West Asia: From Colonial to Post-colonial Period | Thematic Essay Old Baghdad, 1972 Hafiz al-Droubi (Iraqi, 1914–1991) Oil on canvas, approx. 66 7/8 x 78 3/4 in. (170 x 200 cm) Baghdad Museum of Modern Art (listed as missing during 2003 invasion) In 1942, Hafiz al-Droubi became the first artist to open a freelance studio in Baghdad. He studied in Rome in 1936 and earned a government scholarship to attend Goldsmiths College in London. A pioneer of modern Iraqi art, he was a co-founder of the first Iraqi art society and a member of the prominent Pioneers. He is known for establishing the Impressionists Group in 1953, which, in spite of its name, was credited with encouraging experimentation in a variety of Western styles and techniques. Woman-Bird, 1975 Mona Saudi (Jordanian, born 1945) Marble, 32 3/4 x 15 x 5 1/8 in. (83 x 38 x 13 cm) Collection Institut du Monde Arabe, Paris Jordanian sculptor Mona Saudi graduated from the École Supérieure des Beaux-Arts in Paris in 1973.
Decadent movement - Wikipedia The Decadent movement was a late 19th-century artistic and literary movement of Western Europe. It flourished in France, but also had devotees in England and throughout Europe, as well as in the United States. Overview[edit] In Britain the leading figures associated with the Decadent movement were Oscar Wilde, Aubrey Beardsley and some artists and writers associated with The Yellow Book. In the United States, the brothers Edgar and Francis Saltus wrote decadent fiction and poetry. Symbolism has often been confused with Decadence. Artists and writers[edit] See also[edit] References[edit] Bibliography[edit]
Modernism: The Roots of Modernism 1. The Roots of Modernism Until recently, the word ‘modern’ was used to refer generically to the contemporaneous; all art is modern at the time it is made. In the history of art, however, the term ‘modern’ is used to refer to a period dating from roughly the 1860s through the 1970s and describes the style and ideology of art produced during that era. In the title of her 1984 book [see BIBLIOGRAPHY], Suzi Gablik asks ‘Has Modernism Failed?’ For reasons that will become clear later in this essay, discussions of modernism in art have been couched largely in formal and stylistic terms. But the question can be posed: Why did Manet paint Le Déjeuner sur l'herbe and Olympia? But there is another more interesting question beyond this: Why was Manet exploring new subject matter, new painterly values and spatial relationships? It is in trying to answer questions like these that forces us to adopt a much broader perspective on the question of modernism.
Marcel Duchamp - French Artist Henri-Robert-Marcel Duchamp, was born on July 28th, 1887, near Blainville, France. In 1904, he traveled to Paris to join his artist brothers, Raymond Duschamp-Villon and Jacques Villon. In Paris, Marcel studied painting at the Academie Julian, until 1905. His early work was Post-Impressionist. In 1911, at their Puteaux home, the brothers hosted a regular discussion group with other writers and artists, including: Picabia, Fernand Leger, Jean Metzinger, Albert Gleizes, Robert and Sonia Delaunay, Juan Gris, Roger de la Fresnaye and Alexander Archipenko. Orphism, led by the Delaunays, sought to produce pure color harmonies as independent of nature as music. In 1912, Duchamp produced two of his iconic works: Nude Descending a Staircase No. 2, and The Bride. Duchamp’s Bride, was an even more disturbing development then his Nude. In the same year, Duchamp attended a stage adaptation of Raymond Roussel’s 1910 novel, Impressions d’Afrique. In 1913 Duchamp withdrew from painting circles.